Natyashastra
Progress:9.2%
समुन्नतं शिरश्चैव गरुडप्लुतकं भवेत् । सूचिपादो नतं पार्श्वमेको वक्षःस्थितः करः ॥ १३१॥
Garuḍaplutaka—the two feet to be stretched backwards and the two hands—right and left—to be respectively with Latā and Recita gestures, and the chest raised up.
english translation
samunnataM zirazcaiva garuDaplutakaM bhavet । sUcipAdo nataM pArzvameko vakSaHsthitaH karaH ॥ 131॥
hk transliteration by Sanscriptद्वितीयश्चाञ्चितो गण्डे गण्डसूची तदुच्यते , ऊर्ध्वापवेष्टितौ हस्तौ सूचीपादो विवर्तितः ॥ १३२॥
Gaṇḍasūcī—the feet to be in Sūcī position, the side to be Unnata, one hand to be on the chest and the other to bend and touch the cheek.
english translation
dvitIyazcAJcito gaNDe gaNDasUcI taducyate , UrdhvApaveSTitau hastau sUcIpAdo vivartitaH ॥ 132॥
hk transliteration by Sanscriptपरिवृत्तत्रिकं चैव परिवृत्तं तदुच्यते । एकः समस्थितः पाद ऊरुपृष्ठे स्थितोऽपरः ॥ १३३॥
Parivṛtta—the hands raised in Apaveṣṭita gesture, the feet in Sūcī position, the Trika is turned round (in the Bhramarī Cārī).
english translation
parivRttatrikaM caiva parivRttaM taducyate । ekaH samasthitaH pAda UrupRSThe sthito'paraH ॥ 133॥
hk transliteration by Sanscriptमुष्टिहस्तश्च वक्षःस्थः पार्श्वजानु तदुच्यते । पृष्ठप्रसारितः पादः किञ्चितञ्चित जानुकः ॥ १३४॥
Pārśvajānu—one foot in Sama position and the opposite thigh raised, and one Muṣṭi hand on the chest.
english translation
muSTihastazca vakSaHsthaH pArzvajAnu taducyate । pRSThaprasAritaH pAdaH kiJcitaJcita jAnukaH ॥ 134॥
hk transliteration by Sanscriptयत्र प्रसारितो बाहू तत्स्यात् गृध्रावलीनकम् । उत्प्लुत्य चरणौ कार्यावग्रतः स्वस्तिकस्थितौ ॥ १३५॥
Gṛdhrāvalīnaka—one foot stretched backwards and one knee slightly bent and the two arms outstretched.
english translation
yatra prasArito bAhU tatsyAt gRdhrAvalInakam । utplutya caraNau kAryAvagrataH svastikasthitau ॥ 135॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:9.2%
समुन्नतं शिरश्चैव गरुडप्लुतकं भवेत् । सूचिपादो नतं पार्श्वमेको वक्षःस्थितः करः ॥ १३१॥
Garuḍaplutaka—the two feet to be stretched backwards and the two hands—right and left—to be respectively with Latā and Recita gestures, and the chest raised up.
english translation
samunnataM zirazcaiva garuDaplutakaM bhavet । sUcipAdo nataM pArzvameko vakSaHsthitaH karaH ॥ 131॥
hk transliteration by Sanscriptद्वितीयश्चाञ्चितो गण्डे गण्डसूची तदुच्यते , ऊर्ध्वापवेष्टितौ हस्तौ सूचीपादो विवर्तितः ॥ १३२॥
Gaṇḍasūcī—the feet to be in Sūcī position, the side to be Unnata, one hand to be on the chest and the other to bend and touch the cheek.
english translation
dvitIyazcAJcito gaNDe gaNDasUcI taducyate , UrdhvApaveSTitau hastau sUcIpAdo vivartitaH ॥ 132॥
hk transliteration by Sanscriptपरिवृत्तत्रिकं चैव परिवृत्तं तदुच्यते । एकः समस्थितः पाद ऊरुपृष्ठे स्थितोऽपरः ॥ १३३॥
Parivṛtta—the hands raised in Apaveṣṭita gesture, the feet in Sūcī position, the Trika is turned round (in the Bhramarī Cārī).
english translation
parivRttatrikaM caiva parivRttaM taducyate । ekaH samasthitaH pAda UrupRSThe sthito'paraH ॥ 133॥
hk transliteration by Sanscriptमुष्टिहस्तश्च वक्षःस्थः पार्श्वजानु तदुच्यते । पृष्ठप्रसारितः पादः किञ्चितञ्चित जानुकः ॥ १३४॥
Pārśvajānu—one foot in Sama position and the opposite thigh raised, and one Muṣṭi hand on the chest.
english translation
muSTihastazca vakSaHsthaH pArzvajAnu taducyate । pRSThaprasAritaH pAdaH kiJcitaJcita jAnukaH ॥ 134॥
hk transliteration by Sanscriptयत्र प्रसारितो बाहू तत्स्यात् गृध्रावलीनकम् । उत्प्लुत्य चरणौ कार्यावग्रतः स्वस्तिकस्थितौ ॥ १३५॥
Gṛdhrāvalīnaka—one foot stretched backwards and one knee slightly bent and the two arms outstretched.
english translation
yatra prasArito bAhU tatsyAt gRdhrAvalInakam । utplutya caraNau kAryAvagrataH svastikasthitau ॥ 135॥
hk transliteration by Sanscript