1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.9%
आलस्यं नाम खेदव्याधिगर्भस्वभावश्रमसौहित्यादिभिर्विभावैः समुत्पद्यते स्त्रीनीचानाम् । तदभिनयेत्सर्वकर्मानभिलाषशयना- सननिद्रातन्द्रीसेवनादिभिरनुभावैः । अत्रार्या - आलस्यं त्वभिनेयं खेदापगतं स्वभावजं चापि । आहारवर्जितानामारम्भाणामनारम्भात् ॥ ४८॥
sanskrit
Indolence (ālasya) is caused by Determinants such as nature, lassitude, sickness, satiety, pregnancy and the like. And it relates to women, and men of the inferior type. It it to be represented on the stage by Consequents such as aversion to any kind of work, lying down, sitting, drowsiness, sleep and the like. On this point there is an Āryā: 48. Indolence arising from lassitude as well as nature should be represented on the stage by discontinuance of all activity except taking food.
english translation
AlasyaM nAma khedavyAdhigarbhasvabhAvazramasauhityAdibhirvibhAvaiH samutpadyate strInIcAnAm | tadabhinayetsarvakarmAnabhilASazayanA- sananidrAtandrIsevanAdibhiranubhAvaiH | atrAryA - AlasyaM tvabhineyaM khedApagataM svabhAvajaM cApi | AhAravarjitAnAmArambhANAmanArambhAt || 48||
hk transliteration by SanscriptNatyashastra
Progress:20.9%
आलस्यं नाम खेदव्याधिगर्भस्वभावश्रमसौहित्यादिभिर्विभावैः समुत्पद्यते स्त्रीनीचानाम् । तदभिनयेत्सर्वकर्मानभिलाषशयना- सननिद्रातन्द्रीसेवनादिभिरनुभावैः । अत्रार्या - आलस्यं त्वभिनेयं खेदापगतं स्वभावजं चापि । आहारवर्जितानामारम्भाणामनारम्भात् ॥ ४८॥
sanskrit
Indolence (ālasya) is caused by Determinants such as nature, lassitude, sickness, satiety, pregnancy and the like. And it relates to women, and men of the inferior type. It it to be represented on the stage by Consequents such as aversion to any kind of work, lying down, sitting, drowsiness, sleep and the like. On this point there is an Āryā: 48. Indolence arising from lassitude as well as nature should be represented on the stage by discontinuance of all activity except taking food.
english translation
AlasyaM nAma khedavyAdhigarbhasvabhAvazramasauhityAdibhirvibhAvaiH samutpadyate strInIcAnAm | tadabhinayetsarvakarmAnabhilASazayanA- sananidrAtandrIsevanAdibhiranubhAvaiH | atrAryA - AlasyaM tvabhineyaM khedApagataM svabhAvajaM cApi | AhAravarjitAnAmArambhANAmanArambhAt || 48||
hk transliteration by Sanscript