Natyashastra
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प्रथमं शोधनं कृत्वा लाङ्गलेन समुत्कृषेत् । अस्थिकीलकपालानि तृणगुल्मांश्च शोधयेत् ॥ २६॥
First, the ground should be cleaned by removing any impurities using a plough. The bones, pebbles, and clods of earth, along with any grass and shrubs, should be cleared.
english translation
शोधयित्वा वसुमतीं प्रमाणं निर्दिशेत्ततः । (त्रीण्युत्तराणि सौम्यं च विशाखापि च रेवती ।, हस्तितिष्यानुराधाश्च प्रशस्ता नाट्यकर्मणि ।) पुष्यनक्षत्रयोगेन शुक्लं सूत्रं प्रसारयेत् ॥ २७॥
After cleaning the ground, the dimensions should be marked. The auspicious signs and constellations such as the three northern stars, Shravana, Vishakha, and Revati should be considered, as well as the ones that are favorable for the dramatic work. A white thread should be spread according to the alignment with the Pushya Nakshatra.
english translation
कार्पासं बाल्बजं वापि मौञ्जं वाल्कलमेव च । सूत्रं बुधैस्तु कर्तव्यं यस्य च्छेदो न विद्यते ॥ २८॥
The thread should be made of cotton, hemp, or jute, and it should be one that is not easily broken, as advised by the wise. It must be strong and durable, without any weak points or breaks.
english translation
अर्धच्छिन्ने भवेत्सूत्रे स्वामिनो मरणं ध्रुवम् । त्रिभागच्छिन्नया रज्वा राष्ट्रकोपो विधीयते ॥ २९॥
If the thread is severed halfway, the master’s death is certain. If the thread is cut into three parts, it is considered a sign of the wrath of the ruler.
english translation
छिन्नायां तु चतुर्भागे प्रयोक्तुर्नाश उच्यते । हस्तात्प्रभ्रष्टया वापि कश्चित्वपचयो भवेत् ॥ ३०॥
If the thread is cut into four parts, it is considered a loss for the practitioner. If the thread falls from the hand, it is considered a defect or inauspicious.
english translation
1.
अध्याय १
Origin Of Drama
अध्याय २
Description Of The Playhouse
3.
अध्याय ३
Pūjā To The Gods Of The Stage
4.
अध्याय ४
Description Of The Class Dance
5.
अध्याय ५
Preliminaries Of A Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional And Other States (bhāva)
8.
अध्याय ८
Gestures Of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures Of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala Movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) And Local Usages (pravṛtti)
15.
अध्याय १५
Verbal Representation (vācika) And Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction Of A Play (lakṣaṇa)
18.
अध्याय १८
Rules On The Use Of Languages (bhāṣā)
19.
अध्याय १९
Modes Of Address (nāman) And Intonation (kāku)
20.
अध्याय २०
Ten Kinds Of Play (daśarūpa)
21.
अध्याय २१
Limbs Of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes And Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings With Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success In Dramatic Production (siddhi)
28.
अध्याय २८
On The Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On The Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types Of Characters (prakṛti)
35.
अध्याय ३५
Distribution Of Roles (bhūmikā)
36.
अध्याय ३६
Descent Of Drama On The Earth
37.
अध्याय ३७
Adhyaya 37
Progress:3.0%
प्रथमं शोधनं कृत्वा लाङ्गलेन समुत्कृषेत् । अस्थिकीलकपालानि तृणगुल्मांश्च शोधयेत् ॥ २६॥
First, the ground should be cleaned by removing any impurities using a plough. The bones, pebbles, and clods of earth, along with any grass and shrubs, should be cleared.
english translation
शोधयित्वा वसुमतीं प्रमाणं निर्दिशेत्ततः । (त्रीण्युत्तराणि सौम्यं च विशाखापि च रेवती ।, हस्तितिष्यानुराधाश्च प्रशस्ता नाट्यकर्मणि ।) पुष्यनक्षत्रयोगेन शुक्लं सूत्रं प्रसारयेत् ॥ २७॥
After cleaning the ground, the dimensions should be marked. The auspicious signs and constellations such as the three northern stars, Shravana, Vishakha, and Revati should be considered, as well as the ones that are favorable for the dramatic work. A white thread should be spread according to the alignment with the Pushya Nakshatra.
english translation
कार्पासं बाल्बजं वापि मौञ्जं वाल्कलमेव च । सूत्रं बुधैस्तु कर्तव्यं यस्य च्छेदो न विद्यते ॥ २८॥
The thread should be made of cotton, hemp, or jute, and it should be one that is not easily broken, as advised by the wise. It must be strong and durable, without any weak points or breaks.
english translation
अर्धच्छिन्ने भवेत्सूत्रे स्वामिनो मरणं ध्रुवम् । त्रिभागच्छिन्नया रज्वा राष्ट्रकोपो विधीयते ॥ २९॥
If the thread is severed halfway, the master’s death is certain. If the thread is cut into three parts, it is considered a sign of the wrath of the ruler.
english translation
छिन्नायां तु चतुर्भागे प्रयोक्तुर्नाश उच्यते । हस्तात्प्रभ्रष्टया वापि कश्चित्वपचयो भवेत् ॥ ३०॥
If the thread is cut into four parts, it is considered a loss for the practitioner. If the thread falls from the hand, it is considered a defect or inauspicious.
english translation