1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
•
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:27.1%
उरोमण्डलिनौ चैव उरःपार्श्वार्धमण्डलौ । मुष्टिकस्वस्तिकौ चापि नलिनीपद्मकोशकौ ॥ १६॥
sanskrit
Uromaṇḍalī, Uraḥpārśvārdhamaṇḍalī, Muṣṭikasvastika, and Nalinīpadmakośa.
english translation
uromaNDalinau caiva uraHpArzvArdhamaNDalau | muSTikasvastikau cApi nalinIpadmakozakau || 16||
hk transliteration
अलपद्मावुल्बनौ च ललितौ वलितौ तथा । सप्तषष्टिकरा ह्येते नामतोऽभिहिता मया ॥ १७॥
sanskrit
Alapadma, Ulbaṇa, Lalita, and Valita—these sixty-seven hand gestures have been named by me.
english translation
alapadmAvulbanau ca lalitau valitau tathA | saptaSaSTikarA hyete nAmato'bhihitA mayA || 17||
hk transliteration
यथा लक्षणमेतेषां कर्माणि च निबोधत । प्रसारिताः समाः सर्वा यस्याङ्गुल्यो भवन्ति हि । कुञ्चितश्च तथाङ्गुष्ठः स पताक इति स्मृतः ॥ १८॥
sanskrit
Now understand the characteristics and applications of these gestures. The hand in which all fingers are extended straight and close together, with the thumb bent, is known as Patāka.
english translation
yathA lakSaNameteSAM karmANi ca nibodhata | prasAritAH samAH sarvA yasyAGgulyo bhavanti hi | kuJcitazca tathAGguSThaH sa patAka iti smRtaH || 18||
hk transliteration
एष प्रहारपाते प्रतापन नोदने प्रहर्षे च । गर्वेऽप्यहमिति तज्ज्ञैललाटदेशोत्थितः कार्यः ॥ १९॥
sanskrit
This hand is to be used for striking, scorching heat, urging, joy, and arrogance, and should be raised to the forehead, as prescribed by experts.
english translation
eSa prahArapAte pratApana nodane praharSe ca | garve'pyahamiti tajjJailalATadezotthitaH kAryaH || 19||
hk transliteration
एषोऽग्निवर्षधारानिरूपणे पुष्पवृष्टिपतने च । संयुतकरणः कार्यः प्रविरलचलिताङ्गुलिर्हस्तः ॥ २०॥
sanskrit
This hand, with fingers slightly spread and moving, should be used in combination to represent blazing fire, falling rain, and a shower of flowers.
english translation
eSo'gnivarSadhArAnirUpaNe puSpavRSTipatane ca | saMyutakaraNaH kAryaH praviralacalitAGgulirhastaH || 20||
hk transliteration
Natyashastra
Progress:27.1%
उरोमण्डलिनौ चैव उरःपार्श्वार्धमण्डलौ । मुष्टिकस्वस्तिकौ चापि नलिनीपद्मकोशकौ ॥ १६॥
sanskrit
Uromaṇḍalī, Uraḥpārśvārdhamaṇḍalī, Muṣṭikasvastika, and Nalinīpadmakośa.
english translation
uromaNDalinau caiva uraHpArzvArdhamaNDalau | muSTikasvastikau cApi nalinIpadmakozakau || 16||
hk transliteration
अलपद्मावुल्बनौ च ललितौ वलितौ तथा । सप्तषष्टिकरा ह्येते नामतोऽभिहिता मया ॥ १७॥
sanskrit
Alapadma, Ulbaṇa, Lalita, and Valita—these sixty-seven hand gestures have been named by me.
english translation
alapadmAvulbanau ca lalitau valitau tathA | saptaSaSTikarA hyete nAmato'bhihitA mayA || 17||
hk transliteration
यथा लक्षणमेतेषां कर्माणि च निबोधत । प्रसारिताः समाः सर्वा यस्याङ्गुल्यो भवन्ति हि । कुञ्चितश्च तथाङ्गुष्ठः स पताक इति स्मृतः ॥ १८॥
sanskrit
Now understand the characteristics and applications of these gestures. The hand in which all fingers are extended straight and close together, with the thumb bent, is known as Patāka.
english translation
yathA lakSaNameteSAM karmANi ca nibodhata | prasAritAH samAH sarvA yasyAGgulyo bhavanti hi | kuJcitazca tathAGguSThaH sa patAka iti smRtaH || 18||
hk transliteration
एष प्रहारपाते प्रतापन नोदने प्रहर्षे च । गर्वेऽप्यहमिति तज्ज्ञैललाटदेशोत्थितः कार्यः ॥ १९॥
sanskrit
This hand is to be used for striking, scorching heat, urging, joy, and arrogance, and should be raised to the forehead, as prescribed by experts.
english translation
eSa prahArapAte pratApana nodane praharSe ca | garve'pyahamiti tajjJailalATadezotthitaH kAryaH || 19||
hk transliteration
एषोऽग्निवर्षधारानिरूपणे पुष्पवृष्टिपतने च । संयुतकरणः कार्यः प्रविरलचलिताङ्गुलिर्हस्तः ॥ २०॥
sanskrit
This hand, with fingers slightly spread and moving, should be used in combination to represent blazing fire, falling rain, and a shower of flowers.
english translation
eSo'gnivarSadhArAnirUpaNe puSpavRSTipatane ca | saMyutakaraNaH kAryaH praviralacalitAGgulirhastaH || 20||
hk transliteration