1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.2%
क्रोधो नाम आधर्षणाक्रुष्टकलहविवादप्रतिकूलादिभिर्विभावैः समुत्पद्यते । अस्य विकृष्टनासापुटोद्वृत्तनयनसंदष्ठोष्ठपुट- गण्डस्फुरणादिभिरनुभावैरभिनयः प्रयोक्तव्यः । रिपुजो गुरुजश्चैव प्रणयिप्रभवस्तथा । भृत्यजः कृतकश्चेति क्रोधः पञ्चविधः स्मृतः॥ १५॥
sanskrit
Anger (krodha) is caused by Determinants such as insolence, abusive language, quarrel, altercation, opposing [persons or objects] and the like. It is to be represented on the stage by Consequents such as swollen nose, upturned eyes, bitten lips, throbbing cheeks and the like. 15. Anger is of five kinds, viz., anger caused by enemies, superior persons, lovers, servants, and feigned anger.
english translation
krodho nAma AdharSaNAkruSTakalahavivAdapratikUlAdibhirvibhAvaiH samutpadyate | asya vikRSTanAsApuTodvRttanayanasaMdaSThoSThapuTa- gaNDasphuraNAdibhiranubhAvairabhinayaH prayoktavyaH | ripujo gurujazcaiva praNayiprabhavastathA | bhRtyajaH kRtakazceti krodhaH paJcavidhaH smRtaH|| 15||
hk transliteration
Natyashastra
Progress:20.2%
क्रोधो नाम आधर्षणाक्रुष्टकलहविवादप्रतिकूलादिभिर्विभावैः समुत्पद्यते । अस्य विकृष्टनासापुटोद्वृत्तनयनसंदष्ठोष्ठपुट- गण्डस्फुरणादिभिरनुभावैरभिनयः प्रयोक्तव्यः । रिपुजो गुरुजश्चैव प्रणयिप्रभवस्तथा । भृत्यजः कृतकश्चेति क्रोधः पञ्चविधः स्मृतः॥ १५॥
sanskrit
Anger (krodha) is caused by Determinants such as insolence, abusive language, quarrel, altercation, opposing [persons or objects] and the like. It is to be represented on the stage by Consequents such as swollen nose, upturned eyes, bitten lips, throbbing cheeks and the like. 15. Anger is of five kinds, viz., anger caused by enemies, superior persons, lovers, servants, and feigned anger.
english translation
krodho nAma AdharSaNAkruSTakalahavivAdapratikUlAdibhirvibhAvaiH samutpadyate | asya vikRSTanAsApuTodvRttanayanasaMdaSThoSThapuTa- gaNDasphuraNAdibhiranubhAvairabhinayaH prayoktavyaH | ripujo gurujazcaiva praNayiprabhavastathA | bhRtyajaH kRtakazceti krodhaH paJcavidhaH smRtaH|| 15||
hk transliteration