Natyashastra
Progress:83.5%
चतुर्द्विकल इत्येवं निःशब्दः परिकीर्तितः । शम्यातालो ध्रुवश्चैव सन्निपातस्तथा परे ॥ ३१॥
Thus, the four types—Catuḥkalā, Dvikalā, etc.—are called the silent Tālas. The others, namely Śamyā, Tāla, Dhruvā, and Sannipāta, are considered the audible ones.
english translation
caturdvikala ityevaM niHzabdaH parikIrtitaH । zamyAtAlo dhruvazcaiva sannipAtastathA pare ॥ 31॥
hk transliteration by Sanscriptइति शब्देन संयुक्तो विज्ञेयस्तु चतुर्विधः । एतेषां चैव वक्ष्यामि हस्ताङ्गुलिविकल्पनम् ॥ ३२॥
That which is accompanied by sound is known to be of four kinds. I shall now describe the variations of hand and finger movements related to these.
english translation
iti zabdena saMyukto vijJeyastu caturvidhaH । eteSAM caiva vakSyAmi hastAGgulivikalpanam ॥ 32॥
hk transliteration by Sanscriptउत्तानाङ्गुलिसङ्कोच आलाप इति सञ्ज्ञितः । निष्क्रमोऽधोगतस्य(गतानां) स्यादङ्गुलीनां प्रसारणात् ॥ ३३॥
The contraction of fingers turned upward is called Āvāpa. The spreading out of fingers turned downward is called Niṣkrāma.
english translation
uttAnAGgulisaGkoca AlApa iti saJjJitaH । niSkramo'dhogatasya(gatAnAM) syAdaGgulInAM prasAraNAt ॥ 33॥
hk transliteration by Sanscriptतस्य दक्षिणतः क्षेपो विक्षेप इति सञ्ज्ञितः । निवर्तनं च हस्तस्य प्रवेशोऽधोमुखस्य तु ॥ ३४॥
The swift movement of the downward-turned hand to the right side is called Vikṣepa. The drawing back or inward turning of the downward-facing hand is known as Praveśa.
english translation
tasya dakSiNataH kSepo vikSepa iti saJjJitaH । nivartanaM ca hastasya pravezo'dhomukhasya tu ॥ 34॥
hk transliteration by Sanscriptयदा चतुष्कलो योगस्तदा त्वेष विधिः स्मृतः । निष्क्रमश्च प्रवेशश्च द्विकले परिकीर्तितौ ॥ ३५॥
When the combination consists of four Kalās, this is said to be the proper method. The Niṣkrāma and the Praveśa together are said to constitute two Kalās.
english translation
yadA catuSkalo yogastadA tveSa vidhiH smRtaH । niSkramazca pravezazca dvikale parikIrtitau ॥ 35॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:83.5%
चतुर्द्विकल इत्येवं निःशब्दः परिकीर्तितः । शम्यातालो ध्रुवश्चैव सन्निपातस्तथा परे ॥ ३१॥
Thus, the four types—Catuḥkalā, Dvikalā, etc.—are called the silent Tālas. The others, namely Śamyā, Tāla, Dhruvā, and Sannipāta, are considered the audible ones.
english translation
caturdvikala ityevaM niHzabdaH parikIrtitaH । zamyAtAlo dhruvazcaiva sannipAtastathA pare ॥ 31॥
hk transliteration by Sanscriptइति शब्देन संयुक्तो विज्ञेयस्तु चतुर्विधः । एतेषां चैव वक्ष्यामि हस्ताङ्गुलिविकल्पनम् ॥ ३२॥
That which is accompanied by sound is known to be of four kinds. I shall now describe the variations of hand and finger movements related to these.
english translation
iti zabdena saMyukto vijJeyastu caturvidhaH । eteSAM caiva vakSyAmi hastAGgulivikalpanam ॥ 32॥
hk transliteration by Sanscriptउत्तानाङ्गुलिसङ्कोच आलाप इति सञ्ज्ञितः । निष्क्रमोऽधोगतस्य(गतानां) स्यादङ्गुलीनां प्रसारणात् ॥ ३३॥
The contraction of fingers turned upward is called Āvāpa. The spreading out of fingers turned downward is called Niṣkrāma.
english translation
uttAnAGgulisaGkoca AlApa iti saJjJitaH । niSkramo'dhogatasya(gatAnAM) syAdaGgulInAM prasAraNAt ॥ 33॥
hk transliteration by Sanscriptतस्य दक्षिणतः क्षेपो विक्षेप इति सञ्ज्ञितः । निवर्तनं च हस्तस्य प्रवेशोऽधोमुखस्य तु ॥ ३४॥
The swift movement of the downward-turned hand to the right side is called Vikṣepa. The drawing back or inward turning of the downward-facing hand is known as Praveśa.
english translation
tasya dakSiNataH kSepo vikSepa iti saJjJitaH । nivartanaM ca hastasya pravezo'dhomukhasya tu ॥ 34॥
hk transliteration by Sanscriptयदा चतुष्कलो योगस्तदा त्वेष विधिः स्मृतः । निष्क्रमश्च प्रवेशश्च द्विकले परिकीर्तितौ ॥ ३५॥
When the combination consists of four Kalās, this is said to be the proper method. The Niṣkrāma and the Praveśa together are said to constitute two Kalās.
english translation
yadA catuSkalo yogastadA tveSa vidhiH smRtaH । niSkramazca pravezazca dvikale parikIrtitau ॥ 35॥
hk transliteration by Sanscript