Natyashastra
Progress:20.6%
प्रस्पन्दमानपक्ष्माग्रा नात्यर्थमुकुलैः पुटैः । मलिनान्ता च मलिना दृष्टिर्विस्मिततारका ॥ ६६॥
Malinā: The Glance in which ends of the eyelashes are not shaking and ends of the eyes are pale, and which is characterised very much by half-shut eyelids, is called Malinā (pale).
english translation
praspandamAnapakSmAgrA nAtyarthamukulaiH puTaiH । malinAntA ca malinA dRSTirvismitatArakA ॥ 66॥
hk transliteration by Sanscriptश्रमप्रम्लापितपुटा क्षामा कुञ्चितलोचना । सन्ना पतिततारा च श्रान्ता दृष्टिः प्रकीर्तिता ॥ ६७॥
Śrāntā: The resting Glance in which eyelids have been let down due to fatigue, corners of the eyes are narrowed, and the eyeballs are fallen, is called Śrāntā (tired).
english translation
zramapramlApitapuTA kSAmA kuJcitalocanA । sannA patitatArA ca zrAntA dRSTiH prakIrtitA ॥ 67॥
hk transliteration by Sanscriptकिञ्चिदञ्चितपक्ष्माग्रा पतितोर्ध्वपुटा ह्रिया । त्रपाधोगततारा च दृष्टिर्लज्जान्विता तु सा ॥ ६८॥
Lajjānvitā: The Glance in which ends of the eyelashes are slightly bent, the upper eyelid is descending in shyness, the eyeballs are lowered due to shame, is called Lajjānvitā (bashful).
english translation
kiJcidaJcitapakSmAgrA patitordhvapuTA hriyA । trapAdhogatatArA ca dRSTirlajjAnvitA tu sA ॥ 68॥
hk transliteration by Sanscriptम्लानभ्रुपुटपक्ष्मा या शिथिला मन्दचारिणी । क्रमप्रवृष्टतारा च ग्लाना दृष्टिस्तु सा स्मृता॥६९॥
Glānā: The languid Glance in which the eyebrows and the eyelashes are slowly moving and eyeballs are covered ॥ under the eyelids॥ due to fatigue, is called Glānā (lazy).
english translation
mlAnabhrupuTapakSmA yA zithilA mandacAriNI । kramapravRSTatArA ca glAnA dRSTistu sA smRtA॥69॥
hk transliteration by Sanscriptकिञ्चिच्चला स्थिरा किञ्चिदुद्गता तिर्यगायता । गूढा चकिततारा च शङ्किता दृष्टिरिष्यते॥७०॥
Śaṅkitā: The concealed Glance which is once moved, and once at rest, slightly raised, obliquely open and in which the eyeballs are timid, is Śaṅkitā (apprehensive).
english translation
kiJciccalA sthirA kiJcidudgatA tiryagAyatA । gUDhA cakitatArA ca zaGkitA dRSTiriSyate॥70॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.6%
प्रस्पन्दमानपक्ष्माग्रा नात्यर्थमुकुलैः पुटैः । मलिनान्ता च मलिना दृष्टिर्विस्मिततारका ॥ ६६॥
Malinā: The Glance in which ends of the eyelashes are not shaking and ends of the eyes are pale, and which is characterised very much by half-shut eyelids, is called Malinā (pale).
english translation
praspandamAnapakSmAgrA nAtyarthamukulaiH puTaiH । malinAntA ca malinA dRSTirvismitatArakA ॥ 66॥
hk transliteration by Sanscriptश्रमप्रम्लापितपुटा क्षामा कुञ्चितलोचना । सन्ना पतिततारा च श्रान्ता दृष्टिः प्रकीर्तिता ॥ ६७॥
Śrāntā: The resting Glance in which eyelids have been let down due to fatigue, corners of the eyes are narrowed, and the eyeballs are fallen, is called Śrāntā (tired).
english translation
zramapramlApitapuTA kSAmA kuJcitalocanA । sannA patitatArA ca zrAntA dRSTiH prakIrtitA ॥ 67॥
hk transliteration by Sanscriptकिञ्चिदञ्चितपक्ष्माग्रा पतितोर्ध्वपुटा ह्रिया । त्रपाधोगततारा च दृष्टिर्लज्जान्विता तु सा ॥ ६८॥
Lajjānvitā: The Glance in which ends of the eyelashes are slightly bent, the upper eyelid is descending in shyness, the eyeballs are lowered due to shame, is called Lajjānvitā (bashful).
english translation
kiJcidaJcitapakSmAgrA patitordhvapuTA hriyA । trapAdhogatatArA ca dRSTirlajjAnvitA tu sA ॥ 68॥
hk transliteration by Sanscriptम्लानभ्रुपुटपक्ष्मा या शिथिला मन्दचारिणी । क्रमप्रवृष्टतारा च ग्लाना दृष्टिस्तु सा स्मृता॥६९॥
Glānā: The languid Glance in which the eyebrows and the eyelashes are slowly moving and eyeballs are covered ॥ under the eyelids॥ due to fatigue, is called Glānā (lazy).
english translation
mlAnabhrupuTapakSmA yA zithilA mandacAriNI । kramapravRSTatArA ca glAnA dRSTistu sA smRtA॥69॥
hk transliteration by Sanscriptकिञ्चिच्चला स्थिरा किञ्चिदुद्गता तिर्यगायता । गूढा चकिततारा च शङ्किता दृष्टिरिष्यते॥७०॥
Śaṅkitā: The concealed Glance which is once moved, and once at rest, slightly raised, obliquely open and in which the eyeballs are timid, is Śaṅkitā (apprehensive).
english translation
kiJciccalA sthirA kiJcidudgatA tiryagAyatA । gUDhA cakitatArA ca zaGkitA dRSTiriSyate॥70॥
hk transliteration by Sanscript