The method of instruction should also be used by the practitioners. Thus, this practice should be performed by the performers in the Vardhamāna with due diligence.
I will now describe the method for the songs and the Chandakas, both those which are bound to the subject matter (vastu) and those created through the limbs (āṅga).
I will describe the method of performance for these songs, both in dance and instrumental music. There, the entry (of the dancer) should be made in the universal (or general) manner for all performances.
The instrumental music, which involves Kṣepa (acceleration) and Pratikṣepa (deceleration), should be performed in a well-prepared manner. First, the entire subject of the song should be expressed through gestures in relation to all the elements of the song.
तदेव च पुनर्वस्तु नृत्तीनापि प्रदर्शेयत् । यो विधिः पूर्वमुक्तस्तु नृत्ताभिनयवादिते ॥ २९५॥
The same subject matter should again be presented through dance, as it was previously conveyed through gestures, dance, and instrumental music according to the method described earlier.