Natyashastra
Progress:32.0%
कर्णादष्टाङ्गुलस्थे च बाहुशीर्षे प्रयोजयेत् । उरसश्चापि चिबुकं चतुरङ्गुलसंस्थितम् ॥ ६॥
The shoulders and head should be positioned eight Aṅgulas away from the ears, and the chin should be placed four Aṅgulas away from the chest.
english translation
karNAdaSTAGgulasthe ca bAhuzIrSe prayojayet । urasazcApi cibukaM caturaGgulasaMsthitam ॥ 6॥
hk transliteration by Sanscriptहस्तौ तथैव कर्तव्यौ कटीनाभितटस्थितौ । दक्षिणो नाभिसंस्थस्तु वामः कटितटस्थितः ॥ ७॥
Similarly, the two hands should be positioned at the region between the waist and the navel, the right hand placed near the navel, and the left hand at the left side of the waist.
english translation
hastau tathaiva kartavyau kaTInAbhitaTasthitau । dakSiNo nAbhisaMsthastu vAmaH kaTitaTasthitaH ॥ 7॥
hk transliteration by Sanscriptपादयोरन्तरं कार्यं द्वौ तालावर्धमेव च । पादोत्क्षेपस्तु कर्तव्यः स्वप्रमाणविनिर्मितः ॥ ८॥
The interval between the two feet should be two and a half Tālas, and the raising of the feet should be done according to one's own measure.
english translation
pAdayorantaraM kAryaM dvau tAlAvardhameva ca । pAdotkSepastu kartavyaH svapramANavinirmitaH ॥ 8॥
hk transliteration by Sanscriptचतुस्तालो द्वितालश्चाप्येकतालस्तथैव च । चतुस्तालस्तु देवानां पार्थिवानां तथैव च ॥ ९॥
Four Tālas, two Tālas, and also one Tāla — four Tālas are prescribed for gods and kings.
english translation
catustAlo dvitAlazcApyekatAlastathaiva ca । catustAlastu devAnAM pArthivAnAM tathaiva ca ॥ 9॥
hk transliteration by Sanscriptद्वितालश्चैव मध्यानां तालः स्त्रीनीचलिङ्गिनाम् । चतुष्कलोऽथ द्विकलस्तथा ह्येककलः स्मृतः ॥ १०॥
Two Tālas are prescribed for middling characters, and one Tāla for women, persons of inferior status, and those in disguise. Likewise, four Kalās, two Kalās, and one Kalā are also mentioned accordingly.
english translation
dvitAlazcaiva madhyAnAM tAlaH strInIcaliGginAm । catuSkalo'tha dvikalastathA hyekakalaH smRtaH ॥ 10॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:32.0%
कर्णादष्टाङ्गुलस्थे च बाहुशीर्षे प्रयोजयेत् । उरसश्चापि चिबुकं चतुरङ्गुलसंस्थितम् ॥ ६॥
The shoulders and head should be positioned eight Aṅgulas away from the ears, and the chin should be placed four Aṅgulas away from the chest.
english translation
karNAdaSTAGgulasthe ca bAhuzIrSe prayojayet । urasazcApi cibukaM caturaGgulasaMsthitam ॥ 6॥
hk transliteration by Sanscriptहस्तौ तथैव कर्तव्यौ कटीनाभितटस्थितौ । दक्षिणो नाभिसंस्थस्तु वामः कटितटस्थितः ॥ ७॥
Similarly, the two hands should be positioned at the region between the waist and the navel, the right hand placed near the navel, and the left hand at the left side of the waist.
english translation
hastau tathaiva kartavyau kaTInAbhitaTasthitau । dakSiNo nAbhisaMsthastu vAmaH kaTitaTasthitaH ॥ 7॥
hk transliteration by Sanscriptपादयोरन्तरं कार्यं द्वौ तालावर्धमेव च । पादोत्क्षेपस्तु कर्तव्यः स्वप्रमाणविनिर्मितः ॥ ८॥
The interval between the two feet should be two and a half Tālas, and the raising of the feet should be done according to one's own measure.
english translation
pAdayorantaraM kAryaM dvau tAlAvardhameva ca । pAdotkSepastu kartavyaH svapramANavinirmitaH ॥ 8॥
hk transliteration by Sanscriptचतुस्तालो द्वितालश्चाप्येकतालस्तथैव च । चतुस्तालस्तु देवानां पार्थिवानां तथैव च ॥ ९॥
Four Tālas, two Tālas, and also one Tāla — four Tālas are prescribed for gods and kings.
english translation
catustAlo dvitAlazcApyekatAlastathaiva ca । catustAlastu devAnAM pArthivAnAM tathaiva ca ॥ 9॥
hk transliteration by Sanscriptद्वितालश्चैव मध्यानां तालः स्त्रीनीचलिङ्गिनाम् । चतुष्कलोऽथ द्विकलस्तथा ह्येककलः स्मृतः ॥ १०॥
Two Tālas are prescribed for middling characters, and one Tāla for women, persons of inferior status, and those in disguise. Likewise, four Kalās, two Kalās, and one Kalā are also mentioned accordingly.
english translation
dvitAlazcaiva madhyAnAM tAlaH strInIcaliGginAm । catuSkalo'tha dvikalastathA hyekakalaH smRtaH ॥ 10॥
hk transliteration by Sanscript