Natyashastra
Progress:32.7%
दूतीदर्शितमार्गस्तु प्रविशेद्रङ्गमण्डलम् । सूचया चाप्यभिनयं कुर्यादर्थसमाश्रयम् ॥ ४१॥
The lover, accompanied by the female messenger who shows the way, should enter the stage. He should enact his role following the Sūcā (a prescribed style or path of movement), expressing the meaning appropriate to the context.
english translation
dUtIdarzitamArgastu pravizedraGgamaNDalam । sUcayA cApyabhinayaM kuryAdarthasamAzrayam ॥ 41॥
hk transliteration by Sanscriptहृद्यैर्गन्धैस्तथा वस्त्रैरलङ्कारैश्च भूषितः । नानापुष्पसुगन्धाभिर्मालाभिः समलंकृतः ॥ ४२॥
Adorned with pleasing perfumes, garments, and ornaments, Decorated with garlands of various fragrant flowers.
english translation
hRdyairgandhaistathA vastrairalaGkAraizca bhUSitaH । nAnApuSpasugandhAbhirmAlAbhiH samalaMkRtaH ॥ 42॥
hk transliteration by Sanscriptगच्छेत् सललितैः पादैरतिक्रान्तस्थितैस्तथा । तथा सौष्ठवसंयुक्तैर्लयतालवशानुगैः ॥ ४३॥
He should walk with graceful feet, stepping beyond the measure, With limbs united in natural poise, following the rhythm and tempo.
english translation
gacchet salalitaiH pAdairatikrAntasthitaistathA । tathA sauSThavasaMyuktairlayatAlavazAnugaiH ॥ 43॥
hk transliteration by Sanscriptपादयोरनुगौ हस्तौ नित्यं कार्यौ प्रयोक्तृभिः । उत्क्षिप्य हस्तं पातेन पादयोश्च विपर्ययात् ॥ ४४॥
The hands should always follow the movements of the feet, Raising the hand as the foot is lifted, and lowering the hand as the foot is placed down, in opposite coordination.
english translation
pAdayoranugau hastau nityaM kAryau prayoktRbhiH । utkSipya hastaM pAtena pAdayozca viparyayAt ॥ 44॥
hk transliteration by Sanscriptप्रच्छन्नकामिते चैव गतिं भूयो निबोधत । विसर्जितजनः स्रस्तस्तथा दूतीसहायवान् ॥ ४५॥
In the case of concealed (secret) love, understand well the gait once again: The lover walks cautiously, with the attendants dismissed, accompanied only by the female messenger as guide.
english translation
pracchannakAmite caiva gatiM bhUyo nibodhata । visarjitajanaH srastastathA dUtIsahAyavAn ॥ 45॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:32.7%
दूतीदर्शितमार्गस्तु प्रविशेद्रङ्गमण्डलम् । सूचया चाप्यभिनयं कुर्यादर्थसमाश्रयम् ॥ ४१॥
The lover, accompanied by the female messenger who shows the way, should enter the stage. He should enact his role following the Sūcā (a prescribed style or path of movement), expressing the meaning appropriate to the context.
english translation
dUtIdarzitamArgastu pravizedraGgamaNDalam । sUcayA cApyabhinayaM kuryAdarthasamAzrayam ॥ 41॥
hk transliteration by Sanscriptहृद्यैर्गन्धैस्तथा वस्त्रैरलङ्कारैश्च भूषितः । नानापुष्पसुगन्धाभिर्मालाभिः समलंकृतः ॥ ४२॥
Adorned with pleasing perfumes, garments, and ornaments, Decorated with garlands of various fragrant flowers.
english translation
hRdyairgandhaistathA vastrairalaGkAraizca bhUSitaH । nAnApuSpasugandhAbhirmAlAbhiH samalaMkRtaH ॥ 42॥
hk transliteration by Sanscriptगच्छेत् सललितैः पादैरतिक्रान्तस्थितैस्तथा । तथा सौष्ठवसंयुक्तैर्लयतालवशानुगैः ॥ ४३॥
He should walk with graceful feet, stepping beyond the measure, With limbs united in natural poise, following the rhythm and tempo.
english translation
gacchet salalitaiH pAdairatikrAntasthitaistathA । tathA sauSThavasaMyuktairlayatAlavazAnugaiH ॥ 43॥
hk transliteration by Sanscriptपादयोरनुगौ हस्तौ नित्यं कार्यौ प्रयोक्तृभिः । उत्क्षिप्य हस्तं पातेन पादयोश्च विपर्ययात् ॥ ४४॥
The hands should always follow the movements of the feet, Raising the hand as the foot is lifted, and lowering the hand as the foot is placed down, in opposite coordination.
english translation
pAdayoranugau hastau nityaM kAryau prayoktRbhiH । utkSipya hastaM pAtena pAdayozca viparyayAt ॥ 44॥
hk transliteration by Sanscriptप्रच्छन्नकामिते चैव गतिं भूयो निबोधत । विसर्जितजनः स्रस्तस्तथा दूतीसहायवान् ॥ ४५॥
In the case of concealed (secret) love, understand well the gait once again: The lover walks cautiously, with the attendants dismissed, accompanied only by the female messenger as guide.
english translation
pracchannakAmite caiva gatiM bhUyo nibodhata । visarjitajanaH srastastathA dUtIsahAyavAn ॥ 45॥
hk transliteration by Sanscript