1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.6%
अमर्षो नाम विद्यैश्वर्यशौर्यबलाधिकैरधिक्षिप्तस्यावमानितस्य वा समुत्पद्यते । तमभिनयेच्छिरःकम्पनप्रस्वेदनाधोमुखचिन्तन- ध्यानाध्यवसायोपायसहायान्वेषणादिभिरनुभावैः । अत्र श्लोकौ - आक्षिप्तानां सभामध्ये विद्याशौर्यबलाधिकैः । नॄणामुत्साहसंयोगादमर्षो नाम जायते ॥ ७८॥
sanskrit
Indignation (amarṣa) is caused to persons abused or insulted by those having superior learning, wealth or power, It is to be represented on the stage by Consequents such as shaking the head, perspiration, thinking and reflecting with a downcast face, determination, looking for ways and means and allies, and the like. There are two Ślokas on this points: 78. Indignation grows in energetic men who have been abused or insulted in an assembly by those having superior learning and wealth.
english translation
amarSo nAma vidyaizvaryazauryabalAdhikairadhikSiptasyAvamAnitasya vA samutpadyate | tamabhinayecchiraHkampanaprasvedanAdhomukhacintana- dhyAnAdhyavasAyopAyasahAyAnveSaNAdibhiranubhAvaiH | atra zlokau - AkSiptAnAM sabhAmadhye vidyAzauryabalAdhikaiH | nRRNAmutsAhasaMyogAdamarSo nAma jAyate || 78||
hk transliteration by SanscriptNatyashastra
Progress:21.6%
अमर्षो नाम विद्यैश्वर्यशौर्यबलाधिकैरधिक्षिप्तस्यावमानितस्य वा समुत्पद्यते । तमभिनयेच्छिरःकम्पनप्रस्वेदनाधोमुखचिन्तन- ध्यानाध्यवसायोपायसहायान्वेषणादिभिरनुभावैः । अत्र श्लोकौ - आक्षिप्तानां सभामध्ये विद्याशौर्यबलाधिकैः । नॄणामुत्साहसंयोगादमर्षो नाम जायते ॥ ७८॥
sanskrit
Indignation (amarṣa) is caused to persons abused or insulted by those having superior learning, wealth or power, It is to be represented on the stage by Consequents such as shaking the head, perspiration, thinking and reflecting with a downcast face, determination, looking for ways and means and allies, and the like. There are two Ślokas on this points: 78. Indignation grows in energetic men who have been abused or insulted in an assembly by those having superior learning and wealth.
english translation
amarSo nAma vidyaizvaryazauryabalAdhikairadhikSiptasyAvamAnitasya vA samutpadyate | tamabhinayecchiraHkampanaprasvedanAdhomukhacintana- dhyAnAdhyavasAyopAyasahAyAnveSaNAdibhiranubhAvaiH | atra zlokau - AkSiptAnAM sabhAmadhye vidyAzauryabalAdhikaiH | nRRNAmutsAhasaMyogAdamarSo nAma jAyate || 78||
hk transliteration by Sanscript