1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
•
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:23.6%
स्निग्धा हृष्टा च दीना च क्रुद्धा दृप्ता भयान्विता । जुगुप्सिता विस्मिता च स्थायिभावेषु दृष्टयः ॥ ४१॥
sanskrit
Glances to be used in the Dominant States are Snigdhā, Hṛṣṭā, Dīnā, Kruddhā, Dṛptā, Bhayānvitā, Jugupsitā and Vismitā.
english translation
snigdhA hRSTA ca dInA ca kruddhA dRptA bhayAnvitA | jugupsitA vismitA ca sthAyibhAveSu dRSTayaH || 41||
hk transliteration by Sanscriptशून्या च मलिना चैव श्रान्ता लज्जान्विता तथा । ग्लाना च शङ्किता चैव विषण्णा मुकुला तथा ॥ ४२॥
sanskrit
Glances to be used in the Transitory States such as Śūnyā, Malinā, Śrāntā, Lajjānvitā, Glānā, Śaṅkitā, Viṣaṇṇā, Muktā,
english translation
zUnyA ca malinA caiva zrAntA lajjAnvitA tathA | glAnA ca zaGkitA caiva viSaNNA mukulA tathA || 42||
hk transliteration by Sanscriptकुञ्चिता चाभितप्ता च जिह्मा सललिता तथा । वितर्कितार्धमुकुला विभ्रान्ता विलुप्ता तथा ॥ ४३॥
sanskrit
Kuñcitā, Abhitaptā, Jihmā, Lalitā, Vitarkitā, Ardhamukulā, Vibhrāntā, Viplutā,
english translation
kuJcitA cAbhitaptA ca jihmA salalitA tathA | vitarkitArdhamukulA vibhrAntA viluptA tathA || 43||
hk transliteration by Sanscriptआकेकरा विकोशा च त्रस्ता च मदिरा तथा । षट्त्रिंशद् दृष्टयो ह्येता तासु नाट्यं प्रतिष्ठितम् ॥ ४४॥
sanskrit
Ākekarā, Vikośā, Trastā and Madira, make up their number thirty-six.
english translation
AkekarA vikozA ca trastA ca madirA tathA | SaTtriMzad dRSTayo hyetA tAsu nATyaM pratiSThitam || 44||
hk transliteration by Sanscriptअस्य दृष्टिविधानस्य नानाभावरसाश्रयम् । लक्षणं सम्प्रवक्ष्यमि यथाकर्म प्रयोगतः ॥ ४५॥
sanskrit
I shall now explain the characteristics of these Glances in connexion with the various Sentiments and the States, and shall describe their functions.
english translation
asya dRSTividhAnasya nAnAbhAvarasAzrayam | lakSaNaM sampravakSyami yathAkarma prayogataH || 45||
hk transliteration by SanscriptNatyashastra
Progress:23.6%
स्निग्धा हृष्टा च दीना च क्रुद्धा दृप्ता भयान्विता । जुगुप्सिता विस्मिता च स्थायिभावेषु दृष्टयः ॥ ४१॥
sanskrit
Glances to be used in the Dominant States are Snigdhā, Hṛṣṭā, Dīnā, Kruddhā, Dṛptā, Bhayānvitā, Jugupsitā and Vismitā.
english translation
snigdhA hRSTA ca dInA ca kruddhA dRptA bhayAnvitA | jugupsitA vismitA ca sthAyibhAveSu dRSTayaH || 41||
hk transliteration by Sanscriptशून्या च मलिना चैव श्रान्ता लज्जान्विता तथा । ग्लाना च शङ्किता चैव विषण्णा मुकुला तथा ॥ ४२॥
sanskrit
Glances to be used in the Transitory States such as Śūnyā, Malinā, Śrāntā, Lajjānvitā, Glānā, Śaṅkitā, Viṣaṇṇā, Muktā,
english translation
zUnyA ca malinA caiva zrAntA lajjAnvitA tathA | glAnA ca zaGkitA caiva viSaNNA mukulA tathA || 42||
hk transliteration by Sanscriptकुञ्चिता चाभितप्ता च जिह्मा सललिता तथा । वितर्कितार्धमुकुला विभ्रान्ता विलुप्ता तथा ॥ ४३॥
sanskrit
Kuñcitā, Abhitaptā, Jihmā, Lalitā, Vitarkitā, Ardhamukulā, Vibhrāntā, Viplutā,
english translation
kuJcitA cAbhitaptA ca jihmA salalitA tathA | vitarkitArdhamukulA vibhrAntA viluptA tathA || 43||
hk transliteration by Sanscriptआकेकरा विकोशा च त्रस्ता च मदिरा तथा । षट्त्रिंशद् दृष्टयो ह्येता तासु नाट्यं प्रतिष्ठितम् ॥ ४४॥
sanskrit
Ākekarā, Vikośā, Trastā and Madira, make up their number thirty-six.
english translation
AkekarA vikozA ca trastA ca madirA tathA | SaTtriMzad dRSTayo hyetA tAsu nATyaM pratiSThitam || 44||
hk transliteration by Sanscriptअस्य दृष्टिविधानस्य नानाभावरसाश्रयम् । लक्षणं सम्प्रवक्ष्यमि यथाकर्म प्रयोगतः ॥ ४५॥
sanskrit
I shall now explain the characteristics of these Glances in connexion with the various Sentiments and the States, and shall describe their functions.
english translation
asya dRSTividhAnasya nAnAbhAvarasAzrayam | lakSaNaM sampravakSyami yathAkarma prayogataH || 45||
hk transliteration by Sanscript