अन्ये तु क्षामं खल्वं समं पूर्णमुदरं स्याच्चतुर्विधम् । छिना चैव निवृत्ता च रेचिता कम्पिता तथा । उद्वाहिता चैव कटी नाट्ये नृत्ते च पञ्चधा ॥ २४६॥
Others (scholars) say: The belly (udara) is of four kinds: Kṣāma (thin), Khalva (depressed), Sama (natural), and Pūrṇa (full). Similarly, the waist (kaṭi) is of five kinds: Chinnā (turned aside), Nivṛttā (turned round), Recitā (moved about), Kampitā (shaken), and Udvāhitā (raised), in both drama and dance.
anye tu kSAmaM khalvaM samaM pUrNamudaraM syAccaturvidham | chinA caiva nivRttA ca recitA kampitA tathA | udvAhitA caiva kaTI nATye nRtte ca paJcadhA || 246||
The waist (kaṭi) is termed Chinnā (turned aside) when it is twisted in the middle, and Nivṛttā (turned round) when it turns from being sideways to facing forward.
The waist (kaṭi) is termed Recitā (moved about) when it moves in all directions. It is known as Prakampitā (shaken) when it moves obliquely, in a throwing or shaking motion.
Chinnā (turned aside) is used in exercises, exhaustion, or looking around; Nivṛttā (turned round) is used in turning or rotating; Recitā (moved about) is used in movement or roaming.