1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:21.6%
विबोधो नाम आहारपरिणामनिद्राच्छेदस्वप्नान्त- तीव्रशब्दश्रवणादिभिर्विभावैः समुत्पद्यते । तमभिनयेज्जृम्भणाक्षिपरिमर्दनशयनमोक्षणादिभिरनुभावैः । अत्रार्या भवति - आहारविपरिणामाच्छब्दस्पर्शादिभिश्च सम्भूतः । प्रतिबोधस्त्वभिनेयो जृम्भणवदनाक्षिपरिमर्दैः ॥ ७७॥
sanskrit
Awakening (vibodha) is the break of sleep, and it is caused by Determinants such as digestion of food, bad dreams, loud sound, sensitive touch and the like. It is to be represented on the stage by Consequents such as yawning, rubbing the eyes, leaving the bed, and the like. There is an Āryā on this point: 77. Awakening is caused by digestion of food, [loud] sound, [sensitive] touch and the like. It is to be represented on the stage by yawning, rubbing the face and the eyes, and the like.
english translation
vibodho nAma AhArapariNAmanidrAcchedasvapnAnta- tIvrazabdazravaNAdibhirvibhAvaiH samutpadyate | tamabhinayejjRmbhaNAkSiparimardanazayanamokSaNAdibhiranubhAvaiH | atrAryA bhavati - AhAravipariNAmAcchabdasparzAdibhizca sambhUtaH | pratibodhastvabhineyo jRmbhaNavadanAkSiparimardaiH || 77||
hk transliteration by SanscriptNatyashastra
Progress:21.6%
विबोधो नाम आहारपरिणामनिद्राच्छेदस्वप्नान्त- तीव्रशब्दश्रवणादिभिर्विभावैः समुत्पद्यते । तमभिनयेज्जृम्भणाक्षिपरिमर्दनशयनमोक्षणादिभिरनुभावैः । अत्रार्या भवति - आहारविपरिणामाच्छब्दस्पर्शादिभिश्च सम्भूतः । प्रतिबोधस्त्वभिनेयो जृम्भणवदनाक्षिपरिमर्दैः ॥ ७७॥
sanskrit
Awakening (vibodha) is the break of sleep, and it is caused by Determinants such as digestion of food, bad dreams, loud sound, sensitive touch and the like. It is to be represented on the stage by Consequents such as yawning, rubbing the eyes, leaving the bed, and the like. There is an Āryā on this point: 77. Awakening is caused by digestion of food, [loud] sound, [sensitive] touch and the like. It is to be represented on the stage by yawning, rubbing the face and the eyes, and the like.
english translation
vibodho nAma AhArapariNAmanidrAcchedasvapnAnta- tIvrazabdazravaNAdibhirvibhAvaiH samutpadyate | tamabhinayejjRmbhaNAkSiparimardanazayanamokSaNAdibhiranubhAvaiH | atrAryA bhavati - AhAravipariNAmAcchabdasparzAdibhizca sambhUtaH | pratibodhastvabhineyo jRmbhaNavadanAkSiparimardaiH || 77||
hk transliteration by Sanscript