Natyashastra
Progress:20.9%
आकुञ्चितपुटापाङ्गा सङ्गतार्धनिमेषिणी । मुहुर्व्यावृत्ततारा च दृष्टिराकेकरा स्मृता ॥ ८१॥
Ākekarā: The Glance in which the eyelids and the corner of the eyes are slightly contracted and joined together, and is half-winking, and the eyeballs are repeatedly turning up, is called Ākekarā (half-shut).
english translation
AkuJcitapuTApAGgA saGgatArdhanimeSiNI । muhurvyAvRttatArA ca dRSTirAkekarA smRtA ॥ 81॥
hk transliteration by Sanscriptविकोशितोभयपुटा प्रोत्फुल्ला चानिमेषिणी । अनवस्थितसञ्चारा विकोशा दृष्टिरुच्यते ॥ ८२॥
Vikośā: The joyful Glance in which the two eyelids are wide open and there is no winking and the eyeballs are not immobile, is called Vikośā (full blown).
english translation
vikozitobhayapuTA protphullA cAnimeSiNI । anavasthitasaJcArA vikozA dRSTirucyate ॥ 82॥
hk transliteration by Sanscriptत्रासोद्वृत्तपुटा या तु तथोत्कम्पिततारका । सन्त्रासोत्फुल्लमध्या च त्रस्ता दृष्टिरुदाहृता ॥ ८३॥
Trastā: The Glance in which the eyelids are drawn up in fear, the eyeballs are trembling and the middle of the eye is full-blown due to panic, is called Trastā (frightened).
english translation
trAsodvRttapuTA yA tu tathotkampitatArakA । santrAsotphullamadhyA ca trastA dRSTirudAhRtA ॥ 83॥
hk transliteration by Sanscriptआघुर्णमानमध्या या क्षामान्ताञ्चितलोचना । दृष्टिर्विकसितापाङ्गा मदिरा तरुणे मदे ॥ ८४॥
Madirā: The Glance in which the middle of the eye is rolling, the ends of the eyes are thin, the eyes are bent, and the corners of the eyes are fully widened, is called Madirā (intoxicated). It is to be used in representing light intoxication.
english translation
AghurNamAnamadhyA yA kSAmAntAJcitalocanA । dRSTirvikasitApAGgA madirA taruNe made ॥ 84॥
hk transliteration by Sanscriptकिञ्चिदाकुऽचितपुटा ह्यनवस्थिततारका । तथा चलितपक्ष्मा च दृष्टिर्मध्यमदे भवेत् ॥ ८५॥
In medium intoxication this Glance should have its eyelids slightly contracted, the eyeballs and and the eyelashes slightly mobile.
english translation
kiJcidAku'citapuTA hyanavasthitatArakA । tathA calitapakSmA ca dRSTirmadhyamade bhavet ॥ 85॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.9%
आकुञ्चितपुटापाङ्गा सङ्गतार्धनिमेषिणी । मुहुर्व्यावृत्ततारा च दृष्टिराकेकरा स्मृता ॥ ८१॥
Ākekarā: The Glance in which the eyelids and the corner of the eyes are slightly contracted and joined together, and is half-winking, and the eyeballs are repeatedly turning up, is called Ākekarā (half-shut).
english translation
AkuJcitapuTApAGgA saGgatArdhanimeSiNI । muhurvyAvRttatArA ca dRSTirAkekarA smRtA ॥ 81॥
hk transliteration by Sanscriptविकोशितोभयपुटा प्रोत्फुल्ला चानिमेषिणी । अनवस्थितसञ्चारा विकोशा दृष्टिरुच्यते ॥ ८२॥
Vikośā: The joyful Glance in which the two eyelids are wide open and there is no winking and the eyeballs are not immobile, is called Vikośā (full blown).
english translation
vikozitobhayapuTA protphullA cAnimeSiNI । anavasthitasaJcArA vikozA dRSTirucyate ॥ 82॥
hk transliteration by Sanscriptत्रासोद्वृत्तपुटा या तु तथोत्कम्पिततारका । सन्त्रासोत्फुल्लमध्या च त्रस्ता दृष्टिरुदाहृता ॥ ८३॥
Trastā: The Glance in which the eyelids are drawn up in fear, the eyeballs are trembling and the middle of the eye is full-blown due to panic, is called Trastā (frightened).
english translation
trAsodvRttapuTA yA tu tathotkampitatArakA । santrAsotphullamadhyA ca trastA dRSTirudAhRtA ॥ 83॥
hk transliteration by Sanscriptआघुर्णमानमध्या या क्षामान्ताञ्चितलोचना । दृष्टिर्विकसितापाङ्गा मदिरा तरुणे मदे ॥ ८४॥
Madirā: The Glance in which the middle of the eye is rolling, the ends of the eyes are thin, the eyes are bent, and the corners of the eyes are fully widened, is called Madirā (intoxicated). It is to be used in representing light intoxication.
english translation
AghurNamAnamadhyA yA kSAmAntAJcitalocanA । dRSTirvikasitApAGgA madirA taruNe made ॥ 84॥
hk transliteration by Sanscriptकिञ्चिदाकुऽचितपुटा ह्यनवस्थिततारका । तथा चलितपक्ष्मा च दृष्टिर्मध्यमदे भवेत् ॥ ८५॥
In medium intoxication this Glance should have its eyelids slightly contracted, the eyeballs and and the eyelashes slightly mobile.
english translation
kiJcidAku'citapuTA hyanavasthitatArakA । tathA calitapakSmA ca dRSTirmadhyamade bhavet ॥ 85॥
hk transliteration by Sanscript