Natyashastra
Progress:35.5%
दक्षिणं विनमेत्पार्श्वं न्यसेन्नाभितटे ततः । नितम्बे दक्षिणं कृत्वा हस्तं चोद्वेष्ट्य वामकम् ॥ १८१॥
Then the right side of the body should be slightly bent, and the right hand placed at the navel region. The left hand should be lifted and placed gracefully on the left hip.
english translation
dakSiNaM vinametpArzvaM nyasennAbhitaTe tataH । nitambe dakSiNaM kRtvA hastaM codveSTya vAmakam ॥ 181॥
hk transliteration by Sanscriptततो वामपदं दद्यात् लताहस्तं च दक्षिणम् । लीलयोद्वाहितेनाथ शिरसानुगतेन च ॥ १८२॥
Then she should place the left foot forward and the right hand in the Latā gesture, with her head raised playfully and in alignment with the movement.
english translation
tato vAmapadaM dadyAt latAhastaM ca dakSiNam । lIlayodvAhitenAtha zirasAnugatena ca ॥ 182॥
hk transliteration by Sanscriptकिञ्चिन्नतेन गात्रेण गच्छेत्पञ्चपदीं ततः । यो विधिः पुरुषाणां तु रङ्गपीठपरिक्रमे ॥ १८३॥
With the body slightly bent, she should then walk using the five-step sequence. The same method that applies to men for moving around the stage platform should be followed here.
english translation
kiJcinnatena gAtreNa gacchetpaJcapadIM tataH । yo vidhiH puruSANAM tu raGgapIThaparikrame ॥ 183॥
hk transliteration by Sanscriptस एव प्रमदानां वै कर्तव्यो नाट्ययोक्तृभिः । षट्कलं तु न कर्तव्यं तथाष्टकलमेव च ॥ १८४॥
The same method is to be applied by actors for women as well. However, steps of six or eight Kalās duration should not be used.
english translation
sa eva pramadAnAM vai kartavyo nATyayoktRbhiH । SaTkalaM tu na kartavyaM tathASTakalameva ca ॥ 184॥
hk transliteration by Sanscriptपादस्य पतनं तज्ज्ञैः खेदनं तद्भवेत्स्त्रियाः । सयौवनानां नारीणामेवं कार्या गतिर्बुधैः ॥ १८५॥
The fall of the foot, according to experts, should be made to express a sense of effort or strain; in this way, the Gait of young women in their prime should be represented by the wise.
english translation
pAdasya patanaM tajjJaiH khedanaM tadbhavetstriyAH । sayauvanAnAM nArINAmevaM kAryA gatirbudhaiH ॥ 185॥
hk transliteration by Sanscript1.
अध्याय १
Origin of Drama
2.
अध्याय २
Description of the Playhouse
3.
अध्याय ३
Pūjā to the Gods of the Stage
4.
अध्याय ४
Description of the Class Dance
5.
अध्याय ५
Preliminaries of a Play
6.
अध्याय ६
Sentiments (rasa)
7.
अध्याय ७
Emotional and other States (bhāva)
8.
अध्याय ८
Gestures of Minor Limbs (upāṅga)
9.
अध्याय ९
Gestures of Major Limbs (aṅga)
10.
अध्याय १०
Cari Movements
11.
अध्याय ११
Maṇḍala movements
अध्याय १२
Different Gaits (gati)
13.
अध्याय १३
Different Gaits (gati)
14.
अध्याय १४
Zones (kakṣyā) and Local Usages (pravṛtti)
15.
अध्याय १५
Verbal representation (vācika) and Prosody (chandaḥśāstra)
16.
अध्याय १६
Metrical Patterns (chandas)
17.
अध्याय १७
Diction of a Play (lakṣaṇa)
18.
अध्याय १८
Rules on the use of Languages (bhāṣā)
19.
अध्याय १९
Modes of Address (nāman) and Intonation (kāku)
20.
अध्याय २०
Ten Kinds of Play (daśarūpa)
21.
अध्याय २१
Limbs of Segments (sandhi)
22.
अध्याय २२
Styles (vṛtti)
23.
अध्याय २३
Costumes and Make-up (nepathya)
24.
अध्याय २४
Harmonious Representation (sāmānyābhinaya)
25.
अध्याय २५
Dealings with Courtezans (veśyā)
26.
अध्याय २६
Varied Representation (citrābhinaya)
27.
अध्याय २७
Success in Dramatic Production (siddhi)
28.
अध्याय २८
On the Instrumental Music (ātodya)
29.
अध्याय २९
On Stringed Instruments (tata)
30.
अध्याय ३०
On Hollow Instruments (suṣira)
31.
अध्यायः ३१
On the Time-measure (tāla)
32.
अध्यायः ३२
The Dhruvā Songs
33.
अध्यायः ३३
On Covered Instruments (avanaddha)
34.
अध्याय ३४
Types of Characters (prakṛti)
35.
अध्याय ३५
Distribution of Roles (bhūmikā)
36.
अध्याय ३६
Descent of Drama on the Earth
37.
अध्याय ३७
adhyAya 37
Progress:35.5%
दक्षिणं विनमेत्पार्श्वं न्यसेन्नाभितटे ततः । नितम्बे दक्षिणं कृत्वा हस्तं चोद्वेष्ट्य वामकम् ॥ १८१॥
Then the right side of the body should be slightly bent, and the right hand placed at the navel region. The left hand should be lifted and placed gracefully on the left hip.
english translation
dakSiNaM vinametpArzvaM nyasennAbhitaTe tataH । nitambe dakSiNaM kRtvA hastaM codveSTya vAmakam ॥ 181॥
hk transliteration by Sanscriptततो वामपदं दद्यात् लताहस्तं च दक्षिणम् । लीलयोद्वाहितेनाथ शिरसानुगतेन च ॥ १८२॥
Then she should place the left foot forward and the right hand in the Latā gesture, with her head raised playfully and in alignment with the movement.
english translation
tato vAmapadaM dadyAt latAhastaM ca dakSiNam । lIlayodvAhitenAtha zirasAnugatena ca ॥ 182॥
hk transliteration by Sanscriptकिञ्चिन्नतेन गात्रेण गच्छेत्पञ्चपदीं ततः । यो विधिः पुरुषाणां तु रङ्गपीठपरिक्रमे ॥ १८३॥
With the body slightly bent, she should then walk using the five-step sequence. The same method that applies to men for moving around the stage platform should be followed here.
english translation
kiJcinnatena gAtreNa gacchetpaJcapadIM tataH । yo vidhiH puruSANAM tu raGgapIThaparikrame ॥ 183॥
hk transliteration by Sanscriptस एव प्रमदानां वै कर्तव्यो नाट्ययोक्तृभिः । षट्कलं तु न कर्तव्यं तथाष्टकलमेव च ॥ १८४॥
The same method is to be applied by actors for women as well. However, steps of six or eight Kalās duration should not be used.
english translation
sa eva pramadAnAM vai kartavyo nATyayoktRbhiH । SaTkalaM tu na kartavyaM tathASTakalameva ca ॥ 184॥
hk transliteration by Sanscriptपादस्य पतनं तज्ज्ञैः खेदनं तद्भवेत्स्त्रियाः । सयौवनानां नारीणामेवं कार्या गतिर्बुधैः ॥ १८५॥
The fall of the foot, according to experts, should be made to express a sense of effort or strain; in this way, the Gait of young women in their prime should be represented by the wise.
english translation
pAdasya patanaM tajjJaiH khedanaM tadbhavetstriyAH । sayauvanAnAM nArINAmevaM kAryA gatirbudhaiH ॥ 185॥
hk transliteration by Sanscript