Natyashastra
Progress:28.2%
समस्यैव यदा पार्ष्णिः पादस्याभ्यन्तरे भवेत् । बहिः पार्श्वस्थितोऽङ्गुष्ठस्त्र्यश्रपादस्तु स स्मृतः ॥ २७१॥
When the heel is exactly at the inner side of the foot, the big toe placed on the outer side, that is known as the “tryashrapada” (three-clawed foot).
english translation
samasyaiva yadA pArSNiH pAdasyAbhyantare bhavet । bahiH pArzvasthito'GguSThastryazrapAdastu sa smRtaH ॥ 271॥
hk transliteration by Sanscriptत्यक्त्वा (कृत्वा?) समपदं स्थानमश्वक्रान्ते तथैव च । स्याद्विक्लवादिष्वर्थेषु त्र्यश्रः पादो यथाविधिः ॥ २७२॥
Leaving or placing the feet evenly in the posture called Ashvakranta, the tryashra foot is used appropriately in cases like lameness and others.
english translation
tyaktvA (kRtvA?) samapadaM sthAnamazvakrAnte tathaiva ca । syAdviklavAdiSvartheSu tryazraH pAdo yathAvidhiH ॥ 272॥
hk transliteration by Sanscriptअस्यैव समपादस्य पार्ष्णिरभ्यन्तरे भवेत् । त्र्यश्रपादः स विज्ञेयः स्थानकादिषु संश्रयः ॥ २७३॥
For the same evenly placed foot, the heel is inside; this is known as the tryashra foot, used in postures like standing.
english translation
asyaiva samapAdasya pArSNirabhyantare bhavet । tryazrapAdaH sa vijJeyaH sthAnakAdiSu saMzrayaH ॥ 273॥
hk transliteration by Sanscriptउत्क्षिप्ता तु भवेत्पार्ष्णिः प्रसृतोङ्गुष्ठकस्तथा । अङ्गुल्यश्चाञ्चिताः सर्वा पादेऽग्रतलसञ्चरः ॥ २७४॥
The heel is lifted, the big toe is stretched out, and all the toes are bent upwards—this is called agratalasañcara (movement on the front part of the foot).
english translation
utkSiptA tu bhavetpArSNiH prasRtoGguSThakastathA । aGgulyazcAJcitAH sarvA pAde'gratalasaJcaraH ॥ 274॥
hk transliteration by Sanscriptतोदननिकुट्टने स्थितनिशुम्भने भूमिताडने भ्रमणे । विक्षेपविविधरेचकपार्ष्णिकृतागमनमेतेन ॥ २७५॥
This movement is used in actions like pressing the ground with the heel, stamping firmly, walking with a limp, moving about, throwing, various types of Recaka (foot) movements, and stepping with the outer part of the heel.
english translation
todananikuTTane sthitanizumbhane bhUmitADane bhramaNe । vikSepavividharecakapArSNikRtAgamanametena ॥ 275॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:28.2%
समस्यैव यदा पार्ष्णिः पादस्याभ्यन्तरे भवेत् । बहिः पार्श्वस्थितोऽङ्गुष्ठस्त्र्यश्रपादस्तु स स्मृतः ॥ २७१॥
When the heel is exactly at the inner side of the foot, the big toe placed on the outer side, that is known as the “tryashrapada” (three-clawed foot).
english translation
samasyaiva yadA pArSNiH pAdasyAbhyantare bhavet । bahiH pArzvasthito'GguSThastryazrapAdastu sa smRtaH ॥ 271॥
hk transliteration by Sanscriptत्यक्त्वा (कृत्वा?) समपदं स्थानमश्वक्रान्ते तथैव च । स्याद्विक्लवादिष्वर्थेषु त्र्यश्रः पादो यथाविधिः ॥ २७२॥
Leaving or placing the feet evenly in the posture called Ashvakranta, the tryashra foot is used appropriately in cases like lameness and others.
english translation
tyaktvA (kRtvA?) samapadaM sthAnamazvakrAnte tathaiva ca । syAdviklavAdiSvartheSu tryazraH pAdo yathAvidhiH ॥ 272॥
hk transliteration by Sanscriptअस्यैव समपादस्य पार्ष्णिरभ्यन्तरे भवेत् । त्र्यश्रपादः स विज्ञेयः स्थानकादिषु संश्रयः ॥ २७३॥
For the same evenly placed foot, the heel is inside; this is known as the tryashra foot, used in postures like standing.
english translation
asyaiva samapAdasya pArSNirabhyantare bhavet । tryazrapAdaH sa vijJeyaH sthAnakAdiSu saMzrayaH ॥ 273॥
hk transliteration by Sanscriptउत्क्षिप्ता तु भवेत्पार्ष्णिः प्रसृतोङ्गुष्ठकस्तथा । अङ्गुल्यश्चाञ्चिताः सर्वा पादेऽग्रतलसञ्चरः ॥ २७४॥
The heel is lifted, the big toe is stretched out, and all the toes are bent upwards—this is called agratalasañcara (movement on the front part of the foot).
english translation
utkSiptA tu bhavetpArSNiH prasRtoGguSThakastathA । aGgulyazcAJcitAH sarvA pAde'gratalasaJcaraH ॥ 274॥
hk transliteration by Sanscriptतोदननिकुट्टने स्थितनिशुम्भने भूमिताडने भ्रमणे । विक्षेपविविधरेचकपार्ष्णिकृतागमनमेतेन ॥ २७५॥
This movement is used in actions like pressing the ground with the heel, stamping firmly, walking with a limp, moving about, throwing, various types of Recaka (foot) movements, and stepping with the outer part of the heel.
english translation
todananikuTTane sthitanizumbhane bhUmitADane bhramaNe । vikSepavividharecakapArSNikRtAgamanametena ॥ 275॥
hk transliteration by Sanscript