1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.7%
व्याधिर्नाम वातपित्तकफसन्निपातप्रभवः । तस्य ज्वरादयो विशेषाः । ज्वरस्तु द्विविधः सशीतः सदाहश्च । तत्र सशीतो नाम प्रवेपितसर्वाङ्गोप्कम्पननिकुञ्चना- ग्न्यभिलाषरोमाञ्चहनुवलननासाविकूननमुख- शोषणपरिदेवितादिभिरनुभावैरभिनेयः । सदाहो नाम विक्षिप्ताङ्गकरचरणभूम्यभिलाषानुलेपनशीताभि- लाषपरिदेवनमुखशोषोत्क्रुष्टादिभिरनुभावैः । ये चान्ये व्याधयस्तेऽपि खलु मुखविकूणनगात्र- स्तम्भस्रस्ताक्षिनिःश्वसनस्तनितोत्क्रुष्टवेपना- दिभिरनुभावैरभिनेयाः । अत्र श्लोको भवति - समासतस्तु व्याधीनां कर्तव्योऽभिनयो बुधैः । स्रस्ताङ्गगात्रविक्षेपैस्तथा मुखविकूणनैः ॥ ८३॥
sanskrit
Disease (vyādhi) owes it origin to [an attack of three humours such as] wind (vāta), biles (pitta) and phlegm (kapha).[3] Fever and similar other illnesses are special varieties of it. Fever is of two kinds, viz. that with a feeling of cold (śīta) and that with a feeling of heat (dāha). Fever with a feeling of cold should be represented by Consequents such as shivering, tremor of the entire body, bending [the body], shaking of the jaws, narrowing down the nasal passage, dryness of the mouth, horripilation, lamentation and the like. And that with a feeling of heat, is to be represented by throwing out clothes, the hands and the feet, desire [to roll on] the ground, [use of] unguent, desire for coolness, lamentation, crying and the like. The other types of sicknesses are to be represented on the stage by Consequents such as narrowing down the mouth, dullness of the body, [deep] breathing, making [peculiar] sounds, crying, tremor and the like. There is a Śloka on this point: 83. Sickness in general should be represented on the stage by looseness of the limbs, throwing out the limbs and narrowing down the mouth due to illness.
english translation
vyAdhirnAma vAtapittakaphasannipAtaprabhavaH | tasya jvarAdayo vizeSAH | jvarastu dvividhaH sazItaH sadAhazca | tatra sazIto nAma pravepitasarvAGgopkampananikuJcanA- gnyabhilASaromAJcahanuvalananAsAvikUnanamukha- zoSaNaparidevitAdibhiranubhAvairabhineyaH | sadAho nAma vikSiptAGgakaracaraNabhUmyabhilASAnulepanazItAbhi- lASaparidevanamukhazoSotkruSTAdibhiranubhAvaiH | ye cAnye vyAdhayaste'pi khalu mukhavikUNanagAtra- stambhasrastAkSiniHzvasanastanitotkruSTavepanA- dibhiranubhAvairabhineyAH | atra zloko bhavati - samAsatastu vyAdhInAM kartavyo'bhinayo budhaiH | srastAGgagAtravikSepaistathA mukhavikUNanaiH || 83||
hk transliteration by SanscriptNatyashastra
Progress:21.7%
व्याधिर्नाम वातपित्तकफसन्निपातप्रभवः । तस्य ज्वरादयो विशेषाः । ज्वरस्तु द्विविधः सशीतः सदाहश्च । तत्र सशीतो नाम प्रवेपितसर्वाङ्गोप्कम्पननिकुञ्चना- ग्न्यभिलाषरोमाञ्चहनुवलननासाविकूननमुख- शोषणपरिदेवितादिभिरनुभावैरभिनेयः । सदाहो नाम विक्षिप्ताङ्गकरचरणभूम्यभिलाषानुलेपनशीताभि- लाषपरिदेवनमुखशोषोत्क्रुष्टादिभिरनुभावैः । ये चान्ये व्याधयस्तेऽपि खलु मुखविकूणनगात्र- स्तम्भस्रस्ताक्षिनिःश्वसनस्तनितोत्क्रुष्टवेपना- दिभिरनुभावैरभिनेयाः । अत्र श्लोको भवति - समासतस्तु व्याधीनां कर्तव्योऽभिनयो बुधैः । स्रस्ताङ्गगात्रविक्षेपैस्तथा मुखविकूणनैः ॥ ८३॥
sanskrit
Disease (vyādhi) owes it origin to [an attack of three humours such as] wind (vāta), biles (pitta) and phlegm (kapha).[3] Fever and similar other illnesses are special varieties of it. Fever is of two kinds, viz. that with a feeling of cold (śīta) and that with a feeling of heat (dāha). Fever with a feeling of cold should be represented by Consequents such as shivering, tremor of the entire body, bending [the body], shaking of the jaws, narrowing down the nasal passage, dryness of the mouth, horripilation, lamentation and the like. And that with a feeling of heat, is to be represented by throwing out clothes, the hands and the feet, desire [to roll on] the ground, [use of] unguent, desire for coolness, lamentation, crying and the like. The other types of sicknesses are to be represented on the stage by Consequents such as narrowing down the mouth, dullness of the body, [deep] breathing, making [peculiar] sounds, crying, tremor and the like. There is a Śloka on this point: 83. Sickness in general should be represented on the stage by looseness of the limbs, throwing out the limbs and narrowing down the mouth due to illness.
english translation
vyAdhirnAma vAtapittakaphasannipAtaprabhavaH | tasya jvarAdayo vizeSAH | jvarastu dvividhaH sazItaH sadAhazca | tatra sazIto nAma pravepitasarvAGgopkampananikuJcanA- gnyabhilASaromAJcahanuvalananAsAvikUnanamukha- zoSaNaparidevitAdibhiranubhAvairabhineyaH | sadAho nAma vikSiptAGgakaracaraNabhUmyabhilASAnulepanazItAbhi- lASaparidevanamukhazoSotkruSTAdibhiranubhAvaiH | ye cAnye vyAdhayaste'pi khalu mukhavikUNanagAtra- stambhasrastAkSiniHzvasanastanitotkruSTavepanA- dibhiranubhAvairabhineyAH | atra zloko bhavati - samAsatastu vyAdhInAM kartavyo'bhinayo budhaiH | srastAGgagAtravikSepaistathA mukhavikUNanaiH || 83||
hk transliteration by Sanscript