1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
•
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
12.
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:26.9%
मृगशीर्षः परो ज्ञेयो हस्ताभिनययोक्तृभिः । काङ्गुलकोऽलपद्मश्च चतुरो भ्रमरस्तथ ॥ ६॥
Mṛgaśīrṣa, Kāṅgula, Alapadma, Catura, and Bhramara are to be known as hand gestures prescribed for acting.
english translation
mRgazIrSaH paro jJeyo hastAbhinayayoktRbhiH | kAGgulako'lapadmazca caturo bhramarastatha || 6||
hk transliteration by Sanscriptहंसास्यो हंसपक्षश्च सन्दंशो मुकुलस्तथा । ऊर्णनाभस्ताम्रचूडचतुर्विंशतिरीरिताः ॥ ७॥
Haṃsāsya, Haṃsapakṣa, Sandaṃśa, Mukula, Ūrṇanābha, and Tāmracūḍa—these twenty-four have been described.
english translation
haMsAsyo haMsapakSazca sandaMzo mukulastathA | UrNanAbhastAmracUDacaturviMzatirIritAH || 7||
hk transliteration by Sanscriptअसंयुताः संयुताश्च गदतो मे निबोधत । अञ्जलिश्च कपोतश्च कर्कटः स्वस्तिकस्तथा ॥ ८॥
Understand from me the gestures of single and combined hands. Añjali, Kapota, Karkaṭa, and Svastika.
english translation
asaMyutAH saMyutAzca gadato me nibodhata | aJjalizca kapotazca karkaTaH svastikastathA || 8||
hk transliteration by Sanscriptखटकावर्धमानश्च ह्युत्संगो निषधस्तथा । दोलः पुष्पपुटश्चैव तथा मकर एव च ॥ ९॥
Kaṭakāvardhamāna, Utsaṅga, Niṣadha, Dola, Puṣpapuṭa, and Makara.
english translation
khaTakAvardhamAnazca hyutsaMgo niSadhastathA | dolaH puSpapuTazcaiva tathA makara eva ca || 9||
hk transliteration by Sanscriptगजदन्तोऽवहित्थश्च वर्धमानस्तथैव च । एते तु संयुता हस्ता मया प्रोक्तास्त्रयोदश ॥ १०॥
Gajadanta, Avahittha, and Vardhamāna—these thirteen have been described by me as combined hand gestures.
english translation
gajadanto'vahitthazca vardhamAnastathaiva ca | ete tu saMyutA hastA mayA proktAstrayodaza || 10||
hk transliteration by SanscriptNatyashastra
Progress:26.9%
मृगशीर्षः परो ज्ञेयो हस्ताभिनययोक्तृभिः । काङ्गुलकोऽलपद्मश्च चतुरो भ्रमरस्तथ ॥ ६॥
Mṛgaśīrṣa, Kāṅgula, Alapadma, Catura, and Bhramara are to be known as hand gestures prescribed for acting.
english translation
mRgazIrSaH paro jJeyo hastAbhinayayoktRbhiH | kAGgulako'lapadmazca caturo bhramarastatha || 6||
hk transliteration by Sanscriptहंसास्यो हंसपक्षश्च सन्दंशो मुकुलस्तथा । ऊर्णनाभस्ताम्रचूडचतुर्विंशतिरीरिताः ॥ ७॥
Haṃsāsya, Haṃsapakṣa, Sandaṃśa, Mukula, Ūrṇanābha, and Tāmracūḍa—these twenty-four have been described.
english translation
haMsAsyo haMsapakSazca sandaMzo mukulastathA | UrNanAbhastAmracUDacaturviMzatirIritAH || 7||
hk transliteration by Sanscriptअसंयुताः संयुताश्च गदतो मे निबोधत । अञ्जलिश्च कपोतश्च कर्कटः स्वस्तिकस्तथा ॥ ८॥
Understand from me the gestures of single and combined hands. Añjali, Kapota, Karkaṭa, and Svastika.
english translation
asaMyutAH saMyutAzca gadato me nibodhata | aJjalizca kapotazca karkaTaH svastikastathA || 8||
hk transliteration by Sanscriptखटकावर्धमानश्च ह्युत्संगो निषधस्तथा । दोलः पुष्पपुटश्चैव तथा मकर एव च ॥ ९॥
Kaṭakāvardhamāna, Utsaṅga, Niṣadha, Dola, Puṣpapuṭa, and Makara.
english translation
khaTakAvardhamAnazca hyutsaMgo niSadhastathA | dolaH puSpapuTazcaiva tathA makara eva ca || 9||
hk transliteration by Sanscriptगजदन्तोऽवहित्थश्च वर्धमानस्तथैव च । एते तु संयुता हस्ता मया प्रोक्तास्त्रयोदश ॥ १०॥
Gajadanta, Avahittha, and Vardhamāna—these thirteen have been described by me as combined hand gestures.
english translation
gajadanto'vahitthazca vardhamAnastathaiva ca | ete tu saMyutA hastA mayA proktAstrayodaza || 10||
hk transliteration by Sanscript