1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
•
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:20.8%
111
निर्वेदश्चैव चिन्ता च दैन्यं ग्लान्यास्रमेव च जडता मरणं चैव व्याधिश्च करुणे स्मृताः ॥ १११॥
Discouragement, anxiety, depression, weariness, weeping, stupor and death are the States applicable to the Pathetic Sentiment.
english translation
nirvedazcaiva cintA ca dainyaM glAnyAsrameva ca jaDatA maraNaM caiva vyAdhizca karuNe smRtAH || 111||
112
गर्वोऽसूया मदोत्साहावावेगोऽमर्ष एव च । क्रोधश्चपलतौग्र्यं च विज्ञेया रौद्रसम्भवाः ॥ ११२॥
Arrogance, envy, energy, agitation, intoxication, anger, inconstancy and cruelty are the States applicable to the Furious Sentiment.
garvo'sUyA madotsAhAvAvego'marSa eva ca | krodhazcapalataugryaM ca vijJeyA raudrasambhavAH || 112||
113
असम्मोहस्तथोत्साह आवेगो हर्ष एव च । मतिश्चैव तथोग्रत्वममर्षो मद एव च ॥ ११३॥
Clarity of mind, enthusiasm, agitation, joy, intelligence, fierceness, indignation, and intoxication are the emotional states associated with the Heroic Sentiment.
asammohastathotsAha Avego harSa eva ca | matizcaiva tathogratvamamarSo mada eva ca || 113||
114
रोमाञ्चः स्वरभेदश्च क्रोधोऽसूया धृतिस्तथा । गर्वश्चैव वितर्कश्च वीरे भावा भवन्ति हि ॥ ११४॥
Horripilation, change of voice, anger, envy, determination, pride, and deliberation are the emotional states associated with the Heroic Sentiment.
romAJcaH svarabhedazca krodho'sUyA dhRtistathA | garvazcaiva vitarkazca vIre bhAvA bhavanti hi || 114||
115
स्वेदश्च वेपथुश्चैव रोमाञ्चो गद्गदस्तथा । त्रासश्च मरणश्चैअव वैवर्ण्यं च भयानके ॥ ११५॥
Perspitation, trembling, horripilation, choking voice, fear, death, change of colour are the States applicable to the Terrible Sentiment.
svedazca vepathuzcaiva romAJco gadgadastathA | trAsazca maraNazcaiava vaivarNyaM ca bhayAnake || 115||
Chapter 7
Verses 106-110
Verses 116-120
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