Natyashastra
Progress:9.3%
सन्नतौ च तथा हस्तौ सन्नतं तदुदाहृतम् । कुञ्चितं पादमुत्क्षिप्य कुर्यादग्रस्थितं भुवि ॥ १३६॥
Sannata—after jumping, the two feet are to be put forward in Svastika form and the two hands to show Sannata (i.e. Dolā) gesture.
english translation
sannatau ca tathA hastau sannataM tadudAhRtam । kuJcitaM pAdamutkSipya kuryAdagrasthitaM bhuvi ॥ 136॥
hk transliteration by Sanscriptप्रयोगवशगौ हस्तौ सा सूची परिकीर्तिता । अलपद्मः शिरोहस्तः सूचीपादश्च दक्षिणः ॥ १३७॥
Sūcī—a Kuñcita foot to be raised and put forward on the ground, and the two hands to be in harmony with the performance.
english translation
prayogavazagau hastau sA sUcI parikIrtitA । alapadmaH zirohastaH sUcIpAdazca dakSiNaH ॥ 137॥
hk transliteration by Sanscriptयत्र तत्करणं ज्ञेअयमर्धसूचीति नामतः । पादसूच्या यदा पादो द्वितीयस्तु प्रविध्यते ॥ १३८॥
Ardhasūcī—the Alapadma hand is held on the head, the right foot is in Sūcī ॥ Cārī॥ position.
english translation
yatra tatkaraNaM jJeayamardhasUcIti nAmataH । pAdasUcyA yadA pAdo dvitIyastu pravidhyate ॥ 138॥
hk transliteration by Sanscriptकटिवक्षःस्थितौ हस्तौ सूचीविधं तदुच्यते । कृत्वोरुवलितं पादमपक्रान्तक्रमं न्यसेत् ॥ १३९॥
Sūcīviddha—one foot of Sūcī Cārī being put on the heel of another foot, the two hands to be respectively put on the waist and the chest.
english translation
kaTivakSaHsthitau hastau sUcIvidhaM taducyate । kRtvoruvalitaM pAdamapakrAntakramaM nyaset ॥ 139॥
hk transliteration by Sanscriptप्रयोगवशगौ हस्तवपक्रान्तं तदुच्यते । वृश्चिकं चरणं कृत्वा रेचितौ च तथा करौ ॥ १४०॥
Apakrānta—after making the Valita thigh, Apakrāntā Cāri is to be performed, the two hands to be moved in harmony with the performance.
english translation
prayogavazagau hastavapakrAntaM taducyate । vRzcikaM caraNaM kRtvA recitau ca tathA karau ॥ 140॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:9.3%
सन्नतौ च तथा हस्तौ सन्नतं तदुदाहृतम् । कुञ्चितं पादमुत्क्षिप्य कुर्यादग्रस्थितं भुवि ॥ १३६॥
Sannata—after jumping, the two feet are to be put forward in Svastika form and the two hands to show Sannata (i.e. Dolā) gesture.
english translation
sannatau ca tathA hastau sannataM tadudAhRtam । kuJcitaM pAdamutkSipya kuryAdagrasthitaM bhuvi ॥ 136॥
hk transliteration by Sanscriptप्रयोगवशगौ हस्तौ सा सूची परिकीर्तिता । अलपद्मः शिरोहस्तः सूचीपादश्च दक्षिणः ॥ १३७॥
Sūcī—a Kuñcita foot to be raised and put forward on the ground, and the two hands to be in harmony with the performance.
english translation
prayogavazagau hastau sA sUcI parikIrtitA । alapadmaH zirohastaH sUcIpAdazca dakSiNaH ॥ 137॥
hk transliteration by Sanscriptयत्र तत्करणं ज्ञेअयमर्धसूचीति नामतः । पादसूच्या यदा पादो द्वितीयस्तु प्रविध्यते ॥ १३८॥
Ardhasūcī—the Alapadma hand is held on the head, the right foot is in Sūcī ॥ Cārī॥ position.
english translation
yatra tatkaraNaM jJeayamardhasUcIti nAmataH । pAdasUcyA yadA pAdo dvitIyastu pravidhyate ॥ 138॥
hk transliteration by Sanscriptकटिवक्षःस्थितौ हस्तौ सूचीविधं तदुच्यते । कृत्वोरुवलितं पादमपक्रान्तक्रमं न्यसेत् ॥ १३९॥
Sūcīviddha—one foot of Sūcī Cārī being put on the heel of another foot, the two hands to be respectively put on the waist and the chest.
english translation
kaTivakSaHsthitau hastau sUcIvidhaM taducyate । kRtvoruvalitaM pAdamapakrAntakramaM nyaset ॥ 139॥
hk transliteration by Sanscriptप्रयोगवशगौ हस्तवपक्रान्तं तदुच्यते । वृश्चिकं चरणं कृत्वा रेचितौ च तथा करौ ॥ १४०॥
Apakrānta—after making the Valita thigh, Apakrāntā Cāri is to be performed, the two hands to be moved in harmony with the performance.
english translation
prayogavazagau hastavapakrAntaM taducyate । vRzcikaM caraNaM kRtvA recitau ca tathA karau ॥ 140॥
hk transliteration by Sanscript