Natyashastra
Progress:15.3%
पारिपार्श्विकयोश्च स्यात्पश्चिमेनापसर्पणम् । अङ्किता चात्र कर्तव्या ध्रुवा मध्यलयान्विता ॥ ११६॥
The two Paraparshvika should move backward with the western part of the body. Here, the Dhruva should be marked and endowed with the Madhyalaya.
english translation
pAripArzvikayozca syAtpazcimenApasarpaNam । aGkitA cAtra kartavyA dhruvA madhyalayAnvitA ॥ 116॥
hk transliteration by Sanscriptचतुर्भिः सन्निपातैश्च चतुरश्रा प्रमाणतः । आद्यमन्त्यं चतुर्थं च पञ्चमं च तथा गुरु ॥ ११७॥
It is square in shape with four sides, and heavy at the beginning, end, fourth, and fifth.
english translation
caturbhiH sannipAtaizca caturazrA pramANataH । AdyamantyaM caturthaM ca paJcamaM ca tathA guru ॥ 117॥
hk transliteration by Sanscriptयस्यां ह्रस्वानि शेषाणि सा ज्ञेया त्वङ्किता बुधैः । अस्याः प्रयोगं वक्ष्यामि यथा पूर्वं महेश्वरः ॥ ११८॥
That in which the remaining ones are short, should be known as marked with a dot by the wise. I shall explain the application of this, as previously stated by Maheśvara.
english translation
yasyAM hrasvAni zeSANi sA jJeyA tvaGkitA budhaiH । asyAH prayogaM vakSyAmi yathA pUrvaM mahezvaraH ॥ 118॥
hk transliteration by Sanscriptसहोमया क्रीडितवान्नानाभावविचेष्टतैः । कृत्वाऽवहित्थं स्थानं तु वामं चाधोमुखं भुजम् ॥ ११९॥
He played with Umā, with various gestures. Having placed the left hand and face down.
english translation
sahomayA krIDitavAnnAnAbhAvaviceSTataiH । kRtvA'vahitthaM sthAnaM tu vAmaM cAdhomukhaM bhujam ॥ 119॥
hk transliteration by Sanscriptचतुरश्रमुरः कार्यमञ्चितश्चापि मस्तकः । नाभिप्रदेशे विन्यस्य जर्जरं च तुलाधृतम् ॥ १२०॥
The chest should be square, and the head should be bent. Having placed the navel region, the broken one should be held on the scale.
english translation
caturazramuraH kAryamaJcitazcApi mastakaH । nAbhipradeze vinyasya jarjaraM ca tulAdhRtam ॥ 120॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:15.3%
पारिपार्श्विकयोश्च स्यात्पश्चिमेनापसर्पणम् । अङ्किता चात्र कर्तव्या ध्रुवा मध्यलयान्विता ॥ ११६॥
The two Paraparshvika should move backward with the western part of the body. Here, the Dhruva should be marked and endowed with the Madhyalaya.
english translation
pAripArzvikayozca syAtpazcimenApasarpaNam । aGkitA cAtra kartavyA dhruvA madhyalayAnvitA ॥ 116॥
hk transliteration by Sanscriptचतुर्भिः सन्निपातैश्च चतुरश्रा प्रमाणतः । आद्यमन्त्यं चतुर्थं च पञ्चमं च तथा गुरु ॥ ११७॥
It is square in shape with four sides, and heavy at the beginning, end, fourth, and fifth.
english translation
caturbhiH sannipAtaizca caturazrA pramANataH । AdyamantyaM caturthaM ca paJcamaM ca tathA guru ॥ 117॥
hk transliteration by Sanscriptयस्यां ह्रस्वानि शेषाणि सा ज्ञेया त्वङ्किता बुधैः । अस्याः प्रयोगं वक्ष्यामि यथा पूर्वं महेश्वरः ॥ ११८॥
That in which the remaining ones are short, should be known as marked with a dot by the wise. I shall explain the application of this, as previously stated by Maheśvara.
english translation
yasyAM hrasvAni zeSANi sA jJeyA tvaGkitA budhaiH । asyAH prayogaM vakSyAmi yathA pUrvaM mahezvaraH ॥ 118॥
hk transliteration by Sanscriptसहोमया क्रीडितवान्नानाभावविचेष्टतैः । कृत्वाऽवहित्थं स्थानं तु वामं चाधोमुखं भुजम् ॥ ११९॥
He played with Umā, with various gestures. Having placed the left hand and face down.
english translation
sahomayA krIDitavAnnAnAbhAvaviceSTataiH । kRtvA'vahitthaM sthAnaM tu vAmaM cAdhomukhaM bhujam ॥ 119॥
hk transliteration by Sanscriptचतुरश्रमुरः कार्यमञ्चितश्चापि मस्तकः । नाभिप्रदेशे विन्यस्य जर्जरं च तुलाधृतम् ॥ १२०॥
The chest should be square, and the head should be bent. Having placed the navel region, the broken one should be held on the scale.
english translation
caturazramuraH kAryamaJcitazcApi mastakaH । nAbhipradeze vinyasya jarjaraM ca tulAdhRtam ॥ 120॥
hk transliteration by Sanscript