1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.7%
उग्रता आम चौर्याभिग्रहाणनृपापराधासत्प्रलापादिभिर्विभावैः समुत्पद्यते । तां च वधबन्धनताडननिर्भत्सनादिभिरनुभावैरभिनयेत् । अत्रार्या भवति - चौर्याभिग्रहनवशान्नृपापराधादथोग्रता भव्ति । वधबन्धताडनादिभिरनुभावैरभिनयस्तस्याः ॥ ८१॥
sanskrit
Cruelty (ugratā) is caused by Determinants such as arrest of robbers, offence to kings, offending words and the like, It is to be represented on the stage by Consequents like killing, imprisoning, beating, rebuking and the like. There is an Āryā on this point: 81. Cruelty occurs when a robber is arrested or the king is given affence. It is to be repressented on the stage by Consequents such as killing, imprisoning, beating, rubuking and the like.
english translation
ugratA Ama cauryAbhigrahANanRpAparAdhAsatpralApAdibhirvibhAvaiH samutpadyate | tAM ca vadhabandhanatADananirbhatsanAdibhiranubhAvairabhinayet | atrAryA bhavati - cauryAbhigrahanavazAnnRpAparAdhAdathogratA bhavti | vadhabandhatADanAdibhiranubhAvairabhinayastasyAH || 81||
hk transliteration by SanscriptNatyashastra
Progress:21.7%
उग्रता आम चौर्याभिग्रहाणनृपापराधासत्प्रलापादिभिर्विभावैः समुत्पद्यते । तां च वधबन्धनताडननिर्भत्सनादिभिरनुभावैरभिनयेत् । अत्रार्या भवति - चौर्याभिग्रहनवशान्नृपापराधादथोग्रता भव्ति । वधबन्धताडनादिभिरनुभावैरभिनयस्तस्याः ॥ ८१॥
sanskrit
Cruelty (ugratā) is caused by Determinants such as arrest of robbers, offence to kings, offending words and the like, It is to be represented on the stage by Consequents like killing, imprisoning, beating, rebuking and the like. There is an Āryā on this point: 81. Cruelty occurs when a robber is arrested or the king is given affence. It is to be repressented on the stage by Consequents such as killing, imprisoning, beating, rubuking and the like.
english translation
ugratA Ama cauryAbhigrahANanRpAparAdhAsatpralApAdibhirvibhAvaiH samutpadyate | tAM ca vadhabandhanatADananirbhatsanAdibhiranubhAvairabhinayet | atrAryA bhavati - cauryAbhigrahanavazAnnRpAparAdhAdathogratA bhavti | vadhabandhatADanAdibhiranubhAvairabhinayastasyAH || 81||
hk transliteration by Sanscript