The movement of his gait should resemble the balance of a vessel, as understood by the wise. There should be no singing there; instead, the act of chanting (stobha) should be performed.
The fourth performer, after completing the worship, should withdraw. Then, the fixed note (Dhruvā) should be extended through the Geya and assume a four-sided formation.
It should predominantly consist of guru (long syllables) and be devoid of avapāṇika (short syllables). It is characterized by the foundation of stable vowels and consonants and is composed of eight kalās (measures).
The fourth, fifth, seventh, and eighth syllables are light, and the Dhruva is considered to descend at the end of the line in the verse. The Sūtradhāra should recite the Nandi there, adopting the middle tone, adorned with either twelve or eight syllables.
नमोऽस्तु सर्वदेवेभ्यो द्विजातिभ्यः शुभं तथा । जितं सोमेन वै राज्ञा शिवं गोब्राह्मणाय च ॥ १०५॥
Salutations to all the gods, to the twice-born, and to the auspicious. May the king Soma be victorious, and may there be well-being for the cows and Brahmins.