Natyashastra
Progress:20.7%
विषादविस्तीर्णपुटा पर्यस्तान्ता निमेषिणी । किञ्चिन्निष्टब्धतारा च कार्या दृष्टीर्विषादिनी ॥ ७१॥
Viṣaṇṇā: The bewildered Glance in which eyelids are down wide apart in dejection, and there is no winking and the eyeballs are slightly motionless, is called Viṣaṇṇā (dejected).
english translation
viSAdavistIrNapuTA paryastAntA nimeSiNI । kiJcinniSTabdhatArA ca kAryA dRSTIrviSAdinI ॥ 71॥
hk transliteration by Sanscriptस्फुरदाश्लिष्टपक्ष्माग्रा मुकुलोर्ध्वपुटाञ्चिता । सुखोन्मीलिततारा च मुकुला दृष्टिरिष्यते॥७२॥
Mukulā: The Glance in which eyelashes are slightly trembling, the upper eyelids are of the Mukula type and the eyeballs are opened in happiness, is called Mukulā.
english translation
sphuradAzliSTapakSmAgrA mukulordhvapuTAJcitA । sukhonmIlitatArA ca mukulA dRSTiriSyate॥72॥
hk transliteration by Sanscriptआनिकुञ्चितपक्ष्माग्रा पुटैराकुञ्चितैस्तथा । संनिकुञ्चिततारा च कुञ्चिता दृष्टिरिष्यते ॥ ७३॥
Kuñcitā: The Glance in which ends of eyelashes are bent due to the eyelids being contracted and the eyeballs are also contracted, is called Kuñcitā (contracted).
english translation
AnikuJcitapakSmAgrA puTairAkuJcitaistathA । saMnikuJcitatArA ca kuJcitA dRSTiriSyate ॥ 73॥
hk transliteration by Sanscriptमन्दायमानतारा या पुटैः प्रचलितैस्तथा । सन्तापोपप्लुता दृष्टिरभितप्ता तु सव्यथा ॥ ७४॥
Abhitaptā: The Glance in which the eyeballs are slowly moving due to the movement of the eyelids, and which indicates much distress and pain, is called Abhitaptā (distressed).
english translation
mandAyamAnatArA yA puTaiH pracalitaistathA । santApopaplutA dRSTirabhitaptA tu savyathA ॥ 74॥
hk transliteration by Sanscriptलम्बिताकुञ्चितपुटा शनैस्तिर्यङ् निरीक्षिणी । निगूढा गूढतारा च जिह्मा दृष्टिरुदाहृता ॥ ७५॥
Jihmā: The Glance in which the eyelids are hanging down and slightly contracted and the eyeballs are concealed, and which casts itself obliquely and slyly is called Jihmā (crooked).
english translation
lambitAkuJcitapuTA zanaistiryaG nirIkSiNI । nigUDhA gUDhatArA ca jihmA dRSTirudAhRtA ॥ 75॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.7%
विषादविस्तीर्णपुटा पर्यस्तान्ता निमेषिणी । किञ्चिन्निष्टब्धतारा च कार्या दृष्टीर्विषादिनी ॥ ७१॥
Viṣaṇṇā: The bewildered Glance in which eyelids are down wide apart in dejection, and there is no winking and the eyeballs are slightly motionless, is called Viṣaṇṇā (dejected).
english translation
viSAdavistIrNapuTA paryastAntA nimeSiNI । kiJcinniSTabdhatArA ca kAryA dRSTIrviSAdinI ॥ 71॥
hk transliteration by Sanscriptस्फुरदाश्लिष्टपक्ष्माग्रा मुकुलोर्ध्वपुटाञ्चिता । सुखोन्मीलिततारा च मुकुला दृष्टिरिष्यते॥७२॥
Mukulā: The Glance in which eyelashes are slightly trembling, the upper eyelids are of the Mukula type and the eyeballs are opened in happiness, is called Mukulā.
english translation
sphuradAzliSTapakSmAgrA mukulordhvapuTAJcitA । sukhonmIlitatArA ca mukulA dRSTiriSyate॥72॥
hk transliteration by Sanscriptआनिकुञ्चितपक्ष्माग्रा पुटैराकुञ्चितैस्तथा । संनिकुञ्चिततारा च कुञ्चिता दृष्टिरिष्यते ॥ ७३॥
Kuñcitā: The Glance in which ends of eyelashes are bent due to the eyelids being contracted and the eyeballs are also contracted, is called Kuñcitā (contracted).
english translation
AnikuJcitapakSmAgrA puTairAkuJcitaistathA । saMnikuJcitatArA ca kuJcitA dRSTiriSyate ॥ 73॥
hk transliteration by Sanscriptमन्दायमानतारा या पुटैः प्रचलितैस्तथा । सन्तापोपप्लुता दृष्टिरभितप्ता तु सव्यथा ॥ ७४॥
Abhitaptā: The Glance in which the eyeballs are slowly moving due to the movement of the eyelids, and which indicates much distress and pain, is called Abhitaptā (distressed).
english translation
mandAyamAnatArA yA puTaiH pracalitaistathA । santApopaplutA dRSTirabhitaptA tu savyathA ॥ 74॥
hk transliteration by Sanscriptलम्बिताकुञ्चितपुटा शनैस्तिर्यङ् निरीक्षिणी । निगूढा गूढतारा च जिह्मा दृष्टिरुदाहृता ॥ ७५॥
Jihmā: The Glance in which the eyelids are hanging down and slightly contracted and the eyeballs are concealed, and which casts itself obliquely and slyly is called Jihmā (crooked).
english translation
lambitAkuJcitapuTA zanaistiryaG nirIkSiNI । nigUDhA gUDhatArA ca jihmA dRSTirudAhRtA ॥ 75॥
hk transliteration by Sanscript