Natyashastra
Progress:14.7%
त्र्यश्रे द्वादश पातास्तु भवन्ति करपादयोः । वन्दनान्यथ कार्याणि त्रीणि हस्तेन भूतले ॥ ८६॥
There are twelve prostrations in the Tryaśra, involving both hands and feet. Then, three salutations should be made with the hands on the ground.
english translation
tryazre dvAdaza pAtAstu bhavanti karapAdayoH । vandanAnyatha kAryANi trINi hastena bhUtale ॥ 86॥
hk transliteration by Sanscriptआत्मप्रोक्षणमद्भिश्च त्र्यश्रे नैव विधीयते । एवमुत्थापनं कार्यं ततस्तु परिवर्तनम् ॥ ८७॥
The sprinkling of oneself with water is not prescribed in the Tryaśra. Thus, the act of raising up should be performed, followed by the turning around.
english translation
AtmaprokSaNamadbhizca tryazre naiva vidhIyate । evamutthApanaM kAryaM tatastu parivartanam ॥ 87॥
hk transliteration by Sanscriptचतुरश्रं लये मध्ये सन्निपातैरथाष्टभिः । यस्या लघूनि सर्वाणि केवलं नैधनं गुरु ॥ ८८॥
In the four-cornered dissolution, in the middle, with eight conjunctions, where all the light ones are present, the heavy one is the final one.
english translation
caturazraM laye madhye sannipAtairathASTabhiH । yasyA laghUni sarvANi kevalaM naidhanaM guru ॥ 88॥
hk transliteration by Sanscriptभवेदतिजगत्यान्तु सा ध्रुवा परिवर्तनी । वार्तिकेन तु मार्गेण वाद्येनानुगतेन च ॥ ८९॥
It would be the fixed revolution at the very end, following the path of the commentary and accompanied by the instrument.
english translation
bhavedatijagatyAntu sA dhruvA parivartanI । vArtikena tu mArgeNa vAdyenAnugatena ca ॥ 89॥
hk transliteration by Sanscriptललितैः पादविन्यासैर्वन्द्या देवा यथादिशम् । द्विकलं पादपतनं पादचार्या गतं भवेत् ॥ ९०॥
With graceful foot placements, she should offer reverence to the gods in their respective directions. The two-part foot fall constitutes the movement of the feet.
english translation
lalitaiH pAdavinyAsairvandyA devA yathAdizam । dvikalaM pAdapatanaM pAdacAryA gataM bhavet ॥ 90॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:14.7%
त्र्यश्रे द्वादश पातास्तु भवन्ति करपादयोः । वन्दनान्यथ कार्याणि त्रीणि हस्तेन भूतले ॥ ८६॥
There are twelve prostrations in the Tryaśra, involving both hands and feet. Then, three salutations should be made with the hands on the ground.
english translation
tryazre dvAdaza pAtAstu bhavanti karapAdayoH । vandanAnyatha kAryANi trINi hastena bhUtale ॥ 86॥
hk transliteration by Sanscriptआत्मप्रोक्षणमद्भिश्च त्र्यश्रे नैव विधीयते । एवमुत्थापनं कार्यं ततस्तु परिवर्तनम् ॥ ८७॥
The sprinkling of oneself with water is not prescribed in the Tryaśra. Thus, the act of raising up should be performed, followed by the turning around.
english translation
AtmaprokSaNamadbhizca tryazre naiva vidhIyate । evamutthApanaM kAryaM tatastu parivartanam ॥ 87॥
hk transliteration by Sanscriptचतुरश्रं लये मध्ये सन्निपातैरथाष्टभिः । यस्या लघूनि सर्वाणि केवलं नैधनं गुरु ॥ ८८॥
In the four-cornered dissolution, in the middle, with eight conjunctions, where all the light ones are present, the heavy one is the final one.
english translation
caturazraM laye madhye sannipAtairathASTabhiH । yasyA laghUni sarvANi kevalaM naidhanaM guru ॥ 88॥
hk transliteration by Sanscriptभवेदतिजगत्यान्तु सा ध्रुवा परिवर्तनी । वार्तिकेन तु मार्गेण वाद्येनानुगतेन च ॥ ८९॥
It would be the fixed revolution at the very end, following the path of the commentary and accompanied by the instrument.
english translation
bhavedatijagatyAntu sA dhruvA parivartanI । vArtikena tu mArgeNa vAdyenAnugatena ca ॥ 89॥
hk transliteration by Sanscriptललितैः पादविन्यासैर्वन्द्या देवा यथादिशम् । द्विकलं पादपतनं पादचार्या गतं भवेत् ॥ ९०॥
With graceful foot placements, she should offer reverence to the gods in their respective directions. The two-part foot fall constitutes the movement of the feet.
english translation
lalitaiH pAdavinyAsairvandyA devA yathAdizam । dvikalaM pAdapatanaM pAdacAryA gataM bhavet ॥ 90॥
hk transliteration by Sanscript