1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.4%
विस्मयो नाम मायेन्द्रजालमानुषकर्मातिशयचित्रपुस्तशिल्पविद्यातिशयादिभिर्विभावैः समुत्पद्यते । तस्य नयनविस्तारानिमेषप्रेक्षितभ्रूक्षेपरोमहर्षणशिरःकम्पसाधुवादादिभि- रनुभावैरभिनयः प्रयोक्तव्यः । भवति चात्र श्लोकः - कर्मातिशयनिर्वृत्तो विस्मयो हर्षसम्भवः । सिद्धिस्थाने त्वसौ साध्यः प्रहर्षपुलकादिभिः ॥ २७॥
sanskrit
Astonishment (vismaya) is created by Determinants such as illusion, magic, extraordinary feats of men, great excellence in painting, art-works in parchment and the like. It is to be represented on the stage by Consequents such as wide opening of the eyes, looking without winking of the eyes, [much] movement of the eyebrows, horripilation, moving the head to and fro, the cry of “well done,” “well done,” and the like. On this point there is a Śloka: 27. Astonishment arising from joy due to extraordinary acts should be represented by means such as joy, tears, fainting and the like.
english translation
vismayo nAma mAyendrajAlamAnuSakarmAtizayacitrapustazilpavidyAtizayAdibhirvibhAvaiH samutpadyate | tasya nayanavistArAnimeSaprekSitabhrUkSeparomaharSaNaziraHkampasAdhuvAdAdibhi- ranubhAvairabhinayaH prayoktavyaH | bhavati cAtra zlokaH - karmAtizayanirvRtto vismayo harSasambhavaH | siddhisthAne tvasau sAdhyaH praharSapulakAdibhiH || 27||
hk transliteration by SanscriptNatyashastra
Progress:20.4%
विस्मयो नाम मायेन्द्रजालमानुषकर्मातिशयचित्रपुस्तशिल्पविद्यातिशयादिभिर्विभावैः समुत्पद्यते । तस्य नयनविस्तारानिमेषप्रेक्षितभ्रूक्षेपरोमहर्षणशिरःकम्पसाधुवादादिभि- रनुभावैरभिनयः प्रयोक्तव्यः । भवति चात्र श्लोकः - कर्मातिशयनिर्वृत्तो विस्मयो हर्षसम्भवः । सिद्धिस्थाने त्वसौ साध्यः प्रहर्षपुलकादिभिः ॥ २७॥
sanskrit
Astonishment (vismaya) is created by Determinants such as illusion, magic, extraordinary feats of men, great excellence in painting, art-works in parchment and the like. It is to be represented on the stage by Consequents such as wide opening of the eyes, looking without winking of the eyes, [much] movement of the eyebrows, horripilation, moving the head to and fro, the cry of “well done,” “well done,” and the like. On this point there is a Śloka: 27. Astonishment arising from joy due to extraordinary acts should be represented by means such as joy, tears, fainting and the like.
english translation
vismayo nAma mAyendrajAlamAnuSakarmAtizayacitrapustazilpavidyAtizayAdibhirvibhAvaiH samutpadyate | tasya nayanavistArAnimeSaprekSitabhrUkSeparomaharSaNaziraHkampasAdhuvAdAdibhi- ranubhAvairabhinayaH prayoktavyaH | bhavati cAtra zlokaH - karmAtizayanirvRtto vismayo harSasambhavaH | siddhisthAne tvasau sAdhyaH praharSapulakAdibhiH || 27||
hk transliteration by Sanscript