These activities, once unified, are applied at the beginning of a drama. Observing the predominance of specific modes, one should execute the corresponding actions accordingly.
When one mode is predominant in meaning, a wise director should include elements of the others. When the predominance of another mode arises, the corresponding activity should then be fulfilled.
That which includes forceful movements, acts of cutting and breaking, elements of battle, illusions, magical displays, and is enriched with props and backstage arrangements.
पुरुषैर्बहुभिर्युक्तमल्पस्त्रीकं तथैव च । सात्त्वत्यारभटीयुक्तं नाट्यमाविद्धसंज्ञितम् ॥ ६०॥
A performance involving numerous men, with minimal presence of women, characterized by the use of Sāttvatī and Ārabhaṭī styles, is termed as Āviddha Nāṭya.