Natyashastra
Progress:88.7%
अथार्धेऽन्ते च मात्राणां पञ्चानां पात इष्यते । तालः शम्यार्धतालश्च शम्यातालस्तथैव च ॥ २९१॥
At the latter half and end of the five Mātrās, a Pāta should occur. It will consist of Tāla, Śamyā, half Tāla, and Śamyā-Tāla in the same order.
english translation
athArdhe'nte ca mAtrANAM paJcAnAM pAta iSyate । tAlaH zamyArdhatAlazca zamyAtAlastathaiva ca ॥ 291॥
hk transliteration by Sanscriptपञ्चानामपि मात्राणां विधिरेष यथाक्रमम् । चतुर्दशोऽपि पञ्चम्या मात्रायास्ताल इष्यते ॥ २९२॥
The rule for the five Mātrās is as follows in proper order: In the fifth Mātrā, fourteen Tālas are to be observed.
english translation
paJcAnAmapi mAtrANAM vidhireSa yathAkramam । caturdazo'pi paJcamyA mAtrAyAstAla iSyate ॥ 292॥
hk transliteration by Sanscriptचतुष्कलाऽन्त्यया तुल्या षष्ठी मद्रकमात्रया । इति पादस्तथाष्टौ च कलापादादुपोहनम् ॥ २९३॥
The last (fourth) Kalā is equal to the sixth Mātrā of the Madraka. Thus, for the Pāda, there should be eight Kalās in the Upohana of the Kalā-pāda.
english translation
catuSkalA'ntyayA tulyA SaSThI madrakamAtrayA । iti pAdastathASTau ca kalApAdAdupohanam ॥ 293॥
hk transliteration by Sanscriptततश्चैव प्रयोक्तव्यं द्विकलं प्रत्युपोहनम् । घातश्चेत्सन्निपातश्च विवधैकप्रयोजिताः ॥ २९४॥
Then, a two-Kalā Pratyupohana should be performed. The Ghāta and Sannipāta should be applied, each using a single Vivadha.
english translation
tatazcaiva prayoktavyaM dvikalaM pratyupohanam । ghAtazcetsannipAtazca vivadhaikaprayojitAH ॥ 294॥
hk transliteration by Sanscriptवर्णानुकर्षोऽष्टकलः स्वल्पः प्रस्तार इष्यते । तुल्यवर्णोपनहनो द्वितीयः पाद इष्यते ॥ २९५॥
The extension of the Varṇas should be eight Kalās, with a short Prastāra. For the second Pāda, there should be an equal extension of Varṇas.
english translation
varNAnukarSo'STakalaH svalpaH prastAra iSyate । tulyavarNopanahano dvitIyaH pAda iSyate ॥ 295॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:88.7%
अथार्धेऽन्ते च मात्राणां पञ्चानां पात इष्यते । तालः शम्यार्धतालश्च शम्यातालस्तथैव च ॥ २९१॥
At the latter half and end of the five Mātrās, a Pāta should occur. It will consist of Tāla, Śamyā, half Tāla, and Śamyā-Tāla in the same order.
english translation
athArdhe'nte ca mAtrANAM paJcAnAM pAta iSyate । tAlaH zamyArdhatAlazca zamyAtAlastathaiva ca ॥ 291॥
hk transliteration by Sanscriptपञ्चानामपि मात्राणां विधिरेष यथाक्रमम् । चतुर्दशोऽपि पञ्चम्या मात्रायास्ताल इष्यते ॥ २९२॥
The rule for the five Mātrās is as follows in proper order: In the fifth Mātrā, fourteen Tālas are to be observed.
english translation
paJcAnAmapi mAtrANAM vidhireSa yathAkramam । caturdazo'pi paJcamyA mAtrAyAstAla iSyate ॥ 292॥
hk transliteration by Sanscriptचतुष्कलाऽन्त्यया तुल्या षष्ठी मद्रकमात्रया । इति पादस्तथाष्टौ च कलापादादुपोहनम् ॥ २९३॥
The last (fourth) Kalā is equal to the sixth Mātrā of the Madraka. Thus, for the Pāda, there should be eight Kalās in the Upohana of the Kalā-pāda.
english translation
catuSkalA'ntyayA tulyA SaSThI madrakamAtrayA । iti pAdastathASTau ca kalApAdAdupohanam ॥ 293॥
hk transliteration by Sanscriptततश्चैव प्रयोक्तव्यं द्विकलं प्रत्युपोहनम् । घातश्चेत्सन्निपातश्च विवधैकप्रयोजिताः ॥ २९४॥
Then, a two-Kalā Pratyupohana should be performed. The Ghāta and Sannipāta should be applied, each using a single Vivadha.
english translation
tatazcaiva prayoktavyaM dvikalaM pratyupohanam । ghAtazcetsannipAtazca vivadhaikaprayojitAH ॥ 294॥
hk transliteration by Sanscriptवर्णानुकर्षोऽष्टकलः स्वल्पः प्रस्तार इष्यते । तुल्यवर्णोपनहनो द्वितीयः पाद इष्यते ॥ २९५॥
The extension of the Varṇas should be eight Kalās, with a short Prastāra. For the second Pāda, there should be an equal extension of Varṇas.
english translation
varNAnukarSo'STakalaH svalpaH prastAra iSyate । tulyavarNopanahano dvitIyaH pAda iSyate ॥ 295॥
hk transliteration by Sanscript