1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
•
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Maṇḍala movements
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:22.8%
यदुक्तं चत्वारोऽभिनय इति तान् वर्णयिष्यामः । अत्राह -- अभिनय इति कस्मात् । अत्रोच्यते -- अभीत्युपसर्गः णीञ् इति प्रापणार्थको धातुः । अस्याभिनीत्येवं व्यवस्थितस्य एरजित्यच्प्रत्यत्ययान्तस्याभिनय इत्येवं रूपं सिद्धम् । एतच्च धात्वर्थानुवचनेनावधार्यं भवति । अत्र श्लोकौ -- अभिपूर्वस्तु णीञ् धातुराभिमुख्यार्थनिर्णये । यस्मात्पदार्थान्नयति तस्मादभिनयः स्मृतः ॥ ६॥
sanskrit
We shall speak of [the fact that] the abhinaya (Histrionic Representation) is of four kinds. The question is, “Why is it called the abhinaya?” It is said in reply to this that the abhinaya is derived from the prefix abhi, and the verbal root nī meaning ‘to cause to get’ (to attain), and the sufix ac attached to these two. Hence a [full] answer to this should be made after a consideration of the root and its meaning. There is a Śloka on this point . As the root nī preceded by abhi means ‘carrying the performances (prayoga) of a play [to the point of direct] ascertainment of its meaning,’ so [the word made out of them] becomes abhinaya (carrying towards).
english translation
yaduktaM catvAro'bhinaya iti tAn varNayiSyAmaH | atrAha -- abhinaya iti kasmAt | atrocyate -- abhItyupasargaH NIJ iti prApaNArthako dhAtuH | asyAbhinItyevaM vyavasthitasya erajityacpratyatyayAntasyAbhinaya ityevaM rUpaM siddham | etacca dhAtvarthAnuvacanenAvadhAryaM bhavati | atra zlokau -- abhipUrvastu NIJ dhAturAbhimukhyArthanirNaye | yasmAtpadArthAnnayati tasmAdabhinayaH smRtaH || 6||
hk transliteration
Natyashastra
Progress:22.8%
यदुक्तं चत्वारोऽभिनय इति तान् वर्णयिष्यामः । अत्राह -- अभिनय इति कस्मात् । अत्रोच्यते -- अभीत्युपसर्गः णीञ् इति प्रापणार्थको धातुः । अस्याभिनीत्येवं व्यवस्थितस्य एरजित्यच्प्रत्यत्ययान्तस्याभिनय इत्येवं रूपं सिद्धम् । एतच्च धात्वर्थानुवचनेनावधार्यं भवति । अत्र श्लोकौ -- अभिपूर्वस्तु णीञ् धातुराभिमुख्यार्थनिर्णये । यस्मात्पदार्थान्नयति तस्मादभिनयः स्मृतः ॥ ६॥
sanskrit
We shall speak of [the fact that] the abhinaya (Histrionic Representation) is of four kinds. The question is, “Why is it called the abhinaya?” It is said in reply to this that the abhinaya is derived from the prefix abhi, and the verbal root nī meaning ‘to cause to get’ (to attain), and the sufix ac attached to these two. Hence a [full] answer to this should be made after a consideration of the root and its meaning. There is a Śloka on this point . As the root nī preceded by abhi means ‘carrying the performances (prayoga) of a play [to the point of direct] ascertainment of its meaning,’ so [the word made out of them] becomes abhinaya (carrying towards).
english translation
yaduktaM catvAro'bhinaya iti tAn varNayiSyAmaH | atrAha -- abhinaya iti kasmAt | atrocyate -- abhItyupasargaH NIJ iti prApaNArthako dhAtuH | asyAbhinItyevaM vyavasthitasya erajityacpratyatyayAntasyAbhinaya ityevaM rUpaM siddham | etacca dhAtvarthAnuvacanenAvadhAryaM bhavati | atra zlokau -- abhipUrvastu NIJ dhAturAbhimukhyArthanirNaye | yasmAtpadArthAnnayati tasmAdabhinayaH smRtaH || 6||
hk transliteration