When a glimpse of the union between a couple, inspired by love, is seen, dance should be performed there, arising from the quality of joy and enthusiasm.
Where the beloved is present and there is a glimpse of the season or other auspicious signs, dance is also performed there, associated with the meaning of the song.
खण्डिअता विप्रलब्धा वा कलहान्तरितापि वा । यस्मिन्नङ्गे तु युवतिर्न नृत्तं तत्र न योजयेत् ॥३०८॥
Dance should not be performed in the case of a young woman who is enraged, deceived, or separated due to a quarrel. In such circumstances, dance should not be applied to her.
सखीप्रवृत्ते संलापे तथाऽसन्निहिते प्रिये । न हि नृत्तं प्रयोक्तव्यं यस्या न प्रोषितः प्रियः ॥ ३०९॥
When there is a conversation with a female friend or when the beloved is not near, dance should not be performed. In such cases, the dance should not be applied.
When there is a message from the messenger or when the appearance of a season or similar event is observed, the dance should not be performed if the sentiment is associated with eagerness or anxiety. In the context of the heroine, when she receives a token of affection, she should hold it in her hand and, from that moment onwards, the dance should be applied to the remaining limbs or movements.