1.
सर्वभूतचिन्ताशारीरम्
The science of being in general
2.
शुक्रशोणितशुद्धिशारीरम्
The purification of semen and cataminal fluid
3.
गर्भावक्रान्तिशारीरम्
Pregnancy
•
गर्भव्याकरणशारीरम्
The development of a fetus in the womb
5.
शरीरसंख्याव्याकरणशारीरम्
The anatomy of the human body
6.
प्रत्येकमर्मनिर्देशशारीरम्
The Marmas (vital parts of the body)
7.
सिरावर्णविभक्तिशारीरम्
Description of Sira (vascular system)
8.
सिराव्यधविधिशारीरम्
The method of Venesection
9.
धमनीव्याकरणशारीरम्
The description of the arteries, nerves and ducts
10.
गर्भिणीव्याकरणशारीरम्
The nursing and management of pregnant women
Progress:26.5%
अथातो गर्भव्याकरणं शारीरं व्याख्यास्यामः ||१||
sanskrit
Now, we shall explain the physical aspects of fetal development, detailing the processes and principles that contribute to the growth of various bodily organs in the womb.
english translation
hindi translation
athAto garbhavyAkaraNaM zArIraM vyAkhyAsyAmaH ||1||
hk transliteration
यथोवाच भगवान् धन्वन्तरिः ||२||
sanskrit
As said by Lord Dhanvantari.
english translation
hindi translation
yathovAca bhagavAn dhanvantariH ||2||
hk transliteration
अग्निः सोमो वायुः सत्त्वं रजस्तमः पञ्चेन्द्रियाणि भूतात्मेति प्राणाः ||३||
sanskrit
Agni, Soma, Vayu, Sattva, Rajas, Tamas, the five senses, and the elements—these are the vital energies (Pranas).
english translation
hindi translation
agniH somo vAyuH sattvaM rajastamaH paJcendriyANi bhUtAtmeti prANAH ||3||
hk transliteration
तस्य खल्वेवम्प्रवृत्तस्य शुक्रशोणितस्याभिपच्यमानस्य क्षीरस्येव सन्तानिकाः सप्त त्वचो भवन्ति | तासां प्रथमाऽवभासिनी नाम, या सर्वान् वर्णानवभासयति पञ्चविधां च छायां प्रकाशयति, सा व्रीहेरष्टादशभागप्रमाणा, सिध्मपद्मकण्टकाधिष्ठाना; द्वितीया लोहिता नाम, षोडशभागप्रमाणा, तिलकालकन्यच्छव्यङ्गाधिष्ठाना; तृतीया श्वेता नाम, द्वादशभागप्रमाणा, चर्मदलाजगल्लीमषकाधिष्ठाना; चतुर्थी ताम्रा नामाष्टभागप्रमाणा, विविधकिलासकुष्ठाधिष्ठाना; पञ्चमी वेदिनी नाम पञ्चभागप्रमाणा, कुष्ठविसर्पाधिष्ठाना; षष्ठी रोहिणी नाम व्रीहिप्रमाणा, ग्रन्थ्यपच्यर्बुदश्लीपदगलगण्डाधिष्ठाना; सप्तमी मांसधरा नाम व्रीहिद्वयप्रमाणा, भगन्दरविद्रध्यर्शोऽधिष्ठाना | यदेतत् प्रमाणं निर्दिष्टं तन्मांसलेष्ववकाशेषु, न ललाटे सूक्ष्माङ्गुल्यादिषु च; यतो वक्ष्यत्युदरेषु- ‘व्रीहिमुखेनाङ्गुष्ठोदरप्रमाणमवगाढं विध्येत्’ (चि.१४) इति ||४||
sanskrit
From the vital energies that are undergoing transformations of the semen and menstrual blood, seven types of skin arise. The first is called Avabhāsinī, which illuminates all colors and manifests the fivefold shade; it measures eighteen parts of rice and is based on the thorn of the Siddhampadma. The second is called Lohitā, measuring sixteen parts, based on sesame and the skin of a young girl. The third is called Śvetā, measuring twelve parts, based on the skin of the leaf of a Jagali tree. The fourth is called Tāmra, measuring eight parts, based on various varieties of Kilaasa and Kusṭha. The fifth is called Vedinī, measuring five parts, based on Kusṭha and Visarpa. The sixth is called Rohiṇī, based on the measure of rice, and it is based on the granthya (binding) of the Pachyarbuda and the Garbhagandha. The seventh is called Mānśadharā, measuring two parts of rice, based on the symptoms of bhagandara (fistula) and the remnants of wounds. This measurement is specified in relation to the flesh and not to the subtle digits of the forehead; it will be discussed regarding the abdomen: 'The measure of the rice must be firmly pierced at the belly using the thumb' (Chikitsa 14).
english translation
hindi translation
tasya khalvevampravRttasya zukrazoNitasyAbhipacyamAnasya kSIrasyeva santAnikAH sapta tvaco bhavanti | tAsAM prathamA'vabhAsinI nAma, yA sarvAn varNAnavabhAsayati paJcavidhAM ca chAyAM prakAzayati, sA vrIheraSTAdazabhAgapramANA, sidhmapadmakaNTakAdhiSThAnA; dvitIyA lohitA nAma, SoDazabhAgapramANA, tilakAlakanyacchavyaGgAdhiSThAnA; tRtIyA zvetA nAma, dvAdazabhAgapramANA, carmadalAjagallImaSakAdhiSThAnA; caturthI tAmrA nAmASTabhAgapramANA, vividhakilAsakuSThAdhiSThAnA; paJcamI vedinI nAma paJcabhAgapramANA, kuSThavisarpAdhiSThAnA; SaSThI rohiNI nAma vrIhipramANA, granthyapacyarbudazlIpadagalagaNDAdhiSThAnA; saptamI mAMsadharA nAma vrIhidvayapramANA, bhagandaravidradhyarzo'dhiSThAnA | yadetat pramANaM nirdiSTaM tanmAMsaleSvavakAzeSu, na lalATe sUkSmAGgulyAdiSu ca; yato vakSyatyudareSu- ‘vrIhimukhenAGguSThodarapramANamavagADhaM vidhyet’ (ci.14) iti ||4||
hk transliteration
कलाः खल्वपि सप्त भवन्ति धात्वाशयान्तरमर्यादाः ||५||
sanskrit
There are indeed seven types of arts, each corresponding to different elemental categories.
english translation
hindi translation
kalAH khalvapi sapta bhavanti dhAtvAzayAntaramaryAdAH ||5||
hk transliteration
Sushruta Samhita
Progress:26.5%
अथातो गर्भव्याकरणं शारीरं व्याख्यास्यामः ||१||
sanskrit
Now, we shall explain the physical aspects of fetal development, detailing the processes and principles that contribute to the growth of various bodily organs in the womb.
english translation
hindi translation
athAto garbhavyAkaraNaM zArIraM vyAkhyAsyAmaH ||1||
hk transliteration
यथोवाच भगवान् धन्वन्तरिः ||२||
sanskrit
As said by Lord Dhanvantari.
english translation
hindi translation
yathovAca bhagavAn dhanvantariH ||2||
hk transliteration
अग्निः सोमो वायुः सत्त्वं रजस्तमः पञ्चेन्द्रियाणि भूतात्मेति प्राणाः ||३||
sanskrit
Agni, Soma, Vayu, Sattva, Rajas, Tamas, the five senses, and the elements—these are the vital energies (Pranas).
english translation
hindi translation
agniH somo vAyuH sattvaM rajastamaH paJcendriyANi bhUtAtmeti prANAH ||3||
hk transliteration
तस्य खल्वेवम्प्रवृत्तस्य शुक्रशोणितस्याभिपच्यमानस्य क्षीरस्येव सन्तानिकाः सप्त त्वचो भवन्ति | तासां प्रथमाऽवभासिनी नाम, या सर्वान् वर्णानवभासयति पञ्चविधां च छायां प्रकाशयति, सा व्रीहेरष्टादशभागप्रमाणा, सिध्मपद्मकण्टकाधिष्ठाना; द्वितीया लोहिता नाम, षोडशभागप्रमाणा, तिलकालकन्यच्छव्यङ्गाधिष्ठाना; तृतीया श्वेता नाम, द्वादशभागप्रमाणा, चर्मदलाजगल्लीमषकाधिष्ठाना; चतुर्थी ताम्रा नामाष्टभागप्रमाणा, विविधकिलासकुष्ठाधिष्ठाना; पञ्चमी वेदिनी नाम पञ्चभागप्रमाणा, कुष्ठविसर्पाधिष्ठाना; षष्ठी रोहिणी नाम व्रीहिप्रमाणा, ग्रन्थ्यपच्यर्बुदश्लीपदगलगण्डाधिष्ठाना; सप्तमी मांसधरा नाम व्रीहिद्वयप्रमाणा, भगन्दरविद्रध्यर्शोऽधिष्ठाना | यदेतत् प्रमाणं निर्दिष्टं तन्मांसलेष्ववकाशेषु, न ललाटे सूक्ष्माङ्गुल्यादिषु च; यतो वक्ष्यत्युदरेषु- ‘व्रीहिमुखेनाङ्गुष्ठोदरप्रमाणमवगाढं विध्येत्’ (चि.१४) इति ||४||
sanskrit
From the vital energies that are undergoing transformations of the semen and menstrual blood, seven types of skin arise. The first is called Avabhāsinī, which illuminates all colors and manifests the fivefold shade; it measures eighteen parts of rice and is based on the thorn of the Siddhampadma. The second is called Lohitā, measuring sixteen parts, based on sesame and the skin of a young girl. The third is called Śvetā, measuring twelve parts, based on the skin of the leaf of a Jagali tree. The fourth is called Tāmra, measuring eight parts, based on various varieties of Kilaasa and Kusṭha. The fifth is called Vedinī, measuring five parts, based on Kusṭha and Visarpa. The sixth is called Rohiṇī, based on the measure of rice, and it is based on the granthya (binding) of the Pachyarbuda and the Garbhagandha. The seventh is called Mānśadharā, measuring two parts of rice, based on the symptoms of bhagandara (fistula) and the remnants of wounds. This measurement is specified in relation to the flesh and not to the subtle digits of the forehead; it will be discussed regarding the abdomen: 'The measure of the rice must be firmly pierced at the belly using the thumb' (Chikitsa 14).
english translation
hindi translation
tasya khalvevampravRttasya zukrazoNitasyAbhipacyamAnasya kSIrasyeva santAnikAH sapta tvaco bhavanti | tAsAM prathamA'vabhAsinI nAma, yA sarvAn varNAnavabhAsayati paJcavidhAM ca chAyAM prakAzayati, sA vrIheraSTAdazabhAgapramANA, sidhmapadmakaNTakAdhiSThAnA; dvitIyA lohitA nAma, SoDazabhAgapramANA, tilakAlakanyacchavyaGgAdhiSThAnA; tRtIyA zvetA nAma, dvAdazabhAgapramANA, carmadalAjagallImaSakAdhiSThAnA; caturthI tAmrA nAmASTabhAgapramANA, vividhakilAsakuSThAdhiSThAnA; paJcamI vedinI nAma paJcabhAgapramANA, kuSThavisarpAdhiSThAnA; SaSThI rohiNI nAma vrIhipramANA, granthyapacyarbudazlIpadagalagaNDAdhiSThAnA; saptamI mAMsadharA nAma vrIhidvayapramANA, bhagandaravidradhyarzo'dhiSThAnA | yadetat pramANaM nirdiSTaM tanmAMsaleSvavakAzeSu, na lalATe sUkSmAGgulyAdiSu ca; yato vakSyatyudareSu- ‘vrIhimukhenAGguSThodarapramANamavagADhaM vidhyet’ (ci.14) iti ||4||
hk transliteration
कलाः खल्वपि सप्त भवन्ति धात्वाशयान्तरमर्यादाः ||५||
sanskrit
There are indeed seven types of arts, each corresponding to different elemental categories.
english translation
hindi translation
kalAH khalvapi sapta bhavanti dhAtvAzayAntaramaryAdAH ||5||
hk transliteration