Natyashastra
Progress:34.8%
स्वभावजा तु तस्यैषा गतिरन्या विकारजा । अलाभलाभात् मुक्तस्य स्तब्धा तस्य गतिर्भवेत् ॥ १४६॥
This natural Gait is appropriate for him; any other would be due to affectation. When the Jester is satisfied after gaining something that was hard to obtain, his Gait should become stiff or halted.
english translation
svabhAvajA tu tasyaiSA gatiranyA vikArajA । alAbhalAbhAt muktasya stabdhA tasya gatirbhavet ॥ 146॥
hk transliteration by Sanscriptकार्या चैव हि नीचानां चेटादीनां परिक्रमात् । अधमा इति ये ख्याता नानाशीलाश्च ते पुनः ॥ १४७॥
The gait of menials such as servants and the like should be performed accordingly. Those who are known as the lowest in rank and of various dispositions (or natures) are also to be represented in this manner.
english translation
kAryA caiva hi nIcAnAM ceTAdInAM parikramAt । adhamA iti ye khyAtA nAnAzIlAzca te punaH ॥ 147॥
hk transliteration by Sanscriptपार्श्वसेकं शिरश्चैव करः सचरणस्तथा । शकारस्यापि कर्तव्या गतिश्चञ्चलदेहिका । गतौ नमेत चेटानां दृष्टिश्चार्धविचारिणी ॥ १४८॥
One side of the body—whether the head, a hand, or a foot—is to be lowered; and the gait of the Śakāra (a type of boastful person) should show a restless body. While walking, a servant should bow slightly, and his glance should be half-considered (i.e. wavering or inattentive).
english translation
pArzvasekaM zirazcaiva karaH sacaraNastathA । zakArasyApi kartavyA gatizcaJcaladehikA । gatau nameta ceTAnAM dRSTizcArdhavicAriNI ॥ 148॥
hk transliteration by Sanscriptवस्त्राभरणसंस्पर्शैर्मुहुर्मुहुरवेक्षितैः । गात्रैर्विकारविक्षिप्तैः लम्बवस्त्रस्रजा तथा ॥ १४९॥
By repeatedly touching his garments and ornaments, and frequently looking at them, with limbs thrown into distorted and jerky movements, his flowing garments and garlands should flutter as well.
english translation
vastrAbharaNasaMsparzairmuhurmuhuravekSitaiH । gAtrairvikAravikSiptaiH lambavastrasrajA tathA ॥ 149॥
hk transliteration by Sanscriptसगर्विता चूर्णपदा शकारस्य गतिर्भवेत् । जात्या नीचेषु योक्तव्या विलोकनपरा गतिः ॥ १५०॥
Persons of inferior birth should walk with a gaze that constantly shifts, as if watching their surroundings, while keeping their limbs withdrawn to avoid contact with others.
english translation
sagarvitA cUrNapadA zakArasya gatirbhavet । jAtyA nIceSu yoktavyA vilokanaparA gatiH ॥ 150॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:34.8%
स्वभावजा तु तस्यैषा गतिरन्या विकारजा । अलाभलाभात् मुक्तस्य स्तब्धा तस्य गतिर्भवेत् ॥ १४६॥
This natural Gait is appropriate for him; any other would be due to affectation. When the Jester is satisfied after gaining something that was hard to obtain, his Gait should become stiff or halted.
english translation
svabhAvajA tu tasyaiSA gatiranyA vikArajA । alAbhalAbhAt muktasya stabdhA tasya gatirbhavet ॥ 146॥
hk transliteration by Sanscriptकार्या चैव हि नीचानां चेटादीनां परिक्रमात् । अधमा इति ये ख्याता नानाशीलाश्च ते पुनः ॥ १४७॥
The gait of menials such as servants and the like should be performed accordingly. Those who are known as the lowest in rank and of various dispositions (or natures) are also to be represented in this manner.
english translation
kAryA caiva hi nIcAnAM ceTAdInAM parikramAt । adhamA iti ye khyAtA nAnAzIlAzca te punaH ॥ 147॥
hk transliteration by Sanscriptपार्श्वसेकं शिरश्चैव करः सचरणस्तथा । शकारस्यापि कर्तव्या गतिश्चञ्चलदेहिका । गतौ नमेत चेटानां दृष्टिश्चार्धविचारिणी ॥ १४८॥
One side of the body—whether the head, a hand, or a foot—is to be lowered; and the gait of the Śakāra (a type of boastful person) should show a restless body. While walking, a servant should bow slightly, and his glance should be half-considered (i.e. wavering or inattentive).
english translation
pArzvasekaM zirazcaiva karaH sacaraNastathA । zakArasyApi kartavyA gatizcaJcaladehikA । gatau nameta ceTAnAM dRSTizcArdhavicAriNI ॥ 148॥
hk transliteration by Sanscriptवस्त्राभरणसंस्पर्शैर्मुहुर्मुहुरवेक्षितैः । गात्रैर्विकारविक्षिप्तैः लम्बवस्त्रस्रजा तथा ॥ १४९॥
By repeatedly touching his garments and ornaments, and frequently looking at them, with limbs thrown into distorted and jerky movements, his flowing garments and garlands should flutter as well.
english translation
vastrAbharaNasaMsparzairmuhurmuhuravekSitaiH । gAtrairvikAravikSiptaiH lambavastrasrajA tathA ॥ 149॥
hk transliteration by Sanscriptसगर्विता चूर्णपदा शकारस्य गतिर्भवेत् । जात्या नीचेषु योक्तव्या विलोकनपरा गतिः ॥ १५०॥
Persons of inferior birth should walk with a gaze that constantly shifts, as if watching their surroundings, while keeping their limbs withdrawn to avoid contact with others.
english translation
sagarvitA cUrNapadA zakArasya gatirbhavet । jAtyA nIceSu yoktavyA vilokanaparA gatiH ॥ 150॥
hk transliteration by Sanscript