1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
श्रमो नाम अध्वव्यायामसेवनादिभिर्विभावैः समुत्पद्यते। तस्य गात्रपरिमर्दनसंवाहननिःश्वसितविजृम्भितमन्दपदोत्क्षेपणनयन- वदनविकूणनसीत्करादिभिरनुभावैरभिनयः प्रयोक्तव्यः । अत्रार्या - नृत्ताध्वव्यायामान्नरस्य सञ्जायते श्रमो नाम । निःश्वासखेदगमनैस्तस्याभिनयः प्रयोक्तव्यः ॥ ४७॥
Weariness (śrama) is caused by Determinants such as walking a long way, exercising of limbs and the like. It is to be represented on the stage by Conseqents (Consequents?) such as gentle rubbing of the body, [deep] breathing, contraction of the mouth, belching, massaging of the limbs, very slow gait, contraction of the eyes, making Śītkāra and the like. There is an Āryā on this point: 47. Weariness in man is caused by walking [a long distance] and exercising [the limbs], and it is to be represented on the stage by [deep] breathing, tired gait and the like.
english translation
zramo nAma adhvavyAyAmasevanAdibhirvibhAvaiH samutpadyate| tasya gAtraparimardanasaMvAhananiHzvasitavijRmbhitamandapadotkSepaNanayana- vadanavikUNanasItkarAdibhiranubhAvairabhinayaH prayoktavyaH | atrAryA - nRttAdhvavyAyAmAnnarasya saJjAyate zramo nAma | niHzvAsakhedagamanaistasyAbhinayaH prayoktavyaH || 47||
hk transliteration by Sanscript