1.
अध्याय १
Origin of Drama
•
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:3.3%
चतुर्हस्तो भवेद्दण्डो निर्दिष्टस्तु प्रमाणतः । अनेनैव प्रमाणेन वक्ष्याम्येषां विनिर्णयम् ॥ १६॥
sanskrit
The staff (daṇḍa) is said to be four hands in length, as defined by the standard measurement. By this same measurement, I will now explain the determination of these elements.
english translation
caturhasto bhaveddaNDo nirdiSTastu pramANataH | anenaiva pramANena vakSyAmyeSAM vinirNayam || 16||
hk transliteration
चतुःषष्टिकरान्कुर्याद्दीर्घत्वेन तु मण्डपम् । द्वात्रिंशतं च विस्तारन्मर्त्यानां यो भवेदिह ॥ १७॥
sanskrit
The playhouse (maṇḍapa) should be constructed with a length of forty-eight hands, and its extension should be thirty-two hands for human beings.
english translation
catuHSaSTikarAnkuryAddIrghatvena tu maNDapam | dvAtriMzataM ca vistAranmartyAnAM yo bhavediha || 17||
hk transliteration
अत ऊर्ध्वं न कर्तव्यः कर्तृभिर्नाट्यमण्डपः । यस्मादव्यक्तभावं हि तत्र नाट्यं व्रजेदिति ॥ १८॥
sanskrit
The playhouse should not be constructed higher than the specified height by the builders, as the dramatic performance (nāṭya) would not be effective there, due to the imperceptible nature of the emotions.
english translation
ata UrdhvaM na kartavyaH kartRbhirnATyamaNDapaH | yasmAdavyaktabhAvaM hi tatra nATyaM vrajediti || 18||
hk transliteration
मण्डपे विप्रकृष्टे तु पाठ्यमुच्चारितस्वरम् । अनिस्सरणधर्मत्वाद्विस्वरत्वं भृशं व्रजेत् ॥ १९॥
sanskrit
If the stage is constructed improperly, the recitation and vocalization will be distorted due to the lack of resonance and harmony, leading to a harsh sound that will greatly diminish the quality of the performance.
english translation
maNDape viprakRSTe tu pAThyamuccAritasvaram | anissaraNadharmatvAdvisvaratvaM bhRzaM vrajet || 19||
hk transliteration
यश्चाप्यास्यगतो भावो नानादृष्टिसमन्वितः स वेश्मनः प्रकृष्टत्वाद् व्रजेदव्यक्ततां पराम् ॥ २०॥
sanskrit
If the essence or mood intended for the performance is not clear and is devoid of varied perspectives, the playhouse will lose its excellence and lead to an unclear or undefined atmosphere.
english translation
yazcApyAsyagato bhAvo nAnAdRSTisamanvitaH sa vezmanaH prakRSTatvAd vrajedavyaktatAM parAm || 20||
hk transliteration
Natyashastra
Progress:3.3%
चतुर्हस्तो भवेद्दण्डो निर्दिष्टस्तु प्रमाणतः । अनेनैव प्रमाणेन वक्ष्याम्येषां विनिर्णयम् ॥ १६॥
sanskrit
The staff (daṇḍa) is said to be four hands in length, as defined by the standard measurement. By this same measurement, I will now explain the determination of these elements.
english translation
caturhasto bhaveddaNDo nirdiSTastu pramANataH | anenaiva pramANena vakSyAmyeSAM vinirNayam || 16||
hk transliteration
चतुःषष्टिकरान्कुर्याद्दीर्घत्वेन तु मण्डपम् । द्वात्रिंशतं च विस्तारन्मर्त्यानां यो भवेदिह ॥ १७॥
sanskrit
The playhouse (maṇḍapa) should be constructed with a length of forty-eight hands, and its extension should be thirty-two hands for human beings.
english translation
catuHSaSTikarAnkuryAddIrghatvena tu maNDapam | dvAtriMzataM ca vistAranmartyAnAM yo bhavediha || 17||
hk transliteration
अत ऊर्ध्वं न कर्तव्यः कर्तृभिर्नाट्यमण्डपः । यस्मादव्यक्तभावं हि तत्र नाट्यं व्रजेदिति ॥ १८॥
sanskrit
The playhouse should not be constructed higher than the specified height by the builders, as the dramatic performance (nāṭya) would not be effective there, due to the imperceptible nature of the emotions.
english translation
ata UrdhvaM na kartavyaH kartRbhirnATyamaNDapaH | yasmAdavyaktabhAvaM hi tatra nATyaM vrajediti || 18||
hk transliteration
मण्डपे विप्रकृष्टे तु पाठ्यमुच्चारितस्वरम् । अनिस्सरणधर्मत्वाद्विस्वरत्वं भृशं व्रजेत् ॥ १९॥
sanskrit
If the stage is constructed improperly, the recitation and vocalization will be distorted due to the lack of resonance and harmony, leading to a harsh sound that will greatly diminish the quality of the performance.
english translation
maNDape viprakRSTe tu pAThyamuccAritasvaram | anissaraNadharmatvAdvisvaratvaM bhRzaM vrajet || 19||
hk transliteration
यश्चाप्यास्यगतो भावो नानादृष्टिसमन्वितः स वेश्मनः प्रकृष्टत्वाद् व्रजेदव्यक्ततां पराम् ॥ २०॥
sanskrit
If the essence or mood intended for the performance is not clear and is devoid of varied perspectives, the playhouse will lose its excellence and lead to an unclear or undefined atmosphere.
english translation
yazcApyAsyagato bhAvo nAnAdRSTisamanvitaH sa vezmanaH prakRSTatvAd vrajedavyaktatAM parAm || 20||
hk transliteration