1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.8%
मरणं नाम व्याधिजमभिघातजञ्च । तत्र यदान्त्रयकृच्छूलदोषवैषम्य- गण्डपिटकज्वरविषूचिकादिभिरुत्पद्यते तद्व्याधिप्रभवम् । अभिघातजं तु शस्त्राहिदंशविषपानश्वापदगजतुरगरथपशुयानपात- विनाशप्रभवम् । एतयोरभिनयविशेषान्वक्ष्यामः - तत्र व्याधिजं विषण्णगात्राव्यायताङ्गविचेष्टितनिमीलितनयन- हिक्काश्वासोपेतानवेक्षितपरिजनाव्यक्ताक्षरकथनादिभिरनुभावैरभिनयेत् । अत्र श्लोको भवति - व्याधीनामेकभावो हि मरणाभिनयः स्मृतः । विषण्णगात्रैर्निश्चेष्टैरिन्द्रिअयैश्च विवर्जितः ॥ ८६॥
sanskrit
Death (maraṇa) comes through disease as well as accidental injury. Of these two kinds of death, that from sickness is caused by Determinants such as a malady of the intestine and the liver, colic pain, disturbance of humours, tumours, boils, fever, cholera, and the like. And that due to accidental injury is caused by weapons, snake bite, taking poison, [attack of] ferocious animals, injury due to falling down from elephant, horse, chariot and other vehicles. I shall now speak of the different methods of their representation on the stage. Death from disease is to be represented on the stage by Consequents such as looseness of the body, motionlessness of the limbs, closed eyes, hiccup, deep breathing, looking for family members, speaking indistinct words and the like.[5] There is a Śloka on this point: 86. Death due to disease is to be represented on the stage by one mark viz. loose body and inactive sense-organs. But death due to accidental injury is to be represented on the stage in different ways: e.g., [death due to] wound by weapons is to be represented by Consequents such as suddenly falling down on the ground and the like. In case of snake-bite or taking poison [there is a gradual] development of its symptoms which are eight in number, viz. thinness (of the body), tremor, burning sensation, hiccup, foam at the mouth, breaking of the neck, paralysis and death.
english translation
maraNaM nAma vyAdhijamabhighAtajaJca | tatra yadAntrayakRcchUladoSavaiSamya- gaNDapiTakajvaraviSUcikAdibhirutpadyate tadvyAdhiprabhavam | abhighAtajaM tu zastrAhidaMzaviSapAnazvApadagajaturagarathapazuyAnapAta- vinAzaprabhavam | etayorabhinayavizeSAnvakSyAmaH - tatra vyAdhijaM viSaNNagAtrAvyAyatAGgaviceSTitanimIlitanayana- hikkAzvAsopetAnavekSitaparijanAvyaktAkSarakathanAdibhiranubhAvairabhinayet | atra zloko bhavati - vyAdhInAmekabhAvo hi maraNAbhinayaH smRtaH | viSaNNagAtrairnizceSTairindriayaizca vivarjitaH || 86||
hk transliteration by SanscriptNatyashastra
Progress:21.8%
मरणं नाम व्याधिजमभिघातजञ्च । तत्र यदान्त्रयकृच्छूलदोषवैषम्य- गण्डपिटकज्वरविषूचिकादिभिरुत्पद्यते तद्व्याधिप्रभवम् । अभिघातजं तु शस्त्राहिदंशविषपानश्वापदगजतुरगरथपशुयानपात- विनाशप्रभवम् । एतयोरभिनयविशेषान्वक्ष्यामः - तत्र व्याधिजं विषण्णगात्राव्यायताङ्गविचेष्टितनिमीलितनयन- हिक्काश्वासोपेतानवेक्षितपरिजनाव्यक्ताक्षरकथनादिभिरनुभावैरभिनयेत् । अत्र श्लोको भवति - व्याधीनामेकभावो हि मरणाभिनयः स्मृतः । विषण्णगात्रैर्निश्चेष्टैरिन्द्रिअयैश्च विवर्जितः ॥ ८६॥
sanskrit
Death (maraṇa) comes through disease as well as accidental injury. Of these two kinds of death, that from sickness is caused by Determinants such as a malady of the intestine and the liver, colic pain, disturbance of humours, tumours, boils, fever, cholera, and the like. And that due to accidental injury is caused by weapons, snake bite, taking poison, [attack of] ferocious animals, injury due to falling down from elephant, horse, chariot and other vehicles. I shall now speak of the different methods of their representation on the stage. Death from disease is to be represented on the stage by Consequents such as looseness of the body, motionlessness of the limbs, closed eyes, hiccup, deep breathing, looking for family members, speaking indistinct words and the like.[5] There is a Śloka on this point: 86. Death due to disease is to be represented on the stage by one mark viz. loose body and inactive sense-organs. But death due to accidental injury is to be represented on the stage in different ways: e.g., [death due to] wound by weapons is to be represented by Consequents such as suddenly falling down on the ground and the like. In case of snake-bite or taking poison [there is a gradual] development of its symptoms which are eight in number, viz. thinness (of the body), tremor, burning sensation, hiccup, foam at the mouth, breaking of the neck, paralysis and death.
english translation
maraNaM nAma vyAdhijamabhighAtajaJca | tatra yadAntrayakRcchUladoSavaiSamya- gaNDapiTakajvaraviSUcikAdibhirutpadyate tadvyAdhiprabhavam | abhighAtajaM tu zastrAhidaMzaviSapAnazvApadagajaturagarathapazuyAnapAta- vinAzaprabhavam | etayorabhinayavizeSAnvakSyAmaH - tatra vyAdhijaM viSaNNagAtrAvyAyatAGgaviceSTitanimIlitanayana- hikkAzvAsopetAnavekSitaparijanAvyaktAkSarakathanAdibhiranubhAvairabhinayet | atra zloko bhavati - vyAdhInAmekabhAvo hi maraNAbhinayaH smRtaH | viSaNNagAtrairnizceSTairindriayaizca vivarjitaH || 86||
hk transliteration by Sanscript