1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.9%
त्रासो नाम विद्युदुल्काशनिपातनिर्घाताम्बुधरमहासत्त्वपशु- रवादिभिर्विभावैरुत्पद्यते । तमभिनयेत्संक्षिप्ताङ्गोत्कम्पनवेपथु- स्तम्भरोमाञ्चगद्गदप्रलापादिभिरनुभावैः । अत्र श्लोको भवति - महाभैरवनादद्यैस्त्रासः समुपजायते । स्रस्ताङ्गाक्षिनिमेषैश्च तस्य त्वभिनयो भवेत् ॥ ९१॥
sanskrit
Fright (trāsa) is caused by Determinants such as flash of lightning, a meteor, thunder, earthquake, clouds, crying or howling of big animals and the like. It is to be represented on the stage by Consequents such as, shaking of narrow limbs, tremor [of the body], paralysis, horripilation, speaking with a choked voice, talking irrelevantly, and the like. There is a Śloka on this point: 91. Fright is caused by a very terrible sound and the like. It should be represented on the stage by looseness of limbs and half-shut eyes.
english translation
trAso nAma vidyudulkAzanipAtanirghAtAmbudharamahAsattvapazu- ravAdibhirvibhAvairutpadyate | tamabhinayetsaMkSiptAGgotkampanavepathu- stambharomAJcagadgadapralApAdibhiranubhAvaiH | atra zloko bhavati - mahAbhairavanAdadyaistrAsaH samupajAyate | srastAGgAkSinimeSaizca tasya tvabhinayo bhavet || 91||
hk transliteration by SanscriptNatyashastra
Progress:21.9%
त्रासो नाम विद्युदुल्काशनिपातनिर्घाताम्बुधरमहासत्त्वपशु- रवादिभिर्विभावैरुत्पद्यते । तमभिनयेत्संक्षिप्ताङ्गोत्कम्पनवेपथु- स्तम्भरोमाञ्चगद्गदप्रलापादिभिरनुभावैः । अत्र श्लोको भवति - महाभैरवनादद्यैस्त्रासः समुपजायते । स्रस्ताङ्गाक्षिनिमेषैश्च तस्य त्वभिनयो भवेत् ॥ ९१॥
sanskrit
Fright (trāsa) is caused by Determinants such as flash of lightning, a meteor, thunder, earthquake, clouds, crying or howling of big animals and the like. It is to be represented on the stage by Consequents such as, shaking of narrow limbs, tremor [of the body], paralysis, horripilation, speaking with a choked voice, talking irrelevantly, and the like. There is a Śloka on this point: 91. Fright is caused by a very terrible sound and the like. It should be represented on the stage by looseness of limbs and half-shut eyes.
english translation
trAso nAma vidyudulkAzanipAtanirghAtAmbudharamahAsattvapazu- ravAdibhirvibhAvairutpadyate | tamabhinayetsaMkSiptAGgotkampanavepathu- stambharomAJcagadgadapralApAdibhiranubhAvaiH | atra zloko bhavati - mahAbhairavanAdadyaistrAsaH samupajAyate | srastAGgAkSinimeSaizca tasya tvabhinayo bhavet || 91||
hk transliteration by Sanscript