Natyashastra

siva.sh/natyashastra/31/166

विधिरेष एव कृत्स्नः पुनस्तृतीयेऽपि सन्निपाते तु । पुनरेवैषामङ्गुलिविक्षेपान् सम्प्रवक्ष्यामि ॥ १६६॥

sanskrit

This same rule is to be applied in its entirety, even in the third Sannipāta. Again, I shall explain the finger gestures (Vikṣepas) of these.

english translation

vidhireSa eva kRtsnaH punastRtIye'pi sannipAte tu । punarevaiSAmaGgulivikSepAn sampravakSyAmi ॥ 166॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/167

पूर्वं शम्या तथावापो निष्क्रामश्च ततः पुनः । विक्षेपोऽथ पुनस्तालः पुनरावाप एव च ॥ १६७॥

sanskrit

First, Śamyā is to be performed, followed by Niṣkrāma, then again Vikṣepa, then Tāla, and then Āvāpa.

english translation

pUrvaM zamyA tathAvApo niSkrAmazca tataH punaH । vikSepo'tha punastAlaH punarAvApa eva ca ॥ 167॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/168

अनामिकाकनीयस्योर्निष्क्रामश्च पुनस्ततः। ताभ्यामेव हि विक्षेपः शम्या चावाप एव च ॥ १६८॥

sanskrit

After the movement (Niṣkrāma) of the ring and little fingers, the Vikṣepa (throwing or outward movement) is to be performed with these two fingers alone, along with the Śamyā and Āvāpa movements.

english translation

anAmikAkanIyasyorniSkrAmazca punastataH। tAbhyAmeva hi vikSepaH zamyA cAvApa eva ca ॥ 168॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/169

मध्यमायां ततस्तालो विक्षेपोऽथ प्रवेशनम् । आवापश्च पुनः कार्यस्तर्जनीनिष्क्रमः पुनः ॥ १६९॥

sanskrit

In the medium Āsārita, next comes the Tāla, followed by the Vikṣepa (throwing movement) and then the Praveśa (inward movement). After this, the Āvāpa (downward movement) is to be performed, followed again by the Niṣkrāma (outward movement) with the index finger.

english translation

madhyamAyAM tatastAlo vikSepo'tha pravezanam । AvApazca punaH kAryastarjanIniSkramaH punaH ॥ 169॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/170

विक्षेपश्च पुनः कार्यः सन्निपातस्तथैव व । कलाः सप्तदशैवैताः सन्निपातो भवेदयम् ॥ १७०॥

sanskrit

Then again comes the Vikṣepa (throwing movement), and the Sannipāta (clapping or confluence of beats) is also to be performed in the same way. These Kalās (beats) amount to seventeen, and this constitutes the Sannipāta.

english translation

vikSepazca punaH kAryaH sannipAtastathaiva va । kalAH saptadazaivaitAH sannipAto bhavedayam ॥ 170॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/166

विधिरेष एव कृत्स्नः पुनस्तृतीयेऽपि सन्निपाते तु । पुनरेवैषामङ्गुलिविक्षेपान् सम्प्रवक्ष्यामि ॥ १६६॥

sanskrit

This same rule is to be applied in its entirety, even in the third Sannipāta. Again, I shall explain the finger gestures (Vikṣepas) of these.

english translation

vidhireSa eva kRtsnaH punastRtIye'pi sannipAte tu । punarevaiSAmaGgulivikSepAn sampravakSyAmi ॥ 166॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/167

पूर्वं शम्या तथावापो निष्क्रामश्च ततः पुनः । विक्षेपोऽथ पुनस्तालः पुनरावाप एव च ॥ १६७॥

sanskrit

First, Śamyā is to be performed, followed by Niṣkrāma, then again Vikṣepa, then Tāla, and then Āvāpa.

english translation

pUrvaM zamyA tathAvApo niSkrAmazca tataH punaH । vikSepo'tha punastAlaH punarAvApa eva ca ॥ 167॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/168

अनामिकाकनीयस्योर्निष्क्रामश्च पुनस्ततः। ताभ्यामेव हि विक्षेपः शम्या चावाप एव च ॥ १६८॥

sanskrit

After the movement (Niṣkrāma) of the ring and little fingers, the Vikṣepa (throwing or outward movement) is to be performed with these two fingers alone, along with the Śamyā and Āvāpa movements.

english translation

anAmikAkanIyasyorniSkrAmazca punastataH। tAbhyAmeva hi vikSepaH zamyA cAvApa eva ca ॥ 168॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/169

मध्यमायां ततस्तालो विक्षेपोऽथ प्रवेशनम् । आवापश्च पुनः कार्यस्तर्जनीनिष्क्रमः पुनः ॥ १६९॥

sanskrit

In the medium Āsārita, next comes the Tāla, followed by the Vikṣepa (throwing movement) and then the Praveśa (inward movement). After this, the Āvāpa (downward movement) is to be performed, followed again by the Niṣkrāma (outward movement) with the index finger.

english translation

madhyamAyAM tatastAlo vikSepo'tha pravezanam । AvApazca punaH kAryastarjanIniSkramaH punaH ॥ 169॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/170

विक्षेपश्च पुनः कार्यः सन्निपातस्तथैव व । कलाः सप्तदशैवैताः सन्निपातो भवेदयम् ॥ १७०॥

sanskrit

Then again comes the Vikṣepa (throwing movement), and the Sannipāta (clapping or confluence of beats) is also to be performed in the same way. These Kalās (beats) amount to seventeen, and this constitutes the Sannipāta.

english translation

vikSepazca punaH kAryaH sannipAtastathaiva va । kalAH saptadazaivaitAH sannipAto bhavedayam ॥ 170॥

hk transliteration by Sanscript