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कनिष्ठाङ्गुलिनिष्क्रामः शम्या(सम्या) चैव ततो भवेत् । कनिष्ठानामिकाभ्यां तु निष्क्रामोऽतो विधीयते ॥ ४१॥
The Niṣkrāma is shown with the little finger, followed by the Śamyā. Then, with the little and ring fingers together, the Niṣkrāma is again performed.
english translation
ततश्च तालः कर्तव्या शम्या चैव तु पञ्चमी । प्रवेशो ?? षष्ठः कर्तव्यस्तर्जनीकृतः ॥ ४२॥
Then the Tāla is to be shown, followed by the fifth, which is the Śamyā. The sixth is the Praveśa, to be performed with the thumb, and it is to be shown using the index finger.
english translation
निष्क्रामसन्निपातान्ते नित्यमष्टकलो भवेत् । एष युग्मे कलापातविकल्पोऽङ्गुलिभिः कृतः ॥ ४३॥
At the end of the Niṣkrāma and Sannipāta, there should always be eight Kalās. This is the method of indicating the variation in the dropping of Kalās in a Yuga, performed through fingers.
english translation
कनिष्ठाङ्गुलिनिष्क्रामः प्रथमे तु कले भवेत् । शम्यापातो द्वितीया च तृतीया ताल एव च ॥ ४४॥
In the first Kalā, the little finger (kaniṣṭhāṅguli) should move out (niṣkrāma); the second is the dropping (āpāta) of the rod (śamya); and the third is the beat (tāla) itself.
english translation
शम्या तत्र चतुर्थी च पञ्चमी तर्जनीक्रमात् । षष्ठश्च सन्निपातः स्यदेष वै षट्कलो विधिः ॥ ४५॥
There, the fourth is with the Śamyā, The fifth with the forefinger in succession, And the sixth is the combined strike— This is the method of the six-beat measure.
english translation