1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:22.0%
वितर्को नाम सन्देहविमर्शविप्रतिपत्त्यादिभिर्विभावैरुत्पद्यते । तमभिनयेद्विविधविचारितप्रश्नसम्प्रधारणमन्त्रसङ्गूहनादिभिरनुभावैः । अत्र श्लोको भवति - विचारणादिसम्भूतः सन्देहातिशयात्मकः । वितर्कः सोऽभिनेयस्तु शिरोभ्रूक्षेपकम्पनैः ॥ ९२॥
sanskrit
Deliberation (vitarka) is caused by Determinants such as doubt, cogitation, perplexity and the like. It is to be represented on the stage by Consequents such as various discussions, settling the definition, accepting the deliberation and the like. There is a Śloka on this point: 92. Deliberation which arises from discussions and which has doubt as its basis, is to be represented on the stage by shaking of the head, the eyebrows and the eyelashes.
english translation
vitarko nAma sandehavimarzavipratipattyAdibhirvibhAvairutpadyate | tamabhinayedvividhavicAritapraznasampradhAraNamantrasaGgUhanAdibhiranubhAvaiH | atra zloko bhavati - vicAraNAdisambhUtaH sandehAtizayAtmakaH | vitarkaH so'bhineyastu zirobhrUkSepakampanaiH || 92||
hk transliteration by SanscriptNatyashastra
Progress:22.0%
वितर्को नाम सन्देहविमर्शविप्रतिपत्त्यादिभिर्विभावैरुत्पद्यते । तमभिनयेद्विविधविचारितप्रश्नसम्प्रधारणमन्त्रसङ्गूहनादिभिरनुभावैः । अत्र श्लोको भवति - विचारणादिसम्भूतः सन्देहातिशयात्मकः । वितर्कः सोऽभिनेयस्तु शिरोभ्रूक्षेपकम्पनैः ॥ ९२॥
sanskrit
Deliberation (vitarka) is caused by Determinants such as doubt, cogitation, perplexity and the like. It is to be represented on the stage by Consequents such as various discussions, settling the definition, accepting the deliberation and the like. There is a Śloka on this point: 92. Deliberation which arises from discussions and which has doubt as its basis, is to be represented on the stage by shaking of the head, the eyebrows and the eyelashes.
english translation
vitarko nAma sandehavimarzavipratipattyAdibhirvibhAvairutpadyate | tamabhinayedvividhavicAritapraznasampradhAraNamantrasaGgUhanAdibhiranubhAvaiH | atra zloko bhavati - vicAraNAdisambhUtaH sandehAtizayAtmakaH | vitarkaH so'bhineyastu zirobhrUkSepakampanaiH || 92||
hk transliteration by Sanscript