1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.1%
शोको नाम इष्टजनवियोगविभवनाशवधबन्धदुःखानुभनवनादिभिर्विभावैः समुत्पद्यते। तस्यास्रपातपरिदेवितविलपितवैवर्ण्यस्वरभेदस्रस्तगात्रताभूमि- पतनसस्वनरुदिताक्रन्दितदीर्घनिःश्वसितजडतोन्मादमोहमरणादिभिरनुभा- वैरभिनयः प्रयोक्तव्यः । रुदितमत्र त्रिविधम् - आनन्दजमार्तिजमीर्ष्यासमुद्भवं चेति । भवन्ति चात्रार्याः - [आनन्देऽप्यार्तिकृतं त्रिविधं रुदितं सदा बुधैर्ज्ञेयम् । तस्य त्वभिनययोगान्विभावगतितः प्रवक्ष्यामि ॥] हर्षोत्फुल्लकपोलं सानुस्मरणादपाङ्गविसृतास्रम् । रोमाञ्चगात्रमनिभृतमानन्दसमुद्भवं भवति ॥ ११॥
sanskrit
Sorrow (śoka) is caused by Determinants such as death of the beloved one, loss of wealth, experience of sorrow due to any one’s murder or captivity and the like. It is to be represented on the stage by Consequents such as shedding tears, lamentation, bewailing, change of colour, loss of voice, looseness of limbs, falling on the ground, crying, deep breathing, paralysis, insanity, death and the like. Weeping here (i.e. in a play) is of three kinds: [weeping) of joy, [weeping] of affliction and [weeping] due to jealousy. On these points there are traditional Āryās: 11. Weeping in which the cheeks are blooming in joy, the body is horripilating, there are words of remembrance, and tears are not concealed, is called weeping of joy
english translation
zoko nAma iSTajanaviyogavibhavanAzavadhabandhaduHkhAnubhanavanAdibhirvibhAvaiH samutpadyate| tasyAsrapAtaparidevitavilapitavaivarNyasvarabhedasrastagAtratAbhUmi- patanasasvanaruditAkranditadIrghaniHzvasitajaDatonmAdamohamaraNAdibhiranubhA- vairabhinayaH prayoktavyaH | ruditamatra trividham - AnandajamArtijamIrSyAsamudbhavaM ceti | bhavanti cAtrAryAH - [Anande'pyArtikRtaM trividhaM ruditaM sadA budhairjJeyam | tasya tvabhinayayogAnvibhAvagatitaH pravakSyAmi ||] harSotphullakapolaM sAnusmaraNAdapAGgavisRtAsram | romAJcagAtramanibhRtamAnandasamudbhavaM bhavati || 11||
hk transliteration
पर्याप्तविमुक्तास्रं सस्वनमस्वस्थगात्रगतिचेष्टम् । भूमिनिपातनिवर्तितविलपितमित्यार्तिजं भवति ॥ १२॥
sanskrit
Weeping in which there is a loud sound, copious shedding of tears, uneasiness of the body, want of steady movements and efforts, lamentation after falling on the ground, and rolling on the earth, is called weeping due to affliction.
english translation
paryAptavimuktAsraM sasvanamasvasthagAtragaticeSTam | bhUminipAtanivartitavilapitamityArtijaM bhavati || 12||
hk transliteration
प्रस्फुरितौष्ठकपोलं सशिरःकम्पं तथा सनिःश्वासम् । भ्रुकुटीकटाक्षकुटिलं स्त्रीणामीर्ष्याकृतं भवति ॥ १३॥
sanskrit
Loud weeping of women in which the lips and the cheeks are throbbing and the head is shaking, the eyebrows and the glances are moving in anger, is called weeping due to jealousy.
english translation
prasphuritauSThakapolaM saziraHkampaM tathA saniHzvAsam | bhrukuTIkaTAkSakuTilaM strINAmIrSyAkRtaM bhavati || 13||
hk transliteration
स्त्रीनीचप्रकृतिष्वेष शोको व्यसनसम्भवः । धैर्येणोत्तममध्यानां नीचानां रुदितेन च ॥ १४॥
sanskrit
Sorrow relates to women, persons of the inferior type, and it has its origin in affliction [of any kind]. With relation to it, persons of the superior and the middling types are distinguished by their patience and those of the inferior type by their weeping.
english translation
strInIcaprakRtiSveSa zoko vyasanasambhavaH | dhairyeNottamamadhyAnAM nIcAnAM ruditena ca || 14||
hk transliteration
क्रोधो नाम आधर्षणाक्रुष्टकलहविवादप्रतिकूलादिभिर्विभावैः समुत्पद्यते । अस्य विकृष्टनासापुटोद्वृत्तनयनसंदष्ठोष्ठपुट- गण्डस्फुरणादिभिरनुभावैरभिनयः प्रयोक्तव्यः । रिपुजो गुरुजश्चैव प्रणयिप्रभवस्तथा । भृत्यजः कृतकश्चेति क्रोधः पञ्चविधः स्मृतः॥ १५॥
sanskrit
Anger (krodha) is caused by Determinants such as insolence, abusive language, quarrel, altercation, opposing [persons or objects] and the like. It is to be represented on the stage by Consequents such as swollen nose, upturned eyes, bitten lips, throbbing cheeks and the like. 15. Anger is of five kinds, viz., anger caused by enemies, superior persons, lovers, servants, and feigned anger.
english translation
krodho nAma AdharSaNAkruSTakalahavivAdapratikUlAdibhirvibhAvaiH samutpadyate | asya vikRSTanAsApuTodvRttanayanasaMdaSThoSThapuTa- gaNDasphuraNAdibhiranubhAvairabhinayaH prayoktavyaH | ripujo gurujazcaiva praNayiprabhavastathA | bhRtyajaH kRtakazceti krodhaH paJcavidhaH smRtaH|| 15||
hk transliteration
Natyashastra
Progress:20.1%
शोको नाम इष्टजनवियोगविभवनाशवधबन्धदुःखानुभनवनादिभिर्विभावैः समुत्पद्यते। तस्यास्रपातपरिदेवितविलपितवैवर्ण्यस्वरभेदस्रस्तगात्रताभूमि- पतनसस्वनरुदिताक्रन्दितदीर्घनिःश्वसितजडतोन्मादमोहमरणादिभिरनुभा- वैरभिनयः प्रयोक्तव्यः । रुदितमत्र त्रिविधम् - आनन्दजमार्तिजमीर्ष्यासमुद्भवं चेति । भवन्ति चात्रार्याः - [आनन्देऽप्यार्तिकृतं त्रिविधं रुदितं सदा बुधैर्ज्ञेयम् । तस्य त्वभिनययोगान्विभावगतितः प्रवक्ष्यामि ॥] हर्षोत्फुल्लकपोलं सानुस्मरणादपाङ्गविसृतास्रम् । रोमाञ्चगात्रमनिभृतमानन्दसमुद्भवं भवति ॥ ११॥
sanskrit
Sorrow (śoka) is caused by Determinants such as death of the beloved one, loss of wealth, experience of sorrow due to any one’s murder or captivity and the like. It is to be represented on the stage by Consequents such as shedding tears, lamentation, bewailing, change of colour, loss of voice, looseness of limbs, falling on the ground, crying, deep breathing, paralysis, insanity, death and the like. Weeping here (i.e. in a play) is of three kinds: [weeping) of joy, [weeping] of affliction and [weeping] due to jealousy. On these points there are traditional Āryās: 11. Weeping in which the cheeks are blooming in joy, the body is horripilating, there are words of remembrance, and tears are not concealed, is called weeping of joy
english translation
zoko nAma iSTajanaviyogavibhavanAzavadhabandhaduHkhAnubhanavanAdibhirvibhAvaiH samutpadyate| tasyAsrapAtaparidevitavilapitavaivarNyasvarabhedasrastagAtratAbhUmi- patanasasvanaruditAkranditadIrghaniHzvasitajaDatonmAdamohamaraNAdibhiranubhA- vairabhinayaH prayoktavyaH | ruditamatra trividham - AnandajamArtijamIrSyAsamudbhavaM ceti | bhavanti cAtrAryAH - [Anande'pyArtikRtaM trividhaM ruditaM sadA budhairjJeyam | tasya tvabhinayayogAnvibhAvagatitaH pravakSyAmi ||] harSotphullakapolaM sAnusmaraNAdapAGgavisRtAsram | romAJcagAtramanibhRtamAnandasamudbhavaM bhavati || 11||
hk transliteration
पर्याप्तविमुक्तास्रं सस्वनमस्वस्थगात्रगतिचेष्टम् । भूमिनिपातनिवर्तितविलपितमित्यार्तिजं भवति ॥ १२॥
sanskrit
Weeping in which there is a loud sound, copious shedding of tears, uneasiness of the body, want of steady movements and efforts, lamentation after falling on the ground, and rolling on the earth, is called weeping due to affliction.
english translation
paryAptavimuktAsraM sasvanamasvasthagAtragaticeSTam | bhUminipAtanivartitavilapitamityArtijaM bhavati || 12||
hk transliteration
प्रस्फुरितौष्ठकपोलं सशिरःकम्पं तथा सनिःश्वासम् । भ्रुकुटीकटाक्षकुटिलं स्त्रीणामीर्ष्याकृतं भवति ॥ १३॥
sanskrit
Loud weeping of women in which the lips and the cheeks are throbbing and the head is shaking, the eyebrows and the glances are moving in anger, is called weeping due to jealousy.
english translation
prasphuritauSThakapolaM saziraHkampaM tathA saniHzvAsam | bhrukuTIkaTAkSakuTilaM strINAmIrSyAkRtaM bhavati || 13||
hk transliteration
स्त्रीनीचप्रकृतिष्वेष शोको व्यसनसम्भवः । धैर्येणोत्तममध्यानां नीचानां रुदितेन च ॥ १४॥
sanskrit
Sorrow relates to women, persons of the inferior type, and it has its origin in affliction [of any kind]. With relation to it, persons of the superior and the middling types are distinguished by their patience and those of the inferior type by their weeping.
english translation
strInIcaprakRtiSveSa zoko vyasanasambhavaH | dhairyeNottamamadhyAnAM nIcAnAM ruditena ca || 14||
hk transliteration
क्रोधो नाम आधर्षणाक्रुष्टकलहविवादप्रतिकूलादिभिर्विभावैः समुत्पद्यते । अस्य विकृष्टनासापुटोद्वृत्तनयनसंदष्ठोष्ठपुट- गण्डस्फुरणादिभिरनुभावैरभिनयः प्रयोक्तव्यः । रिपुजो गुरुजश्चैव प्रणयिप्रभवस्तथा । भृत्यजः कृतकश्चेति क्रोधः पञ्चविधः स्मृतः॥ १५॥
sanskrit
Anger (krodha) is caused by Determinants such as insolence, abusive language, quarrel, altercation, opposing [persons or objects] and the like. It is to be represented on the stage by Consequents such as swollen nose, upturned eyes, bitten lips, throbbing cheeks and the like. 15. Anger is of five kinds, viz., anger caused by enemies, superior persons, lovers, servants, and feigned anger.
english translation
krodho nAma AdharSaNAkruSTakalahavivAdapratikUlAdibhirvibhAvaiH samutpadyate | asya vikRSTanAsApuTodvRttanayanasaMdaSThoSThapuTa- gaNDasphuraNAdibhiranubhAvairabhinayaH prayoktavyaH | ripujo gurujazcaiva praNayiprabhavastathA | bhRtyajaH kRtakazceti krodhaH paJcavidhaH smRtaH|| 15||
hk transliteration