नाट्यशास्त्र

Natyashastra

Composed over two thousand years ago by the sage Bharata Muni, the Natyashastra stands as the oldest surviving guide to the performing arts. Written in ancient Sanskrit, this foundational scripture unifies drama, dance, and music into a single artistic vision. It teaches how performers use gesture, voice, and emotion to evoke rasa—the aesthetic mood that deeply moves an audience. The text also covers stagecraft, including architecture, costumes, makeup, musical scales, and actor training. Though centuries old, its principles remain the living backbone of Indian classical theater. More than a technical manual, the Natyashastra is a timeless bridge between ancient wisdom and creative expression, reminding us that performance is a sacred conversation between the artist and the soul.

english description by sivagpt

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Distribution of verses across chapters

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Distribution of verses across chapters
Step Chart
Distribution of verses across chapters
Bar Chart
Distribution of verses across chapters

Chapters

अध्याय १

Origin Of Drama

127 verses

अध्याय २

Description Of The Playhouse

105 verses

अध्याय ३

Pūjā To The Gods Of The Stage

102 verses

अध्याय ४

Description Of The Class Dance

320 verses

अध्याय ५

Preliminaries Of A Play

200 verses

अध्याय ६

Sentiments (rasa)

83 verses

अध्याय ७

Emotional And Other States (bhāva)

121 verses

अध्याय ८

Gestures Of Minor Limbs (upāṅga)

178 verses

अध्याय ९

Gestures Of Major Limbs (aṅga)

284 verses

अध्याय १०

Cari Movements

103 verses

अध्याय ११

Maṇḍala Movements

70 verses

अध्याय १२

Different Gaits (gati)

235 verses

अध्याय १३

Different Gaits (gati)

86 verses

अध्याय १४

Zones (kakṣyā) And Local Usages (pravṛtti)

130 verses

अध्याय १५

Verbal Representation (vācika) And Prosody (chandaḥśāstra)

227 verses

अध्याय १६

Metrical Patterns (chandas)

172 verses

अध्याय १७

Diction Of A Play (lakṣaṇa)

150 verses

अध्याय १८

Rules On The Use Of Languages (bhāṣā)

126 verses

अध्याय १९

Modes Of Address (nāman) And Intonation (kāku)

154 verses

अध्याय २०

Ten Kinds Of Play (daśarūpa)

77 verses

अध्याय २१

Limbs Of Segments (sandhi)

227 verses

अध्याय २२

Styles (vṛtti)

332 verses

अध्याय २३

Costumes And Make-up (nepathya)

23 verses

अध्याय २४

Harmonious Representation (sāmānyābhinaya)

89 verses

अध्याय २५

Dealings With Courtezans (veśyā)

125 verses

अध्याय २६

Varied Representation (citrābhinaya)

38 verses

अध्याय २७

Success In Dramatic Production (siddhi)

104 verses

अध्याय २८

On The Instrumental Music (ātodya)

149 verses

अध्याय २९

On Stringed Instruments (tata)

119 verses

अध्याय ३०

On Hollow Instruments (suṣira)

12 verses

अध्यायः ३१

On The Time-measure (tāla)

339 verses

अध्यायः ३२

The Dhruvā Songs

400 verses

अध्यायः ३३

On Covered Instruments (avanaddha)

null verses

अध्याय ३४

Types Of Characters (prakṛti)

null verses

अध्याय ३५

Distribution Of Roles (bhūmikā)

41 verses

अध्याय ३६

Descent Of Drama On The Earth

51 verses

अध्याय ३७

Adhyaya 37

32 verses

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