Natyashastra
Progress:20.8%
मधुराकुञ्चितान्ता च सभ्रूक्षेपा च सस्मिता । सममन्यविकारा च दृष्टिः सा ललिता स्मृता ॥ ७६॥
Lalitā: The Glance which is sweet, and contracted at the end ॥ of the eye॥ and which is smiling and has movement of the eyebrows, and shows signs of love is called Lalitā (amorous).
english translation
madhurAkuJcitAntA ca sabhrUkSepA ca sasmitA । samamanyavikArA ca dRSTiH sA lalitA smRtA ॥ 76॥
hk transliteration by Sanscriptवितर्कोद्वर्तितपुटा तथैवोत्फुल्लतारका । अधोगतविचारा च दृष्टिरेषा वितर्किता॥७७॥
Vitarkitā: The Glance in which the eyelids are turned up for guessing, the eyeballs are full blown and moving downwards is called the Vitarkitā (conjecturing).
english translation
vitarkodvartitapuTA tathaivotphullatArakA । adhogatavicArA ca dRSTireSA vitarkitA॥77॥
hk transliteration by Sanscriptअर्धव्याकोशपक्ष्मा च ह्लादार्धमुकुलैः पुटैः । स्मितार्शमुकुला दृष्टिः किञ्चिल्लुलिततारका ॥ ७८॥
Ardhamukulā: The Glance in which owing to joy the eyelids are of the Ardhamukulā: type, the eyeballs are half-blown and slightly mobile is called Ardhamukulā.
english translation
ardhavyAkozapakSmA ca hlAdArdhamukulaiH puTaiH । smitArzamukulA dRSTiH kiJcillulitatArakA ॥ 78॥
hk transliteration by Sanscriptअनवस्थिततारा च विभ्रान्ताकुलदर्शना । विस्तीर्णोत्फुल्लमध्या च विभ्रान्ता दृष्टिरुच्यते ॥ ७९॥
Vibhrāntā: The Glance in which the eyeballs are moving and so are the eyelids, and the middle ॥ of the eye॥ is wide open and full-blown, is called Vibhrāntā (confused).
english translation
anavasthitatArA ca vibhrAntAkuladarzanA । vistIrNotphullamadhyA ca vibhrAntA dRSTirucyate ॥ 79॥
hk transliteration by Sanscriptपुटौ प्रस्फुरितौ यस्य निष्टब्धौ पतितौ पुनः । विलुप्तोद्वृत्ततारा च दृष्टिरेषा तु विप्लुता ॥ ८०॥
Viplutā: The Glance in which the eyelids ॥ first॥ tremble and then become motionless and the eyeballs are ॥ again॥ disturbed, is called Viplutā (disturbed).
english translation
puTau prasphuritau yasya niSTabdhau patitau punaH । viluptodvRttatArA ca dRSTireSA tu viplutA ॥ 80॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.8%
मधुराकुञ्चितान्ता च सभ्रूक्षेपा च सस्मिता । सममन्यविकारा च दृष्टिः सा ललिता स्मृता ॥ ७६॥
Lalitā: The Glance which is sweet, and contracted at the end ॥ of the eye॥ and which is smiling and has movement of the eyebrows, and shows signs of love is called Lalitā (amorous).
english translation
madhurAkuJcitAntA ca sabhrUkSepA ca sasmitA । samamanyavikArA ca dRSTiH sA lalitA smRtA ॥ 76॥
hk transliteration by Sanscriptवितर्कोद्वर्तितपुटा तथैवोत्फुल्लतारका । अधोगतविचारा च दृष्टिरेषा वितर्किता॥७७॥
Vitarkitā: The Glance in which the eyelids are turned up for guessing, the eyeballs are full blown and moving downwards is called the Vitarkitā (conjecturing).
english translation
vitarkodvartitapuTA tathaivotphullatArakA । adhogatavicArA ca dRSTireSA vitarkitA॥77॥
hk transliteration by Sanscriptअर्धव्याकोशपक्ष्मा च ह्लादार्धमुकुलैः पुटैः । स्मितार्शमुकुला दृष्टिः किञ्चिल्लुलिततारका ॥ ७८॥
Ardhamukulā: The Glance in which owing to joy the eyelids are of the Ardhamukulā: type, the eyeballs are half-blown and slightly mobile is called Ardhamukulā.
english translation
ardhavyAkozapakSmA ca hlAdArdhamukulaiH puTaiH । smitArzamukulA dRSTiH kiJcillulitatArakA ॥ 78॥
hk transliteration by Sanscriptअनवस्थिततारा च विभ्रान्ताकुलदर्शना । विस्तीर्णोत्फुल्लमध्या च विभ्रान्ता दृष्टिरुच्यते ॥ ७९॥
Vibhrāntā: The Glance in which the eyeballs are moving and so are the eyelids, and the middle ॥ of the eye॥ is wide open and full-blown, is called Vibhrāntā (confused).
english translation
anavasthitatArA ca vibhrAntAkuladarzanA । vistIrNotphullamadhyA ca vibhrAntA dRSTirucyate ॥ 79॥
hk transliteration by Sanscriptपुटौ प्रस्फुरितौ यस्य निष्टब्धौ पतितौ पुनः । विलुप्तोद्वृत्ततारा च दृष्टिरेषा तु विप्लुता ॥ ८०॥
Viplutā: The Glance in which the eyelids ॥ first॥ tremble and then become motionless and the eyeballs are ॥ again॥ disturbed, is called Viplutā (disturbed).
english translation
puTau prasphuritau yasya niSTabdhau patitau punaH । viluptodvRttatArA ca dRSTireSA tu viplutA ॥ 80॥
hk transliteration by Sanscript