Natyashastra

siva.sh/natyashastra/31/131

यथा- ऋन्दुं जगति अवलिकदिगिविगितितिऋलऋचकुलतिति जगतिति वा । उपोह्यन्ते स्वरा यत्र येन गीतं प्रवर्तते । तमादुपोहनं प्रोक्तं शुष्काक्षरसमन्वितम् ॥ १३१॥

sanskrit

For example: ṛnduṁ jagati avalikadi-givigiti-ṛla-ṛcakulatiti jagatiti, etc. The notes are sung wherever the song is performed according to this pattern. This is called the Upohana, consisting of unmeaning (dry) syllables.

english translation

yathA- RnduM jagati avalikadigivigititiRlaRcakulatiti jagatiti vA । upohyante svarA yatra yena gItaM pravartate । tamAdupohanaM proktaM zuSkAkSarasamanvitam ॥ 131॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/132

अथवा मोह्यते यस्मात्प्रयोगसूचनादिभिः । तमादुपोहनं ह्येतज्जानभा(ता)ण्डसमाश्रयम् ॥ १३२॥

sanskrit

Or, because it is carried forward by means of indications of performance and other cues, this too is called the Upohana, dependent on musical instruments.

english translation

athavA mohyate yasmAtprayogasUcanAdibhiH । tamAdupohanaM hyetajjAnabhA(tA)NDasamAzrayam ॥ 132॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/133

शम्या तालौ द्विरभ्यस्तौ सन्निपातान्त्य एव च । उपोहनं विशालायास्तालोऽयं परिकीर्तितः ॥ १३३॥

sanskrit

The Tāla of the Upohana in Viśālā consists of two Śamyā beats followed by a Tāla, ending with a Sannipāta. This is how the Upohana of Viśālā is prescribed.

english translation

zamyA tAlau dvirabhyastau sannipAtAntya eva ca । upohanaM vizAlAyAstAlo'yaM parikIrtitaH ॥ 133॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/134

द्विकलः सङ्गतायाश्च तालश्चञ्चूपुटः स्मृतः । त्रिकलो युक्ततालादि सुनन्दायास्तथैव च ॥ १३४॥

sanskrit

The double Āsārita of Saṃgatā is set to the Cañcupuṭaḥ Tāla. The triple Āsārita, along with its associated Tāla, is similarly prescribed for Sunandā.

english translation

dvikalaH saGgatAyAzca tAlazcaJcUpuTaH smRtaH । trikalo yuktatAlAdi sunandAyAstathaiva ca ॥ 134॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/135

चञ्चत्पुटस्तु द्विकलः सुमुख्याः स्यादुपोहने । उपोहने द्विरभ्यस्तैस्ततः कार्या तु कण्डिका ॥ १३५॥

sanskrit

The double Āsārita of Sumukhī is to be performed in the Cañcatpuṭaḥ Tāla during the Upohana. When the Upohana is repeated twice in this manner, it constitutes the Kaṇḍikā.

english translation

caJcatpuTastu dvikalaH sumukhyAH syAdupohane । upohane dvirabhyastaistataH kAryA tu kaNDikA ॥ 135॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/131

यथा- ऋन्दुं जगति अवलिकदिगिविगितितिऋलऋचकुलतिति जगतिति वा । उपोह्यन्ते स्वरा यत्र येन गीतं प्रवर्तते । तमादुपोहनं प्रोक्तं शुष्काक्षरसमन्वितम् ॥ १३१॥

sanskrit

For example: ṛnduṁ jagati avalikadi-givigiti-ṛla-ṛcakulatiti jagatiti, etc. The notes are sung wherever the song is performed according to this pattern. This is called the Upohana, consisting of unmeaning (dry) syllables.

english translation

yathA- RnduM jagati avalikadigivigititiRlaRcakulatiti jagatiti vA । upohyante svarA yatra yena gItaM pravartate । tamAdupohanaM proktaM zuSkAkSarasamanvitam ॥ 131॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/132

अथवा मोह्यते यस्मात्प्रयोगसूचनादिभिः । तमादुपोहनं ह्येतज्जानभा(ता)ण्डसमाश्रयम् ॥ १३२॥

sanskrit

Or, because it is carried forward by means of indications of performance and other cues, this too is called the Upohana, dependent on musical instruments.

english translation

athavA mohyate yasmAtprayogasUcanAdibhiH । tamAdupohanaM hyetajjAnabhA(tA)NDasamAzrayam ॥ 132॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/133

शम्या तालौ द्विरभ्यस्तौ सन्निपातान्त्य एव च । उपोहनं विशालायास्तालोऽयं परिकीर्तितः ॥ १३३॥

sanskrit

The Tāla of the Upohana in Viśālā consists of two Śamyā beats followed by a Tāla, ending with a Sannipāta. This is how the Upohana of Viśālā is prescribed.

english translation

zamyA tAlau dvirabhyastau sannipAtAntya eva ca । upohanaM vizAlAyAstAlo'yaM parikIrtitaH ॥ 133॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/134

द्विकलः सङ्गतायाश्च तालश्चञ्चूपुटः स्मृतः । त्रिकलो युक्ततालादि सुनन्दायास्तथैव च ॥ १३४॥

sanskrit

The double Āsārita of Saṃgatā is set to the Cañcupuṭaḥ Tāla. The triple Āsārita, along with its associated Tāla, is similarly prescribed for Sunandā.

english translation

dvikalaH saGgatAyAzca tAlazcaJcUpuTaH smRtaH । trikalo yuktatAlAdi sunandAyAstathaiva ca ॥ 134॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/135

चञ्चत्पुटस्तु द्विकलः सुमुख्याः स्यादुपोहने । उपोहने द्विरभ्यस्तैस्ततः कार्या तु कण्डिका ॥ १३५॥

sanskrit

The double Āsārita of Sumukhī is to be performed in the Cañcatpuṭaḥ Tāla during the Upohana. When the Upohana is repeated twice in this manner, it constitutes the Kaṇḍikā.

english translation

caJcatpuTastu dvikalaH sumukhyAH syAdupohane । upohane dvirabhyastaistataH kAryA tu kaNDikA ॥ 135॥

hk transliteration by Sanscript