1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.7%
अवहित्थं नाम आकारप्रच्छादनात्मकम् । तच्च लजाभयापजय- गौरवजैह्मयादिभिर्विभाविः समुत्पद्यते । तस्यान्यथाकथनावलोकित- कथाभङ्गकृतकधैर्यादिभिरनुभावैरभिनयः प्रयोक्तव्यः । अत्र श्लोको भवति - धार्ष्ट्यजैह्म्यादिसम्भीतमवहित्थं भयत्मकम् । तच्चागणनया कार्यं नातीवोत्तरभाषणात् ॥ ८०॥
sanskrit
Dissimulation (avahitthā) is the concealment of appearance. It is caused by Determinants such as shame, fear, defeat, respect, deceit and the like. It is to be represented on the stage by Consequents such as speaking like another person, looking downwards, break in the speech, feigned patience and the like. There is a Śloka on this point: 80. Dissimulation is due to impudence, deceit, fear and the like. It is to be represented by carelessness about an action, and not speaking much in reply or in addressing [others].
english translation
avahitthaM nAma AkArapracchAdanAtmakam | tacca lajAbhayApajaya- gauravajaihmayAdibhirvibhAviH samutpadyate | tasyAnyathAkathanAvalokita- kathAbhaGgakRtakadhairyAdibhiranubhAvairabhinayaH prayoktavyaH | atra zloko bhavati - dhArSTyajaihmyAdisambhItamavahitthaM bhayatmakam | taccAgaNanayA kAryaM nAtIvottarabhASaNAt || 80||
hk transliteration by SanscriptNatyashastra
Progress:21.7%
अवहित्थं नाम आकारप्रच्छादनात्मकम् । तच्च लजाभयापजय- गौरवजैह्मयादिभिर्विभाविः समुत्पद्यते । तस्यान्यथाकथनावलोकित- कथाभङ्गकृतकधैर्यादिभिरनुभावैरभिनयः प्रयोक्तव्यः । अत्र श्लोको भवति - धार्ष्ट्यजैह्म्यादिसम्भीतमवहित्थं भयत्मकम् । तच्चागणनया कार्यं नातीवोत्तरभाषणात् ॥ ८०॥
sanskrit
Dissimulation (avahitthā) is the concealment of appearance. It is caused by Determinants such as shame, fear, defeat, respect, deceit and the like. It is to be represented on the stage by Consequents such as speaking like another person, looking downwards, break in the speech, feigned patience and the like. There is a Śloka on this point: 80. Dissimulation is due to impudence, deceit, fear and the like. It is to be represented by carelessness about an action, and not speaking much in reply or in addressing [others].
english translation
avahitthaM nAma AkArapracchAdanAtmakam | tacca lajAbhayApajaya- gauravajaihmayAdibhirvibhAviH samutpadyate | tasyAnyathAkathanAvalokita- kathAbhaGgakRtakadhairyAdibhiranubhAvairabhinayaH prayoktavyaH | atra zloko bhavati - dhArSTyajaihmyAdisambhItamavahitthaM bhayatmakam | taccAgaNanayA kAryaM nAtIvottarabhASaNAt || 80||
hk transliteration by Sanscript