1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.4%
गर्वो नाम ऐश्वर्यकुलरूपयौवनविद्याबलधनलाभादिभिर्विभावैः समुत्पद्यते । तस्यासूयावज्ञाघर्षणानुत्तरदानासम्भाषणाङ्गावलोकन विभ्रमापहसनवाक्पारुष्यगुरुव्यतिक्रमणाधिक्षेपवचनविच्छेदादिभिरनुभावैरभिनयः प्रयोक्तव्यः अत्रार्या भवति - विद्यावाप्ते रूपादैश्वर्यादथ धनागमाद्वापि । गर्वः खलु नीचानां दृष्ट्यङ्गविचारणैः कार्यः ॥ ६७॥
sanskrit
Arrogance (garva) is caused by Determinants such as king-ship, noble birth, personal beauty, youth, learning, power, attainment of wealth ond the like. It is to be represented on the stage by Consequents such as contempt [for others], harassing [people], not giving reply [to one’s question], not greeting [others], looking to shoulders, flurry, contemptous laughter, harsh words, transgressing [commands of] the superiors, rebuking and the like. There is an Āryā on this point: 67. Arrogance of persons of the inferior type due to acquisition of learning, youth, personal beauty, royal power and attainment of wealth is to be represented by movement of the eyes and the limbs.
english translation
garvo nAma aizvaryakularUpayauvanavidyAbaladhanalAbhAdibhirvibhAvaiH samutpadyate | tasyAsUyAvajJAgharSaNAnuttaradAnAsambhASaNAGgAvalokana vibhramApahasanavAkpAruSyaguruvyatikramaNAdhikSepavacanavicchedAdibhiranubhAvairabhinayaH prayoktavyaH atrAryA bhavati - vidyAvApte rUpAdaizvaryAdatha dhanAgamAdvApi | garvaH khalu nIcAnAM dRSTyaGgavicAraNaiH kAryaH || 67||
hk transliteration by SanscriptNatyashastra
Progress:21.4%
गर्वो नाम ऐश्वर्यकुलरूपयौवनविद्याबलधनलाभादिभिर्विभावैः समुत्पद्यते । तस्यासूयावज्ञाघर्षणानुत्तरदानासम्भाषणाङ्गावलोकन विभ्रमापहसनवाक्पारुष्यगुरुव्यतिक्रमणाधिक्षेपवचनविच्छेदादिभिरनुभावैरभिनयः प्रयोक्तव्यः अत्रार्या भवति - विद्यावाप्ते रूपादैश्वर्यादथ धनागमाद्वापि । गर्वः खलु नीचानां दृष्ट्यङ्गविचारणैः कार्यः ॥ ६७॥
sanskrit
Arrogance (garva) is caused by Determinants such as king-ship, noble birth, personal beauty, youth, learning, power, attainment of wealth ond the like. It is to be represented on the stage by Consequents such as contempt [for others], harassing [people], not giving reply [to one’s question], not greeting [others], looking to shoulders, flurry, contemptous laughter, harsh words, transgressing [commands of] the superiors, rebuking and the like. There is an Āryā on this point: 67. Arrogance of persons of the inferior type due to acquisition of learning, youth, personal beauty, royal power and attainment of wealth is to be represented by movement of the eyes and the limbs.
english translation
garvo nAma aizvaryakularUpayauvanavidyAbaladhanalAbhAdibhirvibhAvaiH samutpadyate | tasyAsUyAvajJAgharSaNAnuttaradAnAsambhASaNAGgAvalokana vibhramApahasanavAkpAruSyaguruvyatikramaNAdhikSepavacanavicchedAdibhiranubhAvairabhinayaH prayoktavyaH atrAryA bhavati - vidyAvApte rUpAdaizvaryAdatha dhanAgamAdvApi | garvaH khalu nIcAnAM dRSTyaGgavicAraNaiH kAryaH || 67||
hk transliteration by Sanscript