Natyashastra

siva.sh/natyashastra/31/121

अनेनैव विधानेन द्विसङ्ख्यातमपीष्यते । वृत्तौ वा दक्षिणो वापि प्रयोगोऽस्य सदैव तु ॥ १२१॥

sanskrit

By the same procedure, the double Āsārita is also to be performed. Its execution may be in the Vṛtti or in the Dakṣiṇa Mārga, as always.

english translation

anenaiva vidhAnena dvisaGkhyAtamapISyate । vRttau vA dakSiNo vApi prayogo'sya sadaiva tu ॥ 121॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/122

वस्वादौ वसुमध्ये च वस्वन्ते या निवृत्तयः । प्रयोक्तव्यः प्रयोगज्ञैर्विचार्याङ्गबलाबलम् ॥ १२२॥

sanskrit

After considering the relative strength (lit. strength and weakness) of the different limbs of a Vastu, the expert musician should observe the repetition at its beginning, middle or conclusion.

english translation

vasvAdau vasumadhye ca vasvante yA nivRttayaH । prayoktavyaH prayogajJairvicAryAGgabalAbalam ॥ 122॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/123

निवृत्तौ तु कला न्यूना यदा वस्तुवशाद्भवेत् । अकालपातनात्तस्या वर्णः कार्यो निवृत्तिमान् ॥ १२३॥

sanskrit

When due to the composition of the Vastu, a Kalā becomes wanting at the repetition, then ॥ the singer ॥ should prolong the Varṇa till this Kalā is completed.

english translation

nivRttau tu kalA nyUnA yadA vastuvazAdbhavet । akAlapAtanAttasyA varNaH kAryo nivRttimAn ॥ 123॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/124

वर्णालङ्कारसौभाग्यं विच्छेदः करणस्य च । तत्त्वादीनां प्रयोगश्च निवृत्तीनां प्रयोजनम् ॥ १२४॥

sanskrit

The needs for repetition are as follows: enrichment of the Varṇas and Alaṃkāras, rest for the producing organs, and the application of the Tattva etc.

english translation

varNAlaGkArasaubhAgyaM vicchedaH karaNasya ca । tattvAdInAM prayogazca nivRttInAM prayojanam ॥ 124॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/125

आसारितेषु गीतेषु वर्धमानेषु चैव हि । वर्धमानं तु विज्ञेयं चतस्रः कण्डिका बुधैः ॥ १२५॥

sanskrit

In the Āsāritas, in songs, and in the Vardhamānas, the Vardhamāna is to be understood as consisting of four parts (khaṇḍikas), as prescribed by the sages.

english translation

AsAriteSu gIteSu vardhamAneSu caiva hi । vardhamAnaM tu vijJeyaM catasraH kaNDikA budhaiH ॥ 125॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/121

अनेनैव विधानेन द्विसङ्ख्यातमपीष्यते । वृत्तौ वा दक्षिणो वापि प्रयोगोऽस्य सदैव तु ॥ १२१॥

sanskrit

By the same procedure, the double Āsārita is also to be performed. Its execution may be in the Vṛtti or in the Dakṣiṇa Mārga, as always.

english translation

anenaiva vidhAnena dvisaGkhyAtamapISyate । vRttau vA dakSiNo vApi prayogo'sya sadaiva tu ॥ 121॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/122

वस्वादौ वसुमध्ये च वस्वन्ते या निवृत्तयः । प्रयोक्तव्यः प्रयोगज्ञैर्विचार्याङ्गबलाबलम् ॥ १२२॥

sanskrit

After considering the relative strength (lit. strength and weakness) of the different limbs of a Vastu, the expert musician should observe the repetition at its beginning, middle or conclusion.

english translation

vasvAdau vasumadhye ca vasvante yA nivRttayaH । prayoktavyaH prayogajJairvicAryAGgabalAbalam ॥ 122॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/123

निवृत्तौ तु कला न्यूना यदा वस्तुवशाद्भवेत् । अकालपातनात्तस्या वर्णः कार्यो निवृत्तिमान् ॥ १२३॥

sanskrit

When due to the composition of the Vastu, a Kalā becomes wanting at the repetition, then ॥ the singer ॥ should prolong the Varṇa till this Kalā is completed.

english translation

nivRttau tu kalA nyUnA yadA vastuvazAdbhavet । akAlapAtanAttasyA varNaH kAryo nivRttimAn ॥ 123॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/124

वर्णालङ्कारसौभाग्यं विच्छेदः करणस्य च । तत्त्वादीनां प्रयोगश्च निवृत्तीनां प्रयोजनम् ॥ १२४॥

sanskrit

The needs for repetition are as follows: enrichment of the Varṇas and Alaṃkāras, rest for the producing organs, and the application of the Tattva etc.

english translation

varNAlaGkArasaubhAgyaM vicchedaH karaNasya ca । tattvAdInAM prayogazca nivRttInAM prayojanam ॥ 124॥

hk transliteration by Sanscript

siva.sh/natyashastra/31/125

आसारितेषु गीतेषु वर्धमानेषु चैव हि । वर्धमानं तु विज्ञेयं चतस्रः कण्डिका बुधैः ॥ १२५॥

sanskrit

In the Āsāritas, in songs, and in the Vardhamānas, the Vardhamāna is to be understood as consisting of four parts (khaṇḍikas), as prescribed by the sages.

english translation

AsAriteSu gIteSu vardhamAneSu caiva hi । vardhamAnaM tu vijJeyaM catasraH kaNDikA budhaiH ॥ 125॥

hk transliteration by Sanscript