एते स्युर्मध्यमग्रामे भूयः षड्जाश्रिताः पुनः । व्यक्तमुक्ताङ्गुलिकृताः षड्जमध्यमपञ्चमाः ॥ ६ ॥
These are the notes of the Madhyama Grāma, which are predominantly based on Ṣaḍja, and are produced when the finger is fully removed. The notes include Ṣaḍja, Madhyama, and Pañcama.
ऋषभो धैवतश्चापि कम्प्यमानाङ्गुलीकृतौ । अर्धमुक्ताङ्गुलिश्चैव गान्धारोऽथ निषादवान् ॥ ७ ॥
The notes of Ṛṣabha and Dhaivata are produced when the finger is placed in a shaking position. Similarly, Gāndhāra and Niṣāda are produced when the finger is partly (half) removed.
When there is an inversion or close proximity in the Śruti characteristics, the notes, defined by the Śruti classification, are perfected by the entry of the Vīṇā's pitch into the throat, and they become notes dependent on a single pitch.
The singer should play the flute in accordance with the note that corresponds to the one they are singing. The unison of the human voice, the flute, and the Vīṇā is praised as a harmonious combination.